Full Orchestra - Digital Download

SKU: A0.1112703

Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703).

Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.

Full Orchestra - Digital Download

SKU: A0.1112762

Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762).

Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.

Orchester: 1.1.1.1 - 1.1.1.1 - Pk - Str. mixed choir (SATB) with solo (T) and orchestra - advanced - Digital Download Kantate in 3 Teilen. Composed by Paul Hindemith (1895-1963). This edition: choral score. Downloadable, choral score. Duration 55 minutes. Schott Music - Digital #Q24850. Published by Schott Music - Digital

Full Orchestra - Level 4 - Digital Download

SKU: A0.1416135

Composed by Jerrald K Goldsmith. Arranged by Demetrio Bonvecchio. 21st Century,Film/TV. 36 pages. Demetrio Bonvecchio (Db Music) #997822. Published by Demetrio Bonvecchio (Db Music) (A0.1416135).

This is an orchestral arrangement of the famous Universal Pictures Logo music, written by Jerry Goldsmith.
I created this arrangement with the option to be performed with reduced brass from the original setting (which is, A LOT OF BRASS).
If the piece is performed with the original brass section it would be wonderful to split the horn section on stage (1-4 on the left, 5-8 on the right).
The piece also requires a Mixed Choir (which is part of the renovation for the 100th anniversary).
I hope you will have fun playing this famous short but surely challenging opening!
Take your popcorns and have fun!

Full Orchestra - Digital Download

SKU: A0.1251332

Composed by Lucas Jaramillo. Sacred. 100 pages. Lucas Jaramillo Valderrama #845607. Published by Lucas Jaramillo Valderrama (A0.1251332).

Mass for soprano solo, alto solo, tenor solo, baritone solo, four part mixed choir and orchestra
Latin text.

Full Orchestra - Level 4 - Digital Download

SKU: A0.1428141

By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 118 pages. Www.studio-orchestrations.com #1008969. Published by www.studio-orchestrations.com (A0.1428141).

This arrangement / score is set in C# Minor, a Minor 3rd / 3 steps below the original recorded song.  Versions of this same score will be available on this website in both E Minor [original key] and also D Minor [Down a TONE / 2 steps] to give your vocal soloist and choir key options.

Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements.  Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output.  It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.

It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional  texture to what is already an epic piece. 

The Youtube link below illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans.  All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic.  This recording is - like this score - also in C# Minor 

Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist.  [The choir is optional but the piece is much more epic with one!]

INSTRUMENTATION:

2 Flutes
1 Oboe
1 Clarinet
1 Bassoon

4 Horns
2 Trumpets
3 Trombones

Timpani
2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]

Piano
Electric Guitar
Bass Guitar
Drum Kit

Rock - Tenor Soloist
SATB [Optional but desirable!]

Strings.

Full Orchestra - Level 4 - Digital Download

SKU: A0.1427918

By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 118 pages. Www.studio-orchestrations.com #1008658. Published by www.studio-orchestrations.com (A0.1427918).

This arrangement / score is set in D Minor, a tone / 2 steps below the original recorded song.  Versions of this same score will be available on this website in both E Minor [original key] and also C sharp Minor [Down a minor 3rd / 3 steps] to give your vocal soloist and choir key options.

Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements.  Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output.  It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.

It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional  texture to what is already an epic piece. 

The Youtube link below (in the lower key of C# Minor) illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans.  All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic.

Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May.  We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist.  [The choir is optional but the piece is much more epic with one!]

INSTRUMENTATION:
2 Flutes
1 Oboe
1 Clarinet
1 Bassoon

4 Horns
2 Trumpets
3 Trombones

Timpani
2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]

Piano
Electric Guitar
Bass Guitar
Drum Kit
Rock - Tenor Soloist
SATB [Optional but desirable!]
Strings.

Full Orchestra - Level 4 - Digital Download

SKU: A0.1428144

By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 114 pages. Www.studio-orchestrations.com #1008972. Published by www.studio-orchestrations.com (A0.1428144).

This arrangement / score is set in E Minor, the original key of the recorded song.  Versions of this same score will be available on this website in both D Minor [Down a Tone / 2 Steps] and also C sharp Minor [Down a minor 3rd / 3 steps] to give your vocal soloist and choir key options.

Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements.  Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output.  It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.

It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional  texture to what is already an epic piece. 

The Youtube link below (in the lower key of C# Minor) illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans.  All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic.

Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist.  [The choir is optional but the piece is much more epic with one!]

INSTRUMENTATION:

2 Flutes
1 Oboe
1 Clarinet
1 Bassoon

4 Horns
2 Trumpets
3 Trombones

Timpani
2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]

Piano/Keyboard
Electric Guitar
Bass Guitar
Drum Kit

Rock - Tenor Soloist
SATB [Optional but desirable!]

Strings.

Full Orchestra - Level 5 - Digital Download

SKU: A0.1144146

By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Classical,Contemporary. Score and parts. 141 pages. William Hawley #744464. Published by William Hawley (A0.1144146).

This is the Complete Set of Orchestral Parts for William Hawley's oratorio Seattle, in the Composer's Edition. The work is in four movements, for four Vocal Soloists (Soprano, Mezzo-Soprano, Tenor, and Bass), Women's Choir (SSA), Large Mixed Chorus (SSAATTBB), and orchestra. Instrumentation: 3 Flutes (third doubles Piccolo) 2 Oboes 2 Clarinets in Bb English Horn 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in Bb 2 Trombones Bass Trombone Tuba Timpani 2 Percussion Harp Strings (with permission to copy multiple String Parts as required. Suggested minimum strings: 6,6,4,4,2 for a Choir of 16 singers and Chorus of 32 singers): Violin I Violin II Viola Violoncello Contrabass The following PDF and mp3 files are also available at this site: 1. Full Score 2. Vocal Score with Piano Reduction, with permission to make multiple copies as needed for the Conductor, Rehearsal Pianist, Soloists (S, M-S, T, B); Choir (4S, 4A, 4T, 4B); and Chorus. Suggested Chorus size: 32 Singers (8S, 8A, 8T, 8B). 3. Live mp3 Recording of the Premiere Performance by the Seattle Choral Company, Fred Coleman, Conductor. The audio clip contains the opening and closing sections of the work Approximate complete performance duration: 40'. ASCAP https://williamhawley.net.

Full Orchestra - Digital Download

SKU: A0.745476

Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Holiday,Patriotic,Traditional. Score and parts. 77 pages. Custom Chamber Music #353405. Published by Custom Chamber Music (A0.745476).

Semper Fidelis is one of John Philip Sousa's most popular marches. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional).

This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).

To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.

This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.

Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:
Brass trio, quartet, quintet, and sextet.
Woodwind trio, quartet, quintet, and sextet.
String trio, quartet, quintet, and sextet.
Clarinet trio, quartet, quintet, and sextet.
Saxophone trio, quartet, and quintet.
Mixed trio, quartet, quintet, and sextet, with optional percussion.
Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.

The parts are described as follows:
Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.
Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.
Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.
Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.
Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.
Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.
Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.

We recommend the following combinations:
Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).
Quartet: Parts 1, 2, 3, 4.
Quintet: Parts 1, 2, 3, 4, 5.
Sextet: Parts 1, 2, 3, 4, 5, 6.
Septet: Part 1, 2, 3, 4, 5, 6, 7.

Full Orchestra - Level 2 - Digital Download

SKU: A0.889427

Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427).

„Celtiberian Landscape

For Harp, Choir and Symphonic Orchestra

All the woodwind solo parts and the Horn can be doubled. 

The chamber option for a minimum number of soloists would be,

1 Flute

1 Oboe

1 English Horn

1 Eb Clarinet

1 Bb Clarinet

1 Fagotte

1 Kontra Fagotte

1 F Horn

2 C Trumpet

2  Trombone

2 Tuba

Timbale

Bells, „Glockenspiel or Piano

Percussion: gong, bass drum, snare, splash, triangle.

Harp

Celesta or Piano

Violin I

Violin II

Viola

Cello

DoubleBass

DoubleBass Solo

Soprano

Alto

Tenor

Bass

In this PDF file, for each voice in the score there is an individual part ready to print.

Included in this file is also the full score for the choir with individual parts.

There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers.

For the bells there is an extra optional score that could be eventually used by a keyboard instrument. 

The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform.

The piece is can easily be adjusted to different situations.

It is perfect for school ensembles and mixed groups of beginner students and advanced ones.

A little story about this piece

In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. 

At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream.

Now back to the Dream.

Grandpa toke me from the garden to a House full of sculptures and art work. 

There was also a room with 3 great pianos, sat to perform on 3 different stages. 

Family life size portraits where hanging on a corridor.

Another room was full of swords and ancient family weapons.

In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. 

I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream.

 

About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden.

I knew about The owner of this garden, he was living not so far away from me. 

Curious I decided to visit him.

He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira.

Thanks to Claudia Eppelt for the all the Love and cover design.

Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. 

For all Living beings on Earth, for all our Ancestors, 

Thank You for all of You 

All Your Love and Compassion.

Love Forever.

Disclaimer: 

The score was written on Finale and the sound file was p.