Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else� grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.

Full Orchestra - Level 4 - Digital Download SKU: A0.734188 Composed by Edwin Hawkins. Arranged by Daryl McKenzie. Christmas,Contemporary,Holiday,Praise & Worship,Traditional. Score and parts. 74 pages. Daryl McKenzie #6683773. Published by Daryl McKenzie (A0.734188). Arranged in the style of Tones and I of for Vocal , Choir with Big Band or Pops Orchestra (5 Saxes, 3 F Horns, 4 Trumpets, 4 Trombones, Keyboards, Guitar, Bass, Drums, Percussion, Harp, Violin 1, Violin 2, Viola, Cello, Contrabass) Key of A

Full Orchestra - Level 5 - Digital Download SKU: A0.1305187 By Josh Groban. By Kim Gannon and Walter Kent. Arranged by Fred Barton. Christmas,Holiday,Standards. Score and Parts. 106 pages. Fred Barton Music #894621. Published by Fred Barton Music (A0.1305187). Vocal and Full Symphony, as performed by Kelli O'Hara, Tony DeSare, Liz Callaway, Judy McLane, and others at Carnegie Hall and elsewhere. Instrumentation:Flute IFlute IIFlute IIIOboe IOboe IIEnglish HornBb Clarinet IBb Clarinet IIBass Clarinet/Alto SaxophoneBassoon IBassoon IIFrench Horn I, II, III, IVBb Trumpets I, II, IIITrombone ITrombone IIBass TromboneTubaTimpaniVibraphone, Wind Chimes, Sleigh Bells, Glock.Drum SetHarpCelestaViolin IViolin IIViolaCelloContrabassUpright Bass Piano-Vocal Reduction (Rehearsal)

Full Orchestra - Level 3 - Digital Download SKU: A0.798390 Composed by William Harold Heidlinger (PD. Arranged by Paul Hemmer. Christmas. Score and parts. 37 pages. PJMS MUSIC #6612553. Published by PJMS MUSIC (A0.798390). Birthday of a King is one of the most beloved religious Christmas classics. This orchestration features a solo voice with SATB chorus. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns in F, 2 trumpets, 2 trombones, Violin I & II, Viola, Cello, Double Bass, Harp, Timpani. It is certain to be an audience favorite.

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54

Full Orchestra - Level 4 - Digital Download SKU: A0.978287 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 16 pages. ResurrectionSong #6323495. Published by ResurrectionSong (A0.978287). Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.

Full Orchestra - Level 4 - Digital Download SKU: A0.978293 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 94 pages. ResurrectionSong #6323675. Published by ResurrectionSong (A0.978293). INSTRUMENTAL PARTS. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.

Full Orchestra - Level 4 - Digital Download SKU: A0.978292 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 29 pages. ResurrectionSong #6323667. Published by ResurrectionSong (A0.978292). Conductor Score.  Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.

Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069263. Published by Réal Dubois (A0.1018799). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.

Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4)  The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part.  Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings  Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately.  This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland   SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings.   YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.

Orchestra - Digital Download SKU: S9.Q47442 23 One-Minute Duets which later become 5 Quartets, 3 Sextets and 1 Octet. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 35 minutes. Schott Music - Digital #Q47442. Published by Schott Music - Digital (S9.Q47442). And on the Seventh Day Petals Fell in Petaluma ist Harry Partchs Hommage an seine kalifornische Heimat. Vier Jahrzehnte verbrachte der Komponist – mit zwei jeweils sechsjährigen Unterbrechungen – in der Bucht von San Francisco, stets auf der Suche nach neuen Klangexperimenten. Die 23 Duett-Studien lassen sich zu größer besetzten kammermusikalischen Werken zusammenstellen und eignen sie sich auch als Konzertstücke – voll origineller Polyrhythmik, Polymetrik und Polytonalität.Zymo-Xyl · Bass Marimba · Mazda Marimba · Diamond Marimba · Marimba Eroica · Crychord · Harmonic Canon I · Harmonic Canon II (Castor & Pollux) · Chromelodeon I and II · Surrogate Kithara · Kithara I and II · Guitar II · Adapted Viola · Koto · Cloud-Chamber-Bowls · Spoils of War · Drone Devil · Boo.

Full Orchestra - Level 3 - Digital Download SKU: A0.1025679 By Various Artists. By John Lewis Shumann. Arranged by Brett A Foster (BF Music). Contemporary. Score and parts. 123 pages. Brett A Foster #6474837. Published by Brett A Foster (A0.1025679). I Was Only Nineteen, I Was Only 19 or A Walk in the Light Green is the most widely recognised song by Australian folk group Redgum. The song was released in March 1983 as a single, which hit number one for two weeks. This version has been created for Full Orchestra (with optional TTB choral parts). The piece should be easily playable by Intermediate level Full Orchestra. There are optional parts for English Horn, Clarinet 3, Alto Saxophone, Tenor Saxophone & Contra Bassoon. The piano part is important for the core rhythms section, as is the guitar. The Violin 1 parts does go into third position towards the end, but all other string parts stay in first position. The song itself is a first-person account of a typical Australian soldier's experience in the Vietnam War, from training at a military academy in Australia to first hand exposure to military operations and combat, and ultimately his return home disillusioned and suffering from both PTSD and, it is implied, the harmful effects of Agent Orange. This piece would work well at any ANZAC Day or Memorial Day event for the Armed services.

Full Orchestra - Level 3 - Digital Download SKU: A0.971716 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 201 pages. Julian Wagstaff #3421021. Published by Julian Wagstaff (A0.971716). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.

Full Orchestra - Digital Download SKU: A0.971701 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 58 pages. Julian Wagstaff #14603. Published by Julian Wagstaff (A0.971701). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.

Full Orchestra - Level 3 - Digital Download SKU: A0.742584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. Score and parts. 56 pages. Arte Nova Music Lab #6431873. Published by Arte Nova Music Lab (A0.742584). I Want to Hold Your Hand is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment.With advance orders exceeding one million copies in the United Kingdom, I Want to Hold Your Hand would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group's first million-seller She Loves You, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, I Want to Hold Your Hand stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.It was also the group's first American number-one hit, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British Invasion of the American music industry. By 1 February it topped the Hot 100, and stayed there for seven weeks before being replaced by She Loves You. It remained on theBillboard chart for 15 weeks.I Want to Hold Your Hand became the Beatles' best-selling single worldwide selling more than 12 million copies. In 2018,Billboard magazine named it the 48th biggest hit of all time on the Billboard Hot 100. In the UK, it was the second highest selling single of the 1960s, behind She Loves You.Taken from https://en.wikipedia.org/wiki/I_Want_to_Hold_Your_Hand