Full Orchestra - Level 5 - Digital Download SKU: A0.730443 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 358 pages. James Nathaniel Holland #3482947. Published by James Nathaniel Holland (A0.730443). Full Score and Individual Parts, including singers and actors and stage directions. (Vocal Piano Score and Orchestral Score Only sold separately). THE ONE UPSTAIRS A Comic Opera in One Act Opera (in English) (Opera duration: 1 hour)  Duration: 45 minutes  Perfect vehicle for coloratura and Broadway Alto. Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and O Holy Art (tragedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Coloratura, Alto, Soprano, Baritone, 1 Actor Speaking part, 3 non-singing extras.  BRIEF SYNOPSIS: An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. Perfect opera for high school, university or young voices with strong coloratura and alto actress.

Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug salon orchestra - Digital Download SKU: S9.Q24981 Overture. Composed by Johann Strauss Jr. This edition: piano direction and parts. Domesticum. Downloadable, Piano conductor and parts. Duration 7 minutes. Schott Music - Digital #Q24981. Published by Schott Music - Digital (S9.Q24981).

Klavier, Akkordeon, Violine, Violine obligato, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, Trompete, Posaune, Schlagzeug salon orchestra - Digital Download SKU: S9.Q8333 Walzer. Composed by Bela Keler. This edition: piano direction and parts. Domesticum. Downloadable, Piano conductor and parts. Op. 83. Duration 10 minutes. Schott Music - Digital #Q8333. Published by Schott Music - Digital (S9.Q8333).

Full Orchestra - Level 3 - Digital Download SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0.1512855). About the piece'To The Moon' takes inspiration from the Earth's Moon, the beauty andmajesty of the celestial body and all it encompasses. It also charts the energy and excitement surrounding the space race and the ultimate goal to get to the Moon! The piece helps to explore extended tonalities and considers a different approach to Orchestral writing and performance choreography.This piece can be performed by any number of performers, ideally, traditional Orchestral numbers work well but experimentation with larger/fewer numbers on various parts within the different 'ensembles' can produce exciting results.Performance directionsThe ideal performing conditions for this piece are that the orchestra are split into 4 'ensembles' as indicated in the score. Each ensemble is grouped in a way that means all ensembles are pointing to the centre (see diagram 1 below). The audience should similarly be positioned around the room in a circle behinf each of the ensembles. Therefore, an ideal focal point for this performance would be a visual representation of the Moon in the centre of the room, ideally lit in some way. Representations of the Moon may take the form of a 3D lit representation (potentially made, perhaps a local Art project) or a projected representation onto the floor of the performance space. TheMoon should be of sufficient size as to not be lost in the space and careful planning should be done to ensure optimal visual effect. The role of the conductor during the performance ideally would be minimal, perhaps sat in one of the ensembles providing minimal direction. However, due to the capabilities of the performers, the conductor may have to take a more active role in the performance. In this case, diagram 1 (below) shows the ideal place for the conductor to be positioned so that performers can see as much as possible but so that attention is not diverted from the visual effect.To get in touch email me at: cknapp.nottingham@gmail.com.

Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song� that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)

Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.

Full Orchestra - Digital Download SKU: A0.742702 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 82 pages. AnderKamp Music #3639401. Published by AnderKamp Music (A0.742702). This is a wide, sweeping and pastoral arrangement of this timeless hymn arranged in a John Barry (Dances With Wolves, Out of Africa) sort of style. Highly praised and incredibly gifted arranger and orchestrator Jim Gray asked Jeff Anderson to create an arrangement for The Nashville Praise Symphony. The Nashville Praise Symphony (NPS) is an auditioned orchestral group under the direction of Camp Kirkland. After NPS performed this arrangement for a season, Jeff is excited to now make this arrangement available for purchase. Designed for full orchestra, this beautiful, peaceful arrangement would serve perfectly as an offertory or set-up for a message/sermon.   Instrumentation is: Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Bass Clarinet Trumpet 1-3 Horn 1 & 2 Trombone 1-3 Tuba Harp Percussion 1 & 2 Timpani Violin 1 & 2 Viola Cello Double Bass Written Out Piano Substitution parts: Alto Sax 1 & 2 (Horn 1 & 2) Tenor Sax 1 & 2 (Trombone 1 & 2) Bari Sax (Tuba) String Synth 1 (Violins-Viola) String Synth 2 (Viola-Cello) String Synth 3 (Cello-Double Bass) String Synth 4 (String Reduction)

Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.

Full Orchestra - Level 4 - Digital Download SKU: A0.1022038 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score and parts. 72 pages. Fredrik Schwenk #6305267. Published by Fredrik Schwenk (A0.1022038). Sturm Stoff Träume, Concerto for Violoncello and Orchestra, was commissioned by the Oldenburg State Theater in 2012 and premiered there on March 10, 2013 under the direction of Marcus Bosch. Niklas Schmidt played the solo part. The commissioned work was intended to establish a relationship to Shakespeare and thus to the other program points of the concert.

Full Orchestra - Level 4 - Digital Download SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 368 pages. James Nathaniel Holland #6058827. Published by James Nathaniel Holland (A0.730517). A celebration of the Roaring 20s for the new roaring 2020s.  Jazzy choruses, solos, trios and duets, dances and spoken scenes from the Musical A Lucky Star, Full Orchestral Score (in concert pitch with dialogues and stage directions) with measure numbers that align to the piano vocal score and individual parts by American composer James Nathaniel Holland (book, music and lyrics). The story follows a young man as he dreams of moving from the Midwest to New York City in the year 1924. Songs included are: I Ain't Doin' Homework, This Town, Such is the County Fair (with mini-ballet), What the Heck Do I Care, An Inspiration (That Lucky Star), The Letter, New York The Town of Your Dreams, Music and Words, Bad Ain't So Bad (a 1920s flapper number), O Baby You Treat Me Too Rough (a Charleston type trio and women's chorus), So Alone Am I, and the touching song Indiana for chorus and separate arrangements for solo voice.  Full orchestral score, and orchestral accompaniments sold separately. YouTube Demo playlist at: https://www.youtube.com/playlist?list=PLEcbVsA36MCva9aAwNei4XFxFQdI5Jiio.

Full Orchestra - Level 4 - Digital Download SKU: A0.976183 Composed by Nan Avant. Celtic,Contemporary,World. Score and parts. 156 pages. Nan Avant #3218165. Published by Nan Avant (A0.976183). TRIBUTUM for Celtic Bagpipes and Full Orchestra is an award winning concert work. The original composition which is also listed on Sheet Music Plus, was commissioned for Celtic Bagpipes and Chamber Orchestra.  Tributum pays homage to the great music of Ireland and Scotland, with lyrical and memorable themes throughout creating a dialogue between the chamber orchestra and the traditional pipes of Ireland, the Uilleann Pipes and the Great Highland Bagpipes. In ‘Tributum,’ Avant masterfully blends ethnic Celtic instruments with symphony orchestra to create a wonderfully moving work. Her majestic melodies and lush orchestrations transport the listener to the British Isles – it is an aural voyage worth taking.~ Hummie Mann, two time Emmy Award -winning composerUS Premier: March 24, 2013, NW Sinfonia Orchestra David Sabee conducting produced by Burmer Music LLC International Premier Canada: January 23, 2016 Edmonton Symphony Orchestra with the Royal Canadian Artillery Pipes and Drums and Brass Quintet conducted by Lucas Waldin. PRO: ASCAPThe MP3 and YouTube video are both from the Chamber Orchestra performance by the NW Sinfonia Orchestra under the direction of David Sabee, a production by Burmer Music LLC https://burmermusic.com/ and performed in Seattle at Benaroya, Nordstrom Hall, 2013. Contact: Nan Avant http://www.nanavant.net/Email: njavant@gmail.comPlease notify the composer when Tributum is to be performed and she will aim to attend the  performance.

Full Orchestra - Level 4 - Digital Download SKU: A0.1022049 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score and parts. 68 pages. Fredrik Schwenk #6319875. Published by Fredrik Schwenk (A0.1022049). Pro*Epimetheus, symphonic metamorphoses for large orchestra, was commissioned by the Halle Opera and premiered on December 5, 1999 at the Georg Friedrich Händel Halle in Halle an der Saale. Other items on the program were Prométhée, Le Poème du feu, op. 60 by Alexander Scriabin and Eine Alpensymphonie, op. 64 by Richard Strauss. The Halle Opera Orchestra played under the direction of GMD Roger Epple.

Orchestra - Digital Download SKU: S9.Q41195 Overture. Composed by Johann Strauss Jr. This edition: piano direction and parts. Odeon. Downloadable, Piano conductor and parts. Duration 6 minutes. Edition Cranz GmbH - Digital #Q41195. Published by Edition Cranz GmbH - Digital (S9.Q41195). 1 Piano (Direction-Conductor) - 2 Violino I (Direction-Conductor) - 1 Violino obligato - 1 Violino II - 1 Viola - 1 Violoncello - 1 Basso - 1 Accordeon (Fisarmonica) - 1 Flauto I - 1 Flauto II (grande e piccolo) - 1 Oboe I - 1 Oboe II - 1 Clarinetto I in B (Si) - 1 Clarinetto II in B (Si) - 1 Saxophon alto I in E (Mi) - 1 Saxophon alto II in E (Mi) - 1 Saxophon tenore in B (Si) - 1 Tromba I in B (Si) - 1 Tromba II in B (Si) - 1 Trombone I - 1 Trombone II - 1 Trombone III - 1 Fagotto I - 1 Fagotto II - 1 Corno I in F (Fa) - 1 Corno II in F (Fa) - 1 Corno III in F (Fa) - 1 Corno IV in F (Fa) - 1 Timpani in CG (Do - So ) - 1 Batteria (Percussion).

Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.