Full Orchestra - Level 4 - Digital Download SKU: A0.1239621 By Dr. Gregory Hamilton. By Dr. Gregory Hamilton. Arranged by Dr. Gregory Hamilton. 21st Century,Contemporary,Multicultural,World. 10 pages. Dr. Gregory Hamilton #835008. Published by Dr. Gregory Hamilton (A0.1239621). Three Orchestral Sketches: I Pickeral Lake at Midnight.For full orchestraParts avaliable for the composerwww.gregoryhamilton.org.

Full Orchestra - Level 5 - Digital Download SKU: A0.771711 Composed by Gregory Hamilton. Contemporary. Score and parts. 9 pages. Dr. Gregory Hamilton #32809. Published by Dr. Gregory Hamilton (A0.771711). Movement I of Three Orchestral Sketches. Moonlight at Pickeral Lake.

Full Orchestra - Level 4 - Digital Download SKU: A0.1223885 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. 14 pages. Arkady Leytush #820015. Published by Arkady Leytush (A0.1223885).

Full Orchestra - Level 2 - Digital Download SKU: A0.1472330 By Bobby Boris Pickett. By Bobby Boris Pickett and Leonard Capizzi. Arranged by Kevin Riley. 20th Century,Comedy,Thriller. 43 pages. Kevin Riley #1050034. Published by Kevin Riley (A0.1472330). Monster Mash is a 1962 novelty song by Bobby Boris Pickett. The song was released as a single on Gary S. Paxton's Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The Monster Mash single was number one on the BillboardHot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial Halloween favorite ever since. In 2021, nearly 60 years after its release, Monster Mash re-entered the Billboard Hot 100 chart at number 37.This arrangement is for a community orchestra set up including saxophones although they are not needed if you dont have any!Included are the words to the song that need acting rather than singing.

Full Orchestra - Level 4 - Digital Download SKU: A0.1295486 By Bobby Boris Pickett. By Bobby Boris Pickett and Leonard Capizzi. Arranged by Bryson Merkley. Classical,Contemporary,Halloween,Jazz,Latin. Score and Parts. 86 pages. Voices of the Valley #885775. Published by Voices of the Valley (A0.1295486). The fun and iconic Monster Mash gets totally reinvented with this modern take on the classic! Arranged for choir and orchestra, this piece is highly innovative, with a number of genres being explored, including samba, jazz, and get this, even rap! This is definitely a piece for the modern age that your musicians will have a blast performing!

Full Orchestra - Level 3 - Digital Download SKU: A0.1312863 By Kellie Pickler. By Joan Javits, Phil Springer, and Tony Springer. Arranged by Jack Bridger. Christmas,Holiday,Pop. 32 pages. Jack Bridger Music #901698. Published by Jack Bridger Music (A0.1312863). Santa Baby arranged for Orchestra with Trumpet Solo (or other Bb instrument). Instrumentation: Flute 1,2,3 Oboe Clarinet 1,2 Bassoon Horn 1,2 Trumpet Solo Trumpet 2,3 Trombone 1,2 Tuba Piano Drum Kit Violin 1 Violin 2 Viola Cello Double Bass

Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ?­ Bass Clarinet in Bâ?­ 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ?­ 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)

Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.

Full Orchestra - Level 5 - Digital Download SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.

Full Orchestra - Digital Download SKU: A0.835058 Composed by Cody Weinmann. 20th Century,Contemporary,Film/TV. Score and parts. 16 pages. Cody Weinmann #32321. Published by Cody Weinmann (A0.835058). This breathtaking score features an ad-lib choir, with freedom of syllables picked by the conductor. It features a drum set and a muted synthesizer that makes the piece stand out. Many of the parts have triplet rhythms against a straight 3/4 pattern. Includes some intricate bowing in the strings. Melodies are really ear-catching!

Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.

By Glenn Pickett. Orchestra. Concert; Sacred. EPak. 8 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music