Full Orchestra - Level 3 - Digital Download SKU: A0.944924 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 45 pages. Timothy Bandy #5209327. Published by Timothy Bandy (A0.944924). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax

Full Orchestra - Level 5 - Digital Download SKU: A0.809761 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 185 pages. R. E. Proctor #2898967. Published by R. E. Proctor (A0.809761). A concerto for two double basses. Approximately 19 minutes and 36 seconds in length.  This work explores the full range of the bass.  As in the other two concertos for bass, the harp plays a significant roll throughout the work providing a harmonic backdrop on which the basses play.  Conceived as a conversation between the two soloists, their parts interweave, calling and answering each other.  The orchestra is interwoven with the basses to add contrast and color.  The Double Concerto in B Minor should be interesting to both performer and audience.

Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow.  The second and third movements are most like a blues work.  The first movement is a rondo format, is not particularly bluesy.  A Les Paulâ„¢ guitar would play particularly well in this movement.  The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound.  The final movement is happy, upbeat, and lively good time blues.  In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum.  A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound.  The guitar should be the equivalent of a Fenderâ„¢ Stratocaster or Telecaster guitar; a Gibsonâ„¢ Les Paul would do nicely also.  The music is partially fingered leaving the player the opportunity to interpret the part.  The work is after the fashion of Chicago style blues of the 1960’s.  The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands.  It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3â„¢ with Leslie sound, as that instrument was widely used in blues of that period.  Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality.  The orchestral part is not particularly challenging.  The concerto is approx. 17 minutes in length.

Orchestra - Digital Download SKU: S9.Q40349 Composed by Alexander Borodin. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q40349. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q40349). Key: B minor. German • English • French.It took Borodin almost five years to write his first symphony, and the composition of 'Symphony No. 2' was to take just as much time. One should not forget, however, that music was mainly a leisure activity for the professor of organic chemistry in St. Petersburg. His work on 'Prince Igor' begun after the world premiere of Symphony No. 1 finished in favour of the second symphony, but part of the musical material found its way into the new composition, and even the extant programme testifies to the critical analysis of the music theatre: the gathering of Russian warriors in the first movement, the Old Slavonic bard in the andante, and the party scene to the sounds of the gusli in the finale.

Full Orchestra - Level 4 - Digital Download SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 41 pages. Kevin Riley #777502. Published by Kevin Riley (A0.1177491). Colditz is a British television drama series co-produced by the BBC and Universal Studios and screened between 1972 and 1974.The series deals with Allied prisoners of war imprisoned at the supposedly escape-proof Colditz Castle when designated Oflag IV-C during World War II, and their many attempts to escape captivity, as well as the relationships formed between the various nationalities and their German captors.Colditz was created by Brian Degas working with the producer Gerard Glaister, who went on to devise another successful BBC series dealing with the Second World War, Secret Army. Technical consultant for the series was Major Pat Reid, the real British Escape Officer at Colditz. One of the locations used in filming was Stirling Castle.Farnon is probably best known for two famous pieces of light music, Jumping Bean and Portrait of a Flirt, which were originally released in 1955 as the A and B sides on the same , and for Westminster Waltz, and A Star is Born.Farnon also wrote the music for more than forty motion pictures, including Captain Horatio Hornblower R.N.(1951), Gentlemen Marry Brunettes (1955), The Road to Hong Kong (1962), Shalako (1968) and Bear Island (1979). He wrote the theme tune and other music for many, mostly British, television series including Colditz (1972–74), Secret Army (1977–79), and A Man Called Intrepid (1979).

Full Orchestra - Digital Download SKU: AX.00-PC-0016219_BBC1 Baritone B.C.. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016219_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016219_BBC1). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.

Full Orchestra - Level 4 - Digital Download SKU: A0.1394754 Composed by Anthony Drewe, George Stiles, Richard M. Sherman, and Robert B. Sherman. Arranged by Julius Marx. Broadway,Classical,Film/TV,Musical/Show,Opera,Romantic Period. 20 pages. Julius Marx #978244. Published by Julius Marx (A0.1394754). The full score with all orchestra parts of the prologue of the Broadway Musical Mary Poppins.

Full Orchestra - Level 4 - Digital Download Composed by Unknown. Arranged by John Hoesly. Christmas, Concert, Contemporary. Score and parts. 111 pages. PRS&B #2942271. Published by PRS&B

Full Orchestra - Level 2 - Digital Download SKU: A0.1135875 Composed by Alexis Emmanuel Chabrier. Arranged by Orchestrated by Arkady Leytush. 19th Century. Score and Parts. 42 pages. Arkady Leytush #735904. Published by Arkady Leytush (A0.1135875). Orchestra: Piccolo 1.2 Flute 1.2 Oboe English horn 1.2 Clarinets in B Bass Clarinet 1.2 Bassoon Contrabassoon 4 Horns in F 2 Trumpet in C 2 Trombone Bass Trombone Timpani Glockenspiel Percussion: Triangle Snare dram Tambourine Cymbals Gong (S, M) Bass drum Harp Violins I Violins 2 Violas Cellos D. Basses.

Full Orchestra - Digital Download SKU: A0.506989 Composed by Lore Burns. Classical,Contemporary. Score and parts. 50 pages. Published by Lore Phoenix Burns (A0.506989). A program piece describing the sonic journey of a Boeing B-29 bomber plane during WWII, from droning flight to an attack run and the ensuing destruction. Contact the composer for a discounted price.

Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 5 - Digital Download SKU: A0.1217034 Composed by Heinrich Marschner. Arranged by Typeset by Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 183 pages. Trevor Denyer #813564. Published by Trevor Denyer (A0.1217034). Marschner is probably best known for his opera Der Vampyr, but deserves to be played more as his music is powerful and dramatic - in the best Romantic tradition and very similar to Weber's.This overture is no exception - full of energy, drama and reflection too! I believe this to be the only modern score and set of parts to be published - but stand to be corrected!

Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.

Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.