Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. Luke Kelly #778901. Published by W. Luke Kelly (A0.1178931). On the Moors is a free form, free tempo piece, meant to evoke a walk through green hills and a cool breeze. Begin the piece with confidence, but calmly.The piano player should be the highlight of the piece, but give room for some spotlights to the woodwinds and strings at times. Observe the fermatta at m. 14 with a great amount of anticipation, perhaps even a few beats of silence. Allow the audience to lean in as they reach for the next note, then bring in the new key at m. 15 with purposeful steps into the next motif. Observe molto rit and poco rit sections to take as much time as the Director wishes, and consider the entire piece espressivo with overtones of warmth, as in sunlit rolling hills during an early Spring afternoon.Composer's Note:This piece is dedicated to the beauty of the State of Ohio, whose open fields, beautiful rolling hills, and warm sun have become my home, and to it's people, who are as warm and welcoming as any American community could ever be.

Full Orchestra - Level 4 - Digital Download SKU: A0.1029378 Composed by Terence Richard Falzano. Arranged by Terence Richard Falzano. Christmas,Contemporary,Easter,Sacred,Wedding. Score and parts. 2 pages. Trumpet Prayers Publishing #4840135. Published by Trumpet Prayers Publishing (A0.1029378). Contemporary Hymn for the entire Body Of Christ to Worship and Honer the Lord and Savior. Purposed for both wedding and funeral ceremonies as well corporate worship.

Full Orchestra - Level 5 - Digital Download SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malcolm D Robertson (A0.927995). Composed in June & July 2020 & completed on the 19th July 2020. As a former Double Bass player, I thought it was about time a composed a concerto for my former instrument. The Concerto uses a relatively small orchestra (Flute, Oboe, Cor Anglais, 2 Clarinets, Bassoon, 2 Horns, Timpani, Harp & Strings), the string section should not be too large, 8,8,6,6,3, would be a preferable size. The solo Double Bass doesn't have a large amount of carrying power & so the dynamics for the soloist are marked up, as the MIDI playback isn't great for a solo Bass, the soloist's dynamics have been notched up still further in places for MIDI playback purposes, but can be adjusted down in concert performance. The bass clef has largely been used for the solo purely because the tenor clef option sounds an octave too high on the Musescore program. The Concerto is in 3 movements and about 17 minutes in duration.Parts are available upon request.

Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.�After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com

Full Orchestra - Level 4 - Digital Download SKU: A0.1147613 Composed by Alan Menken and Howard Ashman. Arranged by Pablo Guerrero-Martín. Broadway,Film/TV,Musical/Show,Singer/Songwriter. Score and Parts. 42 pages. Pablo Guerrero-Martín #747791. Published by Pablo Guerrero-Martín (A0.1147613). Orchestral edition of the original 1988 Broadway Version. For more previews. Contact the arranger on: pabloguerreromartin@gmail.com Check your copyright laws for non educational purposes.

Full Orchestra - Level 5 - Digital Download SKU: A0.891104 Composed by Frederic Bernard. Concert,Contemporary,Film/TV,Holiday. Score and parts. 8 pages. Frederic Bernard #3101861. Published by Frederic Bernard (A0.891104). A stunningly orchestrated, comic-esque full orchestral music piece, with a lot of challenging passages, making it a fantastic encore piece for your upcoming concert! Excellent work for your orchestra to really show of its guts! Note: this is only the conductors score, which is mainly meant for study- and perusal purposes. If you wish to include the piece into your concert program, you'd obviously have to buy the parts as well (these will be available on SMP soon). https://www.youtube.com/watch?v=aZ5z-EB3KYs

Full Orchestra - Level 4 - Digital Download SKU: A0.1377764 By Note Performers Orchestra. By Bryan M. Powell. Arranged by Bryan M. Powell. 19th Century,20th Century,21st Century,Classical,Contest,Festival. 62 pages. Composer Bryan M. Powell's Music #962357. Published by Composer Bryan M. Powell's Music (A0.1377764). This piece is for review purposes only. Critiques, thoughts, and suggestions will be thoughtfully considered. The piece comes in four movements, Theme and Variations, Waltz, Appassinato, and Capreciano. It is written for piano and full orchestra.

Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).

Full Orchestra - Level 4 - Digital Download SKU: A0.1511808 By Sammy Davis Jr. By Anthony Newley and Leslie Bricusse. Arranged by Brad Ritchie. Broadway,Film/TV,Musical/Show,Standards. 107 pages. Main Office Productions & Publishing #1086942. Published by Main Office Productions & Publishing (A0.1511808). As featured in the motion picture Willy Wonka and the Chocolate Factory this arrangement brings Sammy Davis Jr.'s take on this classic song written for the movie to your orchestra. The orchestration features a solo vocalist with an optional SATB and Kids Choir, this arrangement will definitely bring a bit of movie nostalgia to your performance!Orchestration: 2222 - 4331 - Timp+2 Perc. - E. Bass - Drum Set - Kids Choir (opt.) - SATB Choir (opt.) - Solo Vocal - StringsDuration: ca. 3:15A score video of Sibelius playback is below to give a sense of the arrangement. This demo is the Sibelius playback of my arrangement you are purchasing with Sammy Davis Jr.'s original isolated vocals layered on top for demo purposes. Thank you so much for considering this chart. If there are any questions or further information needed please feel free to contact me at brad@bradritchie.com. Also let me know if you end up purchasing. I'd love to know of any upcoming performances!

Digital Download SKU: OX.9780193702981 Composed by Emanuele d'Astorga. Edited by Robert King. Classic Choral Works. Score. 51 pages. Oxford University Press Digital #9780193702981. Published by Oxford University Press Digital (OX.9780193702981). ISBN 9780193702981.For SATB soloists, SATB chorus, and string ensemble. Composed during the early 1700s, this was to become one of the most frequently performed choral works of the eighteenth century. Robert King has consulted eighteenth-century sources to prepare this edition, which includes an organ reduction for rehearsal purposes. About Classic Choral WorksThese truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal

Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.

Full Orchestra - Level 4 - Digital Download SKU: A0.1435518 By Soundtrack. By Joseph LoDuca. Arranged by Pablo Guerrero-Martín. 21st Century,Classical,Film/TV. 37 pages. Pablo Guerrero-Martín #1013603. Published by Pablo Guerrero-Martín (A0.1435518). Orchestra and optional Female Chorus ( English phonetics of original Bulgarian)For more previews. Contact the arranger on: pabloguerreromartin@gmail.com Check your copyright laws for non educational purposes.In a time of ancient gods, warlords and kings. A land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power, the passion, the danger. Her courage will change the world.The lyrics, chanted in the Bulgarian language, are:?????? ???? ??????? / Zhenata yazdi samotna??????? ?????? ????? ? / Neinoto minalo srazi ya????? ???????? ?? ????? ???? / Sreshtu voiskite ot tumen sviyat????? ?? ????? ??/ Vouva za dobro tya?????? ??????? ????? / Rogovi zvanove idvat???????? ??? ?? ????? / Napreyte pat na voyina!?????? ???? ? ????? / Tapani biyat va ritam?????????? ? ??? ???? / Princesata ye pak tuka!https://youtu.be/q8YH9AL4gnY.

Full Orchestra - Level 5 - Digital Download SKU: A0.921242 Composed by Carl Van Pevenage. World. Score and parts. 138 pages. Carl Van Pevenage #5777021. Published by Carl Van Pevenage (A0.921242). My master piece.You can copy the parts for you orchestra.It's free to play for educational purposes.  For commercial action, please contact the composer.Watch out the solo in the middle is crazy.  If it's too difficult, jump to the next section.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 5 - Digital Download SKU: A0.1007901 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. 20th Century,Concert,Contemporary. Score and parts. 220 pages. SGAE #3918741. Published by SGAE (A0.1007901). From the formal point of view, Un Piccolo Concerto is structured in three movements: I: Moderato, II: Homage to Ponce, mostly slow and II: Aires Mexicanos, allegro with verve. From the harmonic point of view, in the first movement a modal language is used, with some very tonal parts, the use of pantonalism or a very accelerated path through different tones and some use of blue elements, with a leitmotiv that is will repeat several times, giving the work a minimalist accent. The second movement, however, is very tonal, epic, with different changes of tone and mode in its development. In the third, the procedure is totally tonal, although very modulant, where they try to reflect the Mexican airs, because that is its main purpose. In this movement the same leitmotiv of the first one is also exploited, but with the rhythmic variant that supposes the ternary subdivision (6/8). In all movements, special care has been taken to respect the guitar aspect, both in technique and style. The estimated duration is approximately 17:30, although it could vary according to the sense given to the rittardando, taste of the interpreter and intermediates between movements.