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Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. Published by R. E. Proctor (A0.809786). The G Minor Concerto for Trombone follows the standard format of fast – slow – fast movements.  The first being Adagio – Andante and is entitled Variations.  The slow or 2nd movement – Lento - is in 6/8 meter and is entitled Remembering the ‘60’s.  The movement is based, in part, on a chord progression to a popular song from the 1960’s.  The 3rd movement, entitled Now, is up tempo and rhythmic.  It’s harmonic structure based in a jazz-like chord progression.  It is bright, thoughtful, and sometimes a bit moody.  Approximate length 17 minutes and 55 seconds.
Concerto in G Minor for Trombone and Orchestra
Orchestre

$19.95 19.16 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1304465 By Barbra Streisand and Donna Summer. By Bruce Roberts and Paul Jabara. Arranged by Matt Amy. Contemporary,Disco,Funk,Pop. Score and Parts. 134 pages. Matt Amy Music #893956. Published by Matt Amy Music (A0.1304465). Key: C major intro; A minor disco modulating to G minor BPM: 66 - 136Style: Ballad/Disco (as per original)Duration: 4’20“ Ensemble type: Pops OrchestraInstrumentation:- Lead Vocal- Piccolo- 2 Flutes- 2 Oboe- 2 Clarinets- Bass Clarinet- 2 Bassoon- 2 Alto Saxophones- 2 Tenor Saxophones- Baritone Saxophone- 4 Horns- 3 Trumpets- 3 Trombones- Tuba- Keyboard 1- Keyboard 2 (opt.)- Guitar- Bass- Drums- 3 Percussion- Timpani- Harp- Violin 1- Violin 2- Viola- Cello- Contrabass.
No More Tears (enough Is Enough)
Orchestre
Barbra Streisand and Donna Summer
$50.00 48.03 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1433203 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. 295 pages. J.G. Cuco Barber #1013563. Published by J.G. Cuco Barber (A0.1433203). Work Title 6 SymphoniesAlternative Title Six Simphonies a Deux Violons, Taille & Basse. Deux Hautbois & deux Corns de ChasseComposer Abel, Carl FriedrichOpus/Catalogue Number Op.7 ; WK 13-18Movements/Sections 6 symphonies: Symphony in G major, WK 13 Symphony in B-flat major, WK 14 Symphony in D major, WK 15 Symphony in F major, WK 16 Symphony in C major, WK 17 Symphony in E-flat major, WK 18 First Publication 1767 (Robert Bremner, London)Dedication Count of ThanetAverage Duration 10-12 minutes 8-10 minutes 10 minutes 8-10 minutes 7-10 minutes 12 minutes Composer Time Period ClassicalPiece Style ClassicalInstrumentation Orchestra:2 oboes, 2 horns, strings, continuo.
Abel - 6 Symphonies, WK 13-18 ; Op.7
Orchestre

$75.00 72.04 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
CONJUNCTION: The Christmas Star of 2020
Orchestre

$95.00 91.25 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arranged by Robert Myers. Christian,Contemporary,Sacred. Score and parts. 64 pages. WheatMyer Music #4808643. Published by WheatMyer Music (A0.976722). Joachim Leander's Praise to the LORD, the Almighty, as translated by Catherine Winkworth, has consistently been one of the most published hymns in the English language since the mid-20th Century. Its anonymously composed tune, LOBE DEN HERREN, almost exclusively paired with this text since the 17th Century, is also much loved. Even J.S. Bach found it suitable to feature in his 137th cantata.  The title of this arrangement, Ponder Anew, as taken from the commonly used third stanza of the hymn, Ponder anew what the Almighty can do, invites one to consider afresh the attributes and works of Almighty God as one listens to this completely new setting of the tune. This arrangement for orchestra features three variations of the complete hymn tune utilizing metrical and harmonic changes to maintain focus on the tune and its text. These are bracketed via repetitions of the first five tune pitches in harmonic planing over a crescendoed pedal tone producing steadily increasing tension with unexpected resolutions of the beginning and concluding phrases. The music in not particularly difficult and should be readily playable by high school or higher level musicians. Yet, both musicians and audience will find the work interesting and enjoyable with music that reflects the majesty and mystery of its subject. Robert Myers S.D.G.INSTRUMENTATION Picc, Fl1, 2 Oboe 1, 2 Bb Cl 1, 2 + Bass Cl Bsn 1 Hn 1, 2 Tpt 1, 2, 3 Tbn 1, 2, 3 Tuba Timpani Perc. 1 (glock, crash cym, sus cym, ride cym, mark tree, claves, tam tam) Perc. 2 or Drum Set (snare, bass drum, toms (lo/mid/hi), crash cym, finger cym or triangle, ride cym, sys cym) Vln 1, 2 VlaVC DB
Ponder Anew
Orchestre

$75.00 72.04 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
Divinum Mysterium
Orchestre

$75.00 72.04 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1509331 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by John Langley (Studio Orchestrations). Broadway,Children,Christmas,Film/TV,Musical/Show,Standards. 88 pages. Www.studio-orchestrations.com #1084580. Published by www.studio-orchestrations.com (A0.1509331). For vocal soloist, (Optional SATB chorus) and Orchestra in G MajorBrothers Richard Sherman and Robert Sherman were two of the finest song writers of all time, creating iconic family friendly songs and scores for many Disney films including Mary Poppins (1964), Chitty Chitty Bang Bang (1968), and Bedknobs and Broomsticks (1971) and the animated films The Sword in the Stone (1963), The Jungle Book (1967), Charlotte's Web (1973), The Aristocats (1970), and of course the theme park songs There's A Great Big Beautiful Tomorrow and It's A Small World (After All). The score for Mary Poppins is especially perfect with so many immortal songs like Chim chimeney, Spoonful of sugar, Fly a kite, Supercali ........ and of course the simple but beautiful Feed the birds.  It has such finely balanced musicality as a song and tugs the heart strings with its gentle lilting narrative of the unassuming bird lady on the steps of St. Paul's Cathedral.This arrangement tries to capture the magic of the original song, using some occasional harmonic ideas from the stage musical version as well. Instrumentation:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 Horns2 PercussionHarpKeyboard Strings Optional SATB chorusCheck out other arrangements and orchestrations by John Langley and Paul Campbell at https://www.studio-orchestrations.com/buy-hire-music
Feed The Birds (Tuppence A Bag)
Orchestre

$120.00 115.26 € Orchestre PDF SheetMusicPlus






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