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Full Orchestra - Level 5 - Digital Download

SKU: A0.534688

Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688).

This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher.  Includes complete notes.

Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
Orchestre

$29.95 28.41 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: A0.799680

Composed by Dave Gardner. Christmas. Score and parts. 19 pages. D. M. Gardner Music #5454321. Published by D. M. Gardner Music (A0.799680).

A picturesque setting of Robert Frost's famous poem, Stopping by Woods on a Snowy Evening for SATB Chorus and Full Orchestra.  Each moment, carefully painted with music, illustrates the speaker's emotional journey from despair, to hope, to perseverance.  

An excellent setting for winter or Christmas concerts!

***THIS PURCHASE IS FOR THE FULL SCORE ONLY (FULL ORCHESTRA).  INSTRUMENTAL PARTS AND CHORAL SCORE SOLD SEPARATELY.***

Making the score, choral score, and parts available separately means it is much easier and affordable to replace or add music as needed!

Stopping by Woods (Robert Frost) – FULL SCORE (FULL ORCH)
Orchestre

$35.00 33.2 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: A0.799679

Composed by Dave Gardner. Christmas. Score and parts. 55 pages. D. M. Gardner Music #5454301. Published by D. M. Gardner Music (A0.799679).

A picturesque setting of Robert Frost's famous poem, Stopping by Woods on a Snowy Evening for SATB Chorus and Full Orchestra.  Each moment, carefully painted with music, illustrates the speaker's emotional journey from despair, to hope, to perseverance.  

An excellent setting for winter or Christmas concerts!

***THIS PURCHASE IS FOR THE INSTRUMENTAL PARTS ONLY (FULL ORCHESTRA).  FULL SCORE AND CHORAL SCORE SOLD SEPARATELY.***

Making the score, choral score, and parts available separately means it is much easier and affordable to replace or add music as needed!

Stopping by Woods (Robert Frost) - INSTR PARTS (FULL ORCH)
Orchestre

$14.99 14.22 € Orchestre PDF SheetMusicPlus

Digital Download

SKU: OX.9780193702981

Composed by Emanuele d'Astorga. Edited by Robert King. Classic Choral Works. Score. 51 pages. Oxford University Press Digital #9780193702981. Published by Oxford University Press Digital (OX.9780193702981).

ISBN 9780193702981.

For SATB soloists, SATB chorus, and string ensemble. Composed during the early 1700s, this was to become one of the most frequently performed choral works of the eighteenth century. Robert King has consulted eighteenth-century sources to prepare this edition, which includes an organ reduction for rehearsal purposes.

About Classic Choral Works

These truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal

Stabat Mater
Orchestre

$11.99 11.37 € Orchestre PDF SheetMusicPlus

Digital Download

SKU: OX.9780193702875

Composed by Henry Purcell. Edited by Robert King. Classic Choral Works. Score. 39 pages. Oxford University Press Digital #9780193702875. Published by Oxford University Press Digital (OX.9780193702875).

ISBN 9780193702875.

For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo. Written for St Cecilia's Day 1694, Purcell's Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft, and Handel. Orchestral material is available on hire/rental.

About Classic Choral Works

These truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal

Te Deum and Jubilate Deo in D
Orchestre

$11.50 10.91 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.976734

Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734).

CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.

It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.

PROGRAM NOTES:

2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.

For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.

Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.

Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020

I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.

Robert Myers
S.D.G.





CONJUNCTION: The Christmas Star of 2020
Orchestre

$95.00 90.12 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.979772

Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 44 pages. Monkspath Music #6079181. Published by Monkspath Music (A0.979772).

The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two).

It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield.

This arrangement is suitable for all orchestras of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur orchestras.

For further pieces, view the Monkspath Music catalogue and click here!

Coventry Carol for Orchestra Orchestre

$39.99 37.93 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1390491

Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491).

Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.

Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.

The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.

Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.

The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time Enthusiasts

This beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.

Somewhere In Time
Orchestre

$80.00 75.89 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1081805

By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 28 pages. Kevin Riley #685932. Published by Kevin Riley (A0.1081805).

The song was released on Elton John's Rocket Records. After hearing a version of Laughter in the Rain by singer Lea Roberts on the radio several weeks before the planned release of his single, Sedaka phoned Elton John to have MCA Records rush the Sedaka version to release within five days. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.

Laughter In The Rain
Orchestre
Neil Sedaka
$60.00 56.92 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1451230

By Various. By Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Kevin Riley. 21st Century,Film/TV. 79 pages. Kevin Riley #1030686. Published by Kevin Riley (A0.1451230).

Star Trek Into Darkness is a 2013 American science fiction action film directed by J. J. Abrams and written by Roberto Orci, Alex Kurtzman, and Damon Lindelof. It is the 12th installment in the Star Trek franchise and the sequel to the 2009 film Star Trek, as the second in a rebooted film series. It features Chris Pine reprising his role as Captain James T. Kirk, with Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldana, John Cho, Anton Yelchin, Bruce Greenwood, and Leonard Nimoy reprising their roles from the previous film. Benedict Cumberbatch, Alice Eve, and Peter Weller are also in the film's principal cast. It was Nimoy's last film appearance before his death in 2015. Set in the 23rd century, the film follows Kirk and the crew of USS Enterprise as they are sent to the Klingon homeworld seeking a former Starfleet member-turned-terrorist, John Harrison.

Star Trek Main Theme
Orchestre
Various
$80.00 75.89 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.1430275

Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275).

From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail.  No spoilers however.  If you've not seen it, then add it to your playlist!

The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack  scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score.  It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.

Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.

This orchestration emulkates as closely as possible the soundtrack.  Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. 

SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. 

The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate).  However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.

We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.

INSTRUMENTATON:

2 Flutes
2 Oboes
2 Clarinets
2 Bassoons
1 Contra-Bassoon (Optional)

4 Horns
2 Trumpets
3 Trombones
1 Tuba

Timpani
2 Percussion
[Cymbals/Suspp.Cymbal/
Bass Drum/Tubular Bells]

Keyboard
SATB Choir [Optional]
Strings.

Chevalier De Sangreal
Orchestre

$150.00 142.29 € Orchestre PDF SheetMusicPlus






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