Full Orchestra - Digital Download SKU: AX.00-PC-0001739_H3 3rd F Horn. Composed by Peter Ilyich Tchaikovsky. Arranged by Victor López. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001739_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001739_H3). UPC: 038081353388.Finally, a fantastic transcription for full orchestra of this much-beloved string piece! While true to the original, the addition of the winds serves to provide even deeper sonority and allows some flexibility in the number of string and wind players needed for a complete performance.Concert/Contest.

Full Orchestra - Digital Download SKU: A0.748293 Composed by Sonny Curtis. Arranged by Patrick Sheehan. Contemporary. Score and parts. 34 pages. Patrick Sheehan #6301799. Published by Patrick Sheehan (A0.748293). The theme music as performed by Sonny Curtis for Mary Tyler Moore INSTRUMENTATION: Flute I, Flute II, Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trombone I, Trombone II, Bass Trombone (III), Baritone Voice, Celesta, Fender Rhodes Electric Piano, Electric Bass, Glockenspiel, Tambourine, Drumset, Harp, Violin I, Violin II, Viola, Cello. ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.

Full Orchestra - Level 4 - Digital Download SKU: A0.997114 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Holiday,Love,Pop,Wedding. Score and parts. 71 pages. Bill Fortenberry #6208211. Published by Bill Fortenberry (A0.997114). If the opening scene of Disney's Up! were a musical, this is the song that they would sing. Fortenberry and Grigg have crafted an endearing portrayal of true love - the kind of love that lasts a lifetime and never fades.

Full Orchestra - Level 5 - Digital Download SKU: A0.1284755 By The Who. By Pete Townshend. Arranged by Brad Ritchie. Pop,Rock. Score and Parts. 47 pages. Main Office Productions & Publishing #875931. Published by Main Office Productions & Publishing (A0.1284755). Full Orchestra Arrangement that is true to the original the Who recording.  Features Vocal and Rock Band.Score Formatted for 11x17 paper.  Parts formatted for 9.5x12.5 paper.  Parts are designed to be taped accordion style.

Full Orchestra - Level 5 - Digital Download SKU: A0.1284753 By Marshall Tucker Band. By Toy Caldwell. Arranged by Brad Ritchie. Pop,Rock. Score and Parts. 97 pages. Main Office Productions & Publishing #875929. Published by Main Office Productions & Publishing (A0.1284753). Full Orchestra Arrangement that is true to the original Marshall Tucker Band recording.  Features Vocal and Rock Band.Score Formatted for 11x17 paper.  Parts formatted for 9.5x12.5 paper.  Parts are designed to be taped accordion style.

Full Orchestra - Level 2 - Digital Download SKU: A0.1292882 Composed by Tim Yarham. 21st Century,Contemporary. Score and Parts. 83 pages. True Art is Angsty #883478. Published by True Art is Angsty (A0.1292882). My Love Is As A Sunrise (12'10) is an original work for small orchestra in four movements. As the title suggests, it is inspired by the beauty of both love and the sunrise. Ideal for school or community groups, this work will please all audiences.

Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18.  FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.

Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18.  INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.

Full Orchestra - Digital Download SKU: A0.742704 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 90 pages. AnderKamp Music #3639421. Published by AnderKamp Music (A0.742704). The longing for Emmanuel. This solemn and reverent approach to this well loved hymn for Advent and Christmas will be a welcome addition to any Christmas/Advent service. This full orchestra arrangement in our ‘Cinematic Worship Service’ will require very little rehearsal time and features both a beautiful cello solo and acoustic guitar (written out). Instrumentation: Flute 1-2 Oboe Clarinet 1-2 Bassoon Horn 1-2 Trumpet 1-3 Trombone 1-3 Tuba Timpani Percussion (2 players – Bells, Suspended Cymbal, Wind Chimes/Tree/Crash Cymbal) Harp Violin 1-2 Viola Cello Double Bass Piano (written out with chords for optional rhythm section) Acoustic Guitar   Substitution Parts: Bass Clarinet (Bassoon) Alto Sax 1-2 (Horn 1-2) Tenor Sax 1-2 (Trombone 1-2) Bari Sax (Tuba) String Synth 1 (Violins/Viola) String Synth 2 (Viola/Cello) String Synth 3 (Cello/Bass) String Synth 4 (String Reduction)As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tuba2018 Holiday Contest Entry

Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.