Full Orchestra - Level 4 - Digital Download SKU: A0.834148 Composed by M. L. Daniels. 20th Century. Score and parts. 50 pages. M. L. Daniels #5041763. Published by M. L. Daniels (A0.834148). This piece can be thought of as a description of a snowfall.  Little swirls of wind/snow, especially near the beginning.  It has a challenging F horn countermelody, but otherwise is not that difficult. It brought many compliments from the audience on its first performance. It will help to use earphones as you listen to the audio. You will need a sensitive orchestra to get the aura for this piece. They will love it.

Orchestra - Grade 4 - Digital Download SKU: IZ.OMS142 Composed by Jeff Frost. Score and Parts. 46 pages. Imagine Music - Digital #OMS142. Published by Imagine Music - Digital (IZ.OMS142). 9 x 12 in inches.The Keweenaw Peninsula is located in the northwestern part of the Upper Peninsula of Michigan. It is surrounded by Lake Superior on the west, north and east sides. From the late 1800's through the early 1960's copper was mined there. There are still remnants of multiple mines and hoists scattered about the hilly country side. This area can get around 180 of snow each year and winters can be long yet beautiful. There are waterfalls scattered in the hilly country side that are quite beautiful in the spring and summer.I attended Michigan Technological University from 2002-2006 which is located in Houghton, Michigan. Houghton is called the Gateway to the Keweenaw. I composed this piece to paint a picture of the Keweenaw with its waterfalls, hilly country, the sun rising and setting over Lake Superior, and the winter splendor. Because many people on the Keweenaw Peninsula are of Finnish descent, I incorporated the Finnish National Anthem into the melodic material.

Full Orchestra - Level 3 - Digital Download SKU: A0.1112826 By Leslie Odom, Jr. By Coleridge Tillman, Joseph Abate, Kyle Mann, Leslie Odom Jr., and Theron Feemster. Arranged by Marek Czekala. 20th Century,Christmas. Score and Parts. 43 pages. Marek Czekala #714783. Published by Marek Czekala (A0.1112826). „Snow� by Leslie Odom jr it's a beautiful Christmas song. Easy to play but... hard to sing. 😊.

Full Orchestra - Level 5 - Digital Download SKU: A0.712965 Composed by Peter Ilyich Tchaikovsky. Arranged by Doug Clyde. Christmas,Romantic Period. Score and parts. 163 pages. ALBEDO MUSIC #4615789. Published by ALBEDO MUSIC (A0.712965). Waltz of the Snowflakes from the ballet The Nutcracker for Full Orchestra and Female Choir. Composed by Pyotr Ilyich Tchaikovsky. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet in Bb, Bassoon 1, Bassoon 2, Horn in F I, Horn in F III, Horn in F II, Horn in F IV, Trumpet in Bb 1, Trumpet in Bb 2, Trombone 1, Trombone 2, Bass Trombone, Tuba, Timpani, Percussion (Triangle, Cymbals), Glockenspiel, Harp 1, Harp 2, Female Choir (Soprano, Alto), Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 5:50. AMDS186. © 2016 by ALBEDO MUSIC.

Full Orchestra - Level 4 - Digital Download SKU: A0.1488952 By Mannheim Steamroller. By Jule Styne and Sammy Cahn. Arranged by Gary Fry. Broadway,Christmas,Classical,Holiday,Musical/Show,Standards. 115 pages. Fry-By-Night Music [ASCAP] #1065801. Published by Fry-By-Night Music [ASCAP] (A0.1488952). Arrangement is for full orchestra with a female/male vocal duet.

Full Orchestra - Level 4 - Digital Download SKU: A0.718650 By Lady Antebellum. By Jule Styne. Arranged by Daryl McKenzie. Christmas,Contemporary,Holiday. Score and parts. 63 pages. Daryl McKenzie #6478261. Published by Daryl McKenzie (A0.718650). Arranged for Pops Orchestra Key Bb. Based on the Human nature version . 4 saxes (with Flute/Clari doubles), 3 FHns, 3 Trpts, 3 Trbs, Piano, Guitar, Bass, Drums, Perc.,Harp, Vln1, Vln2, Vla, Vcl, CB. Great for Christmas concerts, Carols nights.Big Band version (same key) also available on SMP: https://bit.ly/2XlfYfQSame arrangement for Big band in the Key of F also available: https://bit.ly/2XlfYfQMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH

Full Orchestra - Level 5 - Digital Download SKU: A0.935325 Composed by Aere Greenway. 20th Century,Contemporary,New Age,Romantic Period. Score and parts. 76 pages. Aere R Greenway #6301785. Published by Aere R Greenway (A0.935325). I composed this piano piece in my mid-teen years. Now, in retirement, I have orchestrated it, adding new music. Young and old, making music together. The piano piece (my first) was called Etude in B-flat Major, but the orchestration keeps its subtitle: Snowstorm.

Full Orchestra - Level 5 - Digital Download SKU: A0.1024354 Composed by Christopher Painter. Contemporary. Score and parts. 208 pages. Christopher William Painter #2989103. Published by Christopher William Painter (A0.1024354). Study Score Duration: 50 minutesFirst performance by the Orquesta de la UNAM conducted by Alun Francis at the Sala Nezahualcóyotl, Mexico City on June 19th 2010

Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages. Kevin Riley #720042. Published by Kevin Riley (A0.1118521). Walking in the Air is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs' 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. Walking in the Air is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Father Christmas with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty, and reissued in 1985 (on Stiff Records) and 1987. In 1985, an altered version was recorded for use in a TV advertising campaign for Toys R Us. As Auty's voice had then broken, Blake recommended the then-14-year-old Welsh chorister Aled Jones, whose recording reached number five in the UK Singles Chart, and who became a popular celebrity on the strength of his performance. The association of the song with Jones, combined with Auty not being credited on The Snowman, led to a common misbelief that Jones performed the song in the film. Walking in the Air has subsequently been performed by over forty artists, in a variety of styles. In a UK poll in 2012, the Aled Jones version was voted 13th on the ITV television special The Nation's Favourite Christmas Song.

Full Orchestra - Level 4 - Digital Download SKU: A0.1494419 Composed by Benny Oschmann. Classical,Film/TV,Holiday,Romantic Period,Video Game. 97 pages. Benny Oschmann #1071011. Published by Benny Oschmann (A0.1494419). Embrace the joy and adventure of the snowy Alaskan wilderness with Benny Oschmann's The Great Sled Dog Race, an exhilarating orchestral composition that captures the excitement of a thrilling sled dog race. At its heart, The Great Sled Dog Race celebrates the deep bond between human and dog - a friendship forged through trust, teamwork, and shared endurance. Perfect for any concert looking to inspire and uplift, this composition is a powerful tribute to the spirit of adventure. Let your orchestra take the audience on this unforgettable journey!

Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT:  Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra.  This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.   The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe

Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy.  This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra.  In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe

Orchestra - Digital Download SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q48716. Published by Schott Music - Digital (S9.Q48716). The Quiet originated from watching a snowstorm from my window at night as the flakes danced in the weak light of the lamp outside. The desire to make the storm audible was the starting point for a journey which morphed into many different other strange, close, and distant storms. These storms constantly evolved from natural occurances into far away atmospheres surrounding human activity, before returning to natural realms. (Chaya Czernowin)4 · 4 · 2 · 2 Bassklar. · 2 · 2 Kfg. - 6 · 4 · 2 Tenorpos · 2 Basspos. · 1 - P. (D-A/f-c') S. (3 P. [D-A] · Cel. · Crot. · Vibr. · Marimba · 3 Tamt. · 3 Buckelgongs · 3 Bong. · 3 kl. Tr. [h.] · 3 kl. Tr. [m.] · 3 gr. Tr. · 3 Peitschen · 3 Donnerbleche od. rain sticks · 3 Papiere) (3 Spieler) - Str. (14 · 12 · 10 · 8 · 6).

Full Orchestra - Level 3 - Digital Download SKU: A0.798380 Composed by Peitro Yon (public domain). Arranged by Paul Hemmer. Christmas. Score and parts. 50 pages. PJMS MUSIC #6566139. Published by PJMS MUSIC (A0.798380). Gesù bambino is an Italian Christmas carol composed by Pietro Yon in 1917. The melody was used by Frederick H. Martens in his English language carol When Blossoms Flowered 'mid the Snows. The melody and lyrics of the chorus are derived from the chorus of Adeste Fideles (O Come All Ye Faithful).The music historian Salvatore Basile notes: The song would achieve the near-impossible feat of surviving in the standard holiday repertoire, with important performances, innumerable recordings, and every kind of vocal and instrumental arrangement. This orchestration features solo Soprano or Tenor, SATB Chorus and orchestra accompaniment

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016