Full Orchestra - Level 5 - Digital Download SKU: A0.1162897 Composed by Kelly Joe Richardson. 20th Century,Classical,Contemporary,Patriotic. Score and parts. 114 pages. ALBEDO MUSIC #763253. Published by ALBEDO MUSIC (A0.1162897). The Battle of Shiloh for Full Orchestra. Full Score & Parts. Composed by Kelly Joe Richardson. With deep gratitude to Dr. Jason Klein & The College Park Symphony Orchestra for their heartfelt performances in Carnegie Hall & Central Park. Instrumentation: Piccolo, Flutes 1 & 2, Oboes 1 & 2, Bb Clarinets 1 & 2, Bassoons 1 & 2, F Horns 1 & 3, F Horns 2 & 4, Bb Trumpet 1, Bb Trumpets 2 & 3, Trombones 1 & 2, Bass Trombone, Tuba, Timpani, Percussion 1 (Crash Cymbals, Glockenspiel, Tambourine), Percussion 2 (Suspended Cymbal, Xylophone, Tenor Drum, Tam-tam), Percussion 3 (Snare Drum, Suspended Cymbal), Percussion 4 (Tam-tam, Bass Drum, Triangle), Piano, Violin 1, Violin 2, Viola, Violoncello, Double Bass. Alternate Percussion A (Tam-tam, Snare Drum, Xylophone), Alternate Percussion B (Crash Cymbals, Suspended Cymbal, Tambourine, Bass Drum, Glockenspiel). Contains bonus Conductor Score with alternate percussion. Performance Duration 4:27. 130 measures. © 2023 by Kelly Joe Richardson (BMI). Published by ALBEDO MUSIC Worldwide (BMI). www.kellyjoerichardson.com.

Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.

Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. Published by Rudy Volkmann (A0.1005640). Southwood is a 20-minute, three-movement symphony for small (Schubert-sized) orchestra with an expanded percussion section. It is melodic, structured on classical formal models, and often harmonically dissonant (employing mixed meters as well). It is scored for 2 Flutes ( II d. Piccolo), 2 Oboes ( II d. English Horn), 2 Bb Clarinets ( II d. Bass Clarinet), 2 Bassoons, 2 French Horns, 2 Trumpets in C, Timpani, Xylophone (both soft and hard mallets), Snare Drum, Bass Drum, Auxiliary Percussion (2 players - including Cymbals, Suspended Cymbal, Tambourine, Triangle, Large Gong, and Mark Tree), and Strings.  The FINALE mp3 gives you the feel for the piece, but FINALE’S un-pitched percussion sound files are inadequate to convey the real feel of any of those instruments.  In addition, several effects such as string glissandos, Suspended Cymbal coin edge slides, and the Mark Tree parts are simply missing.

Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.

Full Orchestra - Level 3 - Digital Download SKU: A0.1275722 By Traditional. By Franz Xaver Gruber. Arranged by Sam Shoup. Christmas,Holiday,Sacred,Soul. Score and Parts. 37 pages. Sam Shoup #867520. Published by Sam Shoup (A0.1275722). An instrumental version of the Christmas classic, arranged for orchestra with rhythm section. Instrumentation is 3-2-3(1B.cl)-2, 4 F horns, glockenspiel, drumset, suspended cymbal, electric bass, harp, piano, and strings. Intermediate difficulty. Score is 11 x 17, parts are 8 1/2 x 11.

Full Orchestra - Level 3 - Digital Download SKU: A0.919785 Composed by Carole Bayer Sager and Marvin Hamlisch. Arranged by Daniel G Fritch. Contemporary. Score and parts. 90 pages. Daniel G Fritch #6706455. Published by Daniel G Fritch (A0.919785). This is a full orchestra arrangement suitable for high school or community orchestras. Each section has rich sounds supporting the classic piano melody from this song.InstrumentationPiccolo   Flutes 1 & 2Oboes 1 & 2  (2nd Oboe optional)     Clarinets in Bb 1 & 2 Bass Clarinet                                                         Bassoons  1 & 2 (covered by Bass Clarinet 2nd Bassoon optional)Horns in F  1, 2, 3 & 4Bb Trumpets 1, 2 & 3Trombones 1 & 2Bass TromboneTubaPercussion I     High hat/Suspended Cymbal/Bass (Drum kit)Percussion II     Tambourine/ShakerTimpani ( D, Bb G)Harp (optional)PianoViolin IViolin IIViolaCelloDouble BassBackgroundIce Castles is a 1978 American romantic drama film directed by Donald Wrye and starring Lynn-Holly Johnson and Robby Benson. It is the story of Lexie Winston, a young figure skater, and her rise and fall from super stardom. Tragedy strikes when, following a freak accident, Lexie loses her sight, leaving her to hide away in the privacy of her own despair. She eventually perseveres and begins competing in figure skating again. The work was filmed on location in Colorado and Minnesota. Its theme song Through the Eyes of Love, performed by Melissa Manchester, was nominated for the Academy Award for Best Original Song at the 52nd Academy Awards. [wikipedia]

Full Orchestra - Level 4 - Digital Download SKU: A0.1087175 Composed by Traditional American Melody. Arranged by Glen Poehlmann. Sacred. Score and parts. 43 pages. Arrangements by GPoehlmann #691377. Published by arrangements by GPoehlmann (A0.1087175). AMAZING GRACE - For Full Orchestra Scoring is for a Full Orchestra but this arrangement can be presented with parts missing. Hymn tune: AMAZING GRACE Medium Challenging (Grade 4-) 80 measures. Performance Time approx 4:00 Key: G - D - A. Meter: 3/4 - 4/4 - 12/8 Parts provided (PDF): Full Score Flute, Oboe, Clarinet 1, Clarinet 2/3, Bass Clarinet Alto Saxophone, Tenor Saxophone (Trombone) Horn in F, Trumpet 1/2, Trombone, Triangle, Suspended Cymbal, Timpani Violin 1, Violin 2, Viola, Cello, Double Bass Piano.

Full Orchestra - Level 5 - Digital Download SKU: A0.1019350 Composed by Kevin Longley. Contemporary. Score and parts. 105 pages. Kevin Longley #3248395. Published by Kevin Longley (A0.1019350). The Last Supper, scored for Symphony Orchestra was conceived in 1984, completed in 1986 and later revised in 2017. The work is built around the idea of a visitor who is transported back in time to the events of the Last Supper. This visitor is only an observer to the event; having no effect upon what he sees. The piece opens with a dark theme, signifying the visitor walking through the shadowy streets of Jerusalem. As the theme comes to an end an oboe, high above, signals the visitors first view of the Last Supper. The music takes the listener from the Passover Meal to the Mount of Olives and finally to the Betrayal of Lord Jesus. Throughout the score are written biblical passages, meant to inspire the performer and give context to the music. They may optionally be spoken as part of the performance. Orchestra (1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, suspended cymbal, tam-tam, snare drum, triangle, harp, strings) Composed by Kevin Longley (1958-). Full score. 55 pages. Duration 15 minutes.

Full Orchestra - Level 4 - Digital Download SKU: A0.1493742 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jennifer Lindberg. Classical,Pop,Rock. 144 pages. Yayabe Music #1070405. Published by Yayabe Music (A0.1493742). Arranged for rock orchestra - full symphony orchestra, plus vocals, and keyboard.Includes versions in both the original key of A and in C for higher voices.Vocal range:A major (alto): F#3 to E5C major (tenor): A2 to G4Instrumentation:2 flute + piccolo2 oboe + english horn2 clarinet + bass clarinet1 tenor sax2 bassoon4 horn3 trumpet2 trombonetubasuspended cymbalvibraphonekeyboardharp (electric lever harp, but can use pedal harp)voiceviolins 1 and 2violacellocontrabass.

Full Orchestra - Level 3 - Digital Download SKU: A0.551963 Composed by James M. Guthrie. 20th Century,Holiday. Score and Parts. 125 pages. Jmsgu3 #5823955. Published by jmsgu3 (A0.551963). Score: 48 pages. Duration: 8:20 Instrumentation:2 flutes2 oboes2 clarinets2 bassoons2 french horns2 trumpets2 trombones (1 tenor & 1 bass)1 tuba2 timpanipercussion 1: bass drum, suspended cymbalpercussion 2: crash cymbals, trianglestrings.

Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else� grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.

Full Orchestra - Level 4 - Digital Download SKU: A0.1120603 By John Coltrane. By Miles Davis. Arranged by Ross Wright. 20th Century,Blues,Classical,Contemporary,Jazz. Score and parts. 80 pages. Ross Wright Music #721849. Published by Ross Wright Music (A0.1120603). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.

Full Orchestra - Level 4 - Digital Download SKU: A0.1466685 By Justin Hurwitz. By Justin Hurwitz. Arranged by Victor Visuerte. 21st Century,Broadway,Film/TV,Musical/Show. 23 pages. Victor Visuerte #1045211. Published by Victor Visuerte (A0.1466685). Study ScorePlanetarium from LA LA LANDMusic by JUSTIN HURWITZArrangement by VICTOR VISUERTETranscription entirely done by earNotated in Sibelius with NotePerformerInstrumentation:2 Flutes & Piccolo2 Oboes & English Horn (in F)2 Clarinets (in Bb) [1st doubling Clarinet in Eb] & Bass Clarinet (in Bb)2 Bassoons & Contrabassoon4 Horns (in F)2 Trumpets (in Bb)2 Trombones & Bass TromboneTubaTimpaniPercussion (Glockenspiel, Triangle, Vibraphone, Suspended Cymbal, Piatti)HarpPiano [doubling Celesta]Strings