Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published by Gerd Prengel (A0.1311951). In 1845 Felix Mendelssohn was working on 2 movements for a 6th symphony in C-Major (shortly before he begann working on his Elijah oratorion). This is an attempt to complete them in his style and for the first time. I. Allegro ma non troppoFor the first movement a full score of the first 2 minutes (79 measures) exist and additionally sketches for further passages were included and elaborated here: m. 81 - 93: transition to the 2nd theme m. 107 - 116: 2nd theme m. 146 - 150 ending of the exposition m. 152 - 165: beginning of the development m. 196 - 204: canonic passage 11:57 II. Andante cantabile The very melodious sketches for the first 2:15 minutes were worked out to a second movement with variations on the main theme and a more passionate middle part. This publication includes the score and parts and is addressed to any conductors and orchestras willing to play unknown, excellent music by Mendelssohn put in a context true to his idiom. Total duration: 23 min. MP3:www.gerdprengel.de/Mendelssohn_unfinished_symphony_1.mp3www.gerdprengel.de/Mendelssohn_unfinished_symphony_2.mp3

Full Orchestra - Level 4 - Digital Download SKU: A0.1265492 Composed by Elfrida Andree. Arranged by Henrik Torolphi. Classical,Romantic Period. Score and Parts. 606 pages. Henrik Torolphi #858289. Published by Henrik Torolphi (A0.1265492). Elfrida Andrée (1841−1929)Symphony [no. 2 in A minor] 1. Moderato — Allegro agitato 2. Andante 3. Scherzo: Presto 4. Allegro risoluto Year of composition: October 1879Work category: SymphonyFirst performed: Gothenburg 5 April 1893Duration: 29 minInstrumentation2.2.2.2 / 2.2.3.0 / timp / strLocation for score and part materialCopies at Gothenburg Symphony OrchestraLocation autograph:Musik- och teaterbiblioteketLiterature:Öhrström, Eva: Elfrida Andrée - ett levnadsöde, 1999, p. 174ff.Description of work1. Moderato A minor 4/4, Allegro agitato alla breve2. Andante E minor 3/43. Scherzo: Presto A minor 3/44. Allegro risoluto A major alla breveSource:https://www.swedishmusicalheritage.com/composers/andree-elfrida/SMH-W270-Symphony_no_2_in_A_minor?action=composers&composer=andree-elfrida&workid=270.

Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K�rlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by K�rlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svētī Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svētī Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.

Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!  Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop

Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop

Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop

Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop

Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!  Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop

Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).

Full Orchestra - Level 3 - Digital Download SKU: A0.1366865 By Artyfile. By Gustav Mahler. Arranged by Paul Lorenz. 20th Century,Classical,Film/TV,Praise and Worship,Romantic Period. 42 pages. Paul Lorenz #951198. Published by Paul Lorenz (A0.1366865). Paul Lorenz's Majestic Arrangement of Mahler's Symphony No. 2 Finale Rediscovering a Masterpiece: The Finale of Mahler's Symphony No. 2 Experience the grandeur of Gustav Mahler's Symphony No. 2 like never before with Paul Lorenz specially arranged concert version. Meticulously crafted for orchestras, soloists, and choirs, this edition brings the awe-inspiring 'Resurrection Symphony' to a wider audience. Its adaptability makes it perfect for a diverse range of ensembles, from full orchestras to chamber groups, ensuring that the magnificence of this monumental work is accessible to all. Elevating Performance Standards Paul Lorenz's expert arrangement encapsulates the essence of Mahler's vision, offering an exquisite balance between authenticity and practicality. The orchestration includes flutes, oboes, clarinets, horns, trumpets, trombones, timpani, organ, strings, and a four-part choir, creating a rich tapestry of sound. This version is ideal for smaller ensembles seeking to perform a large-scale work without compromising on quality. It's a testament to the timeless appeal of Mahler's symphony and a tribute to the innovative spirit of Paul Lorenz Music. A Symphony for the Ages The 'Resurrection Symphony' is renowned for its profound emotional depth and complexity. This arrangement not only encapsulates the essence of Mahler's masterpiece but also aligns with the contemporary cinematic narrative, as seen in the award-winning film 'Maestro' featuring Bradley Cooper as Leonard Bernstein. Paul Lorenz Music's version honors this legacy, providing musicians and audiences alike with an unforgettable experience. This arrangement is not just a score; it's an opportunity to connect with one of the greatest musical works of all time, brought to life through a contemporary lens. Find More About Paul Lorenz Music: - Homepage- Instagram- Facebook- YouTube

Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014

Full Orchestra - Level 5 - Digital Download SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 105 pages. Aere R Greenway #873570. Published by Aere R Greenway (A0.1282260). Brahms composed his piano sonata in F-minor, in 1853, at the age of 20.  Markings in the piano music, such as 'like cello', or in another place 'like pizzicato', suggest he was thinking in orchestral terms.  Indeed, the earliest sketches of his 1st symphony come from the year his sonata in F-minor was published.  Yet he worked at least 14 years on his first symphony, finally publishing it in 1876, at age 43.  What if Brahms had orchestrated his sonata in F-minor, opus 5, publishing it as his first symphony, in his youth, rather than at age 43?  Attempting to answer that, I embarked on a big project, to orchestrate Brahms sonata in F-minor, into a symphony.  And you can listen to it yourself, as the music of Brahms comes shining through, as a symphony that 'might have been'.  Though the instrument choices and dynamics adjustments for orchestra are mine, the music is all Brahms.  See what you think.  This is the 5th movement, the Finale.  The music of Brahms is a long-time favorite of symphony audiences, and this could be a hit with your audience, as well.