Full Orchestra - Level 4 - Digital Download SKU: A0.1452916 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. 111 pages. Matt Amy Music #1032200. Published by Matt Amy Music (A0.1452916). Key: D majorBPM: 116Style: SwingDuration: 2:57“ Ensemble type: Pops OrchestraFull Recording (MIDI): Can't Take Away From Me - Pops (MIDI)Instrumentation- 2 Flutes- 2 Oboe- 2 Clarinets- 2 Bassoons- 5 Saxophones- 4 Horns- 4 Trumpets- 3 Trombones- Tuba- 2 Percussion- Timpani- Guitar- Piano- Bass- Drums- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here

Full Orchestra - Level 4 - Digital Download SKU: A0.1452336 By Paul Desmond. By Paul Desmond. Arranged by Andrew Middleton. 20th Century,21st Century,Contemporary,Jazz. 192 pages. Andrew Middleton #1031659. Published by Andrew Middleton (A0.1452336). Take Five Maurice, is a tongue and cheek arrangement that combines the orchestral forces and the gradual increasing instrument forces of Ravel’s Bolero, with the melodies and chordal pattern of Take Five by Paul Desmond. Following the instrumental structure of Bolero, the piece begins with softer timbres of the woodwinds in the same manner Ravel uses the orchestra, gradually becoming much more raucous. The finally of the piece follows a similar key change to heighten the climax of the music as well as a similar trombone glissando motif found in Bolero as well the jazz styles Paul Desmond would have played.The piece is scored for: Piccolo, 2 flute, 2 oboes, cor anglais, 2 clarinets in B flat, Bass Clarinet in B flat, 2 bassoons, contrabassoon, soprano saxophone, alto saxophone, tenor saxophone 4 horns in F, 3 trumpets in B flat, 2 Trombones, Bass Trombone, Tuba Timpani, Cymbals, Tam-tam, drum kit, harp, celesta and strings.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.

Full Orchestra - Level 5 - Digital Download SKU: A0.750619 Composed by Charles Fox. Arranged by Patrick Sheehan. Contemporary. Score and parts. 72 pages. Patrick Sheehan #6670563. Published by Patrick Sheehan (A0.750619). Transcription as recorded by Barry Manilow for the Foul Play soundtrack (1978) INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Alto Flute I (G), Alto Flute II (G), Keyboard (Grand Piano), Acoustic Guitar, Electric Bass, Wind Chimes, Triangle, Sandblocks, Conga Drums, Drumset, Harp, Violin I, Violin II, Viola, Cello, Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

Full Orchestra - Level 3 - Digital Download SKU: A0.1496666 By Vitalii Matviichuk. By Gaspel song. Arranged by Vitalii Matviichuk. Christian,Classical,Film/TV,Praise & Worship,Religious. 33 pages. Pablished by Vitalii Matviichuk #1073180. Published by Pablished by Vitalii Matviichuk (A0.1496666). A beautiful, bright, calm composition. The sounds of the orchestra will help you to think about Jesus Christ.

(Orchestra) - Digital Download SKU: H1.C5875ODP Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. General Worship. Set of Instrumental Parts. 67 pages. Hope Publishing - Digital #C5875ODP. Published by Hope Publishing - Digital (H1.C5875ODP). Words by Charles H. Gabriel. Isaiah 53:4 - Matthew 26:39 - Mark 2:12 - Mark 14:36 - Luke 5:26 - Luke 22:39 - Luke 22:40 - Luke 22:41 - Luke 22:42 - Luke 22:43 - Luke 22:44 - 1 Corinthians 13:12 - 2 Corinthians 5:21 - Ephesians 2:4 - Eph.Original anthem with words by Charles H. Gabriel Charles Gabriel penned the words I stand amazed in the presence of Jesus the Nazarene in 1905, and did so as an expression of his own awe and amazement of Jesus' love. Mary McDonald has taken that hymn text and expertly crafted a new melody befitting of soaring choral lines that more adequately express How marvelous! How wonderful! my song shall ever be. >The Orchestration includes a Conductor's Score and parts for: 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 3 trumpets in B-flat, 2 trombones, tuba, timpani, percussion, harp, piano, 2 violins, viola, cello, and string bass.

Full Orchestra - Level 5 - Digital Download SKU: A0.759426 Composed by Sigfrid Karg-Elert. Arranged by Tim Olt. 20th Century,Romantic Period. Score and parts. 47 pages. Olt Music #6438347. Published by Olt Music (A0.759426). Much like the Grand Choeur Dialogue of Eugene Gigout, this work was originally for organ alone, but has gained popularity as an antiphonal work for brass and organ. This setting takes that one further, utilizing the full orchestra juxtapositioned with the organ for a true tour-de-force. This will blow the audience out of their seats!

Full Orchestra - Level 4 - Digital Download SKU: A0.1457217 By Bing Crosby. By Irving Berlin. Arranged by David Itkin. Christmas,Country,Holiday,Pop. 41 pages. DCI Music #1036264. Published by DCI Music (A0.1457217). Full orchestra and vocal duet (female/male), originally arranged for Rachel Potter and Patrick Thomas, with the Abilene Philharmonic Orchestra. [Male singer plays piano part, or orchestra pianist may take that part.].

Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail.  No spoilers however.  If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack  scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score.  It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack.  Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings.  SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate).  However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.

Full Orchestra - Level 3 - Digital Download SKU: A0.1452803 Composed by Richard Smallwood. Arranged by David Whitaker. Religious. 23 pages. David Whitaker #1031001. Published by David Whitaker (A0.1452803). Procession of the Levites and Anthem of Praise by Richard Smallwood and Vision. Parts included: Soprano Soloist, Alto Soloists (2), Soprano, Alto (2), Tenor, Bass, Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet in Bb (2), Horn in F, Baritone, Trombone, Tuba, Violin (2), Viola, Cello, Double Bass, Electric Guitar, Bass Guitar, Harp, Piano, Organ, Timpani, and Drumset. This is a superscore remaster of the arrangement of the same name that I did in 2020. The parts have been cleaned up for better reading and simplified. This score is now available for purchase on SheetMusicPlus.com and/or SheetMusicDirect.com. Just search up “David Whitaker (Song Name)” and it will pop up. To view other arrangements, head over to our Youtube Channel “David Whitaker ICMFY”. There you can browse through all the music we currently have to offer. Thank you for your support and stay tuned for more coming soon!

Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper� wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper� wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

Full Orchestra - Level 4 - Digital Download SKU: A0.1205840 By Various. By Ramin Djawadi. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. Score and Parts. 67 pages. Flavio Regis Cunha #804027. Published by Flavio Regis Cunha (A0.1205840). Are you a music director looking for a unique and complex piece of music to challenge your choir or orchestra? Look no further. Presenting the Game of Thrones: Suite for Choir and Orchestra. Composed by the talented Ramin Djawadi and arranged to make a perfect performance piece for any choir or orchestra. With a wide range of intensely emotive music, it fits the theatrical grandeur of the series and will make your choir or orchestra stand out from the crowd. Impress your audience with this epic soundtrack today.This is a powerful arrangement of Game of Thrones for Choir and full orchestra. You can use it to make a big impact on weddings, business presentations, parties, celebrations, and music concerts. Your group will vibrate with the vibrancy and great impact that this music can cause on the public. The level is intermediate and quite affordable.Arranged for Choir and Orchestra.GAME OF THRONES                              Music by RAMIN DJAWADI                          Arranged by Flávio Régis Cunha  INSTRUMENTATIONFLUTE 1. 2OBOE 1. 2CLARINET 1. 2. 3. IN BbBASSON 1. 2HORN 1. 2 IN FTRUMPET 1. 2. 3 IN Bb TROMBONE 1. 2BASS TROMBONETUBATIMPANIPERCUSSION 1. 2. 3  (Tenor Drum, Tom-tons, Gran Cassa, Susp.Cymbal)SATB CHOIR  HARPSICHORD (OPTIONAL PIANO)VIOLIN 1VIOLIN 2VIOLAVIOLONCELLODOUBLE BASSAdvanced Intermediate.Format: Concert, 9 x 12 inches.65 pages.Full score and orrchestral partsNotesThis emotion- packed piece, 'Game of Thrones' composed by Ramin Djawadi, arranged for Choir and Orchestra, will take you on a breathtaking musical journey! Inspired by the hit television series of the same name, this piece takes listeners on an epic and thrilling ride. The opening of this piece introduces a soaring fanfare of trumpets that is as bold as the game of thrones played in the series. The choir then swells in a powerful, driving intensity that captures the suspense and intensity that can be found in the series. The orchestra then takes over with robust, pulsating strings that give the piece a sense of majesty and beauty. Together, these elements create a thrilling musical landscape that captures the drama and emotion of this beloved series. With this piece, listeners will be sure to be captivated and immersed in the expansive and dynamic world of 'Game of Thrones'.

Full Orchestra - Level 3 - Digital Download SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0.1512855). About the piece'To The Moon' takes inspiration from the Earth's Moon, the beauty andmajesty of the celestial body and all it encompasses. It also charts the energy and excitement surrounding the space race and the ultimate goal to get to the Moon! The piece helps to explore extended tonalities and considers a different approach to Orchestral writing and performance choreography.This piece can be performed by any number of performers, ideally, traditional Orchestral numbers work well but experimentation with larger/fewer numbers on various parts within the different 'ensembles' can produce exciting results.Performance directionsThe ideal performing conditions for this piece are that the orchestra are split into 4 'ensembles' as indicated in the score. Each ensemble is grouped in a way that means all ensembles are pointing to the centre (see diagram 1 below). The audience should similarly be positioned around the room in a circle behinf each of the ensembles. Therefore, an ideal focal point for this performance would be a visual representation of the Moon in the centre of the room, ideally lit in some way. Representations of the Moon may take the form of a 3D lit representation (potentially made, perhaps a local Art project) or a projected representation onto the floor of the performance space. TheMoon should be of sufficient size as to not be lost in the space and careful planning should be done to ensure optimal visual effect. The role of the conductor during the performance ideally would be minimal, perhaps sat in one of the ensembles providing minimal direction. However, due to the capabilities of the performers, the conductor may have to take a more active role in the performance. In this case, diagram 1 (below) shows the ideal place for the conductor to be positioned so that performers can see as much as possible but so that attention is not diverted from the visual effect.To get in touch email me at: cknapp.nottingham@gmail.com.

Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon             This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.

Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!