Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.

Full Orchestra - Level 5 - Digital Download SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thomas Andrews. Christian,Classical,Easter,Religious,Sacred. Score and Parts. 112 pages. Michael Thomas Andrews #863342. Published by Michael Thomas Andrews (A0.1270957). This new work was premiered at the Royal Albert Hall at The Coronation Prom on the date of His Majesty The King's Coronation by soprano Joanne Lunn and the All Souls Orchestra.  This imaginative arrangement of 'When I Survey the Wondrous Cross' with the final verse of 'Love Divine, All Loves Excelling' for soprano solo and orchestra begins with a pianissimo muted string texture as we fix our eyes upon the cross of Christ before crescendoing to a glorious finale in which we lay our crowns before the King of all Creation.  This would be a perfect addition to a concert with full symphony orchestra and a soprano soloist with an extensive vocal range.  If desired, the top vocal C in the final verse in bar 123 may be replaced by holding the top A across the full beat.

Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.

Full Orchestra - Level 4 - Digital Download SKU: A0.1033818 By Jerry Vale. By A. Vian and W. De Crescenzo. Arranged by Marek Czekala. Pop. Score and parts. 94 pages. Marek Czekala #639133. Published by Marek Czekala (A0.1033818). The song, written by Vincenzo De Crescenzo and with music by Antonio Viana, was first performed at the Feast of Piedigrotta at the Augusteo Theater in Naples in 1950, sung by Giorgio Consolini with the accompaniment of Nello Segurini's orchestra. In a short time, the song became very popular, becoming one of the post-war hits not only in Naples, but also in Italy and abroad, translated into 42 languages and dialects. Claudio Villa will make him his workhorse. He has come to the United States of America and will be recorded by singers such as Frank Sinatra. This study is inspired by the performance of Mario Frangoulis.

Full Orchestra - Digital Download SKU: A0.892115 Composed by Serge OLLIVE. Film/TV. Score and parts. 104 pages. Serge Ollive #5315609. Published by Serge Ollive (A0.892115). Original soundtrack from the documentary Souvenirs de Biscarrossais directed by Marie-Pascale Dubos (2011) in 15 very short evocations for orchestra or chamber ensemble.Full score + set of parts.

Full Orchestra - Level 4 - Digital Download SKU: A0.1089983 Composed by Traditional. Arranged by James Haynor. Traditional. Score and parts. 187 pages. James Haynor #694197. Published by James Haynor (A0.1089983). St. George’s Cross - The Folk Songs of England brings together the traditional folk music of Jolly Olde England . Represented are : English Country Gardens, Scarborough Fair, The Coasts of High Barbary, The Foggy Dew, Sailors Hornpipe, Drunken Sailor, Greensleeves and Yankee Doodle (originally identified as English). Alternating from lively to lovely, this arrangement has something for everybody, audiences and players alike. Arranged here for full orchestra. ( Duration 7:07 ) .

Full Orchestra - Level 3 - Digital Download SKU: A0.855458 Composed by Joseph Pugh. Christian,Easter. Score and parts. 42 pages. Joseph Pugh #6861971. Published by Joseph Pugh (A0.855458). This is an orchestrated arrangement for the choir and the symphony, of a song from Joseph's cd, I'm Not Going To Give Up The Battle CD released in 2004 on the Pugh Production label. Download the MP3 and practice right along.

Full Orchestra - Level 3 - Digital Download SKU: A0.854882 Composed by Joseph Pugh. Contemporary,Easter,Sacred. Score and parts. 28 pages. Joseph Pugh #5286161. Published by Joseph Pugh (A0.854882). This is an orchestrated arrangement of a song I did on my I'm Not Going To Give Uo The Battle  CD released in 2004 on the Pugh Production label. I had fun with this one but the meaning of the song is so very powerful I hope some day you can hear the CD version.