Full Orchestra - Level 3 - Digital Download

SKU: A0.1440683

By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683).

A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.

Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr...

Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.

Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.

Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.

Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.

Full Orchestra - Level 3 - Digital Download

SKU: A0.921202

Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 22 pages. Carl Van Pevenage #4325961. Published by Carl Van Pevenage (A0.921202).

The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 142 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.


Broken wing.  Imagine a bird with a broken wing or a child with a broken arm...

Full Orchestra - Digital Download

SKU: A0.1019613

Composed by Carter Larsen. 20th Century. Score and parts. 1 pages. Edition Isolde #6458045. Published by Edition Isolde (A0.1019613).

This first edition for Orchestra is a 12 Volumes work, approximately 15 hours of music, inter-related thematically; introduced in Edition Isolde, Volumes XV to XXVI. They are intended to be performed as independent pieces or as Volumes or in groups of Volumes.

The Orchestra work was conceived in the spirit of fantasy. During the creative process, the work became a combination of influences from Carter Larsen life, he has consciously broken the formalized barriers of conventional Concerto and Instrumental versus Symphony with free use of Solos especially from the piano and keyboard instruments.

Full Orchestra - Digital Download

SKU: A0.1019615

Composed by Carter Larsen. Contemporary. Score and parts. 1 pages. Edition Isolde #6458071. Published by Edition Isolde (A0.1019615).

This first edition for Orchestra is a 12 Volumes work, approximately 15 hours of music, inter-related thematically; introduced in Edition Isolde, Volumes XV to XXVI. They are intended to be performed as independent pieces or as Volumes or in groups of Volumes.

The Orchestra work was conceived in the spirit of fantasy. During the creative process, the work became a combination of influences from Carter Larsen life, he has consciously broken the formalized barriers of conventional Concerto and Instrumental versus Symphony with free use of Solos especially from the piano and keyboard instruments.

Full Orchestra - Digital Download

SKU: A0.1019612

Composed by Carter Larsen. Contemporary. Score and parts. 1 pages. Edition Isolde #6458059. Published by Edition Isolde (A0.1019612).

This first edition for Orchestra is a 12 Volumes work, approximately 15 hours of music, inter-related thematically; introduced in Edition Isolde, Volumes XV to XXVI. They are intended to be performed as independent pieces or as Volumes or in groups of Volumes.

The Orchestra work was conceived in the spirit of fantasy. During the creative process, the work became a combination of influences from Carter Larsen life, he has consciously broken the formalized barriers of conventional Concerto and Instrumental versus Symphony with free use of Solos especially from the piano and keyboard instruments.

Full Orchestra - Digital Download

SKU: A0.1019614

Composed by Carter Larsen. Contemporary. Score and parts. 1 pages. Edition Isolde #6458069. Published by Edition Isolde (A0.1019614).

This first edition for Orchestra is a 12 Volumes work, approximately 15 hours of music, inter-related thematically; introduced in Edition Isolde, Volumes XV to XXVI. They are intended to be performed as independent pieces or as Volumes or in groups of Volumes.

The Orchestra work was conceived in the spirit of fantasy. During the creative process, the work became a combination of influences from Carter Larsen life, he has consciously broken the formalized barriers of conventional Concerto and Instrumental versus Symphony with free use of Solos especially from the piano and keyboard instruments.