Full Orchestra - Level 4 - Digital Download SKU: A0.868921 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 52 pages. Really Good Music, LLC. #4883797. Published by Really Good Music, LLC. (A0.868921). The publication is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. The Oath is one of the two surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Shulamis (1937). It is a duet of two main characters of the play, Shulamis and Avessalom. The ranges of the solo voices are C#4–G#5 and F#3–F#4. The Oath is definitely one of the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a detailed description of The Oath.

Full Orchestra - Level 3 - Digital Download SKU: A0.1453541 By Alex North Alex. By Alex North. Arranged by Chris Siddall. Film/TV. 77 pages. Chris Siddall Music Publishing #1032766. Published by Chris Siddall Music Publishing (A0.1453541). The score for Spartacus is a musical masterpiece - monumental, ground-breaking and profound - as well as a masterpiece of scoring in the way composer Alex North was able to tell the story through music, giving character insight that no words or actor‘s performance ever could capture. It features not only one of the most touching love themes ever composed, one that achieves an almost paralyzing beauty in its most expressive moments, but also some of the most complex and bracing music that a composer ever dared to compose for a film. In the end, it is Alex North‘s magnum opus.Created from the original manuscript, this release offers a rare opportunity to perform film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

Full Orchestra - Level 3 - Digital Download SKU: A0.1381520 By Alex North Alex. By Alex North. Arranged by Chris Siddall. Film/TV. 8 pages. Chris Siddall Music Publishing #966237. Published by Chris Siddall Music Publishing (A0.1381520). The score for Spartacus is a musical masterpiece - monumental, groundbreaking and profound - as well as a masterpiece of scoring in the way composer Alex North was able to tell the story through music, giving character insight that no words or actor‘s performance ever could capture. It features not only one of the most touching love themes ever composed, one that achieves an almost paralyzing beauty in its most expressive moments, but also some of the most complex and bracing music that a composer ever dared to compose for a film. In the end, it is Alex North‘s magnum opus.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Robertson. Contemporary. 75 pages. Mr Malcolm D Robertson #5741511. Published by Mr Malcolm D Robertson (A0.927988). I'd long wanted to compose an opera based on Arthur Miller's masterpiece based around the Salem witchcraft trials in the American colonies in 1692. Knowing that this was unlikely to come to fruition, nevertheless I sketched out some ideas just in case, which I turned into a 3 movement work for a local orchestra in 1999 for performance at their concert in September 2000. During January - March 2020 I revised the work for a larger orchestra adding 2 more movements (nos 3 & 4) and revising the existing movements. The opening movement is intended to be the Prelude to the opera. The 2nd movement the Prelude to the tense 3rd Act. The 3rd movement takes place at the climactic moment of Act 3, when John Proctor's valiant and desperate attempt to expose Abigail Williams' for what she is backfires, leading to his arrest. The 4th movement opens with the Hymn/Psalm associated with the people of Salem and continues with the reconciliation in prison between John Proctor and his wife Elizabeth.The 5th and final movement accompanies John Proctor's march to execution having nobly torn up his confession of witchcraft. The Hymn/Psalm returns before reminiscences of the opening Prelude return ending the work in a sense of uneasy peace.  Parts can be made available upon request.

Full Orchestra - Level 3 - Digital Download SKU: A0.1122081 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Seán Ó Cléirigh. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 33 pages. Seán Ó Cléirigh #723181. Published by Seán Ó Cléirigh (A0.1122081). Arranged for Piccolo, Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone, Drumset, Violins 1 & 2, Viola, Cello and Double Bass. The first part of this arrangement recalls Judy Garland's wonderful opening song from the Wizard of Oz. The music then broadens out the theme to include the full orchestra until gradually the last bars fade away. Written for Chamber or Concert Orchestra and arranged in 2 easy keys, its aim is to give a full, rich interpretation of Harold Arlen's masterpiece without overstressing the players.

Full Orchestra - Level 3 - Digital Download SKU: A0.1377320 By Jules Massenet. By Jules Massenet. Arranged by Flavio Regis Cunha. 19th Century,Christmas,Contest,Easter,Festival,Instructional. 44 pages. Flavio Regis Cunha #961911. Published by Flavio Regis Cunha (A0.1377320). Massenet: MÉDITATION - from the Opera Thaïs (for Choir and Orchestra).Experience the ethereal beauty of Massenet's MÉDITATION, expertly arranged for Choir and Orchestra. Elevate your performances to new heights with this timeless masterpiece. Order now and let the music speak to your soul.Intermediate LevelFormat: Concert, 9 x 12 inches44 pagesUrtext Fonts.

Full Orchestra - Level 3 - Digital Download SKU: A0.1377330 By Jules Massenet. By Jules Massenet. Arranged by Flavio Regis Cunha. 19th Century,Contest,Easter,Festival,Instructional,Wedding. 44 pages. FRC Music #961921. Published by FRC Music (A0.1377330). Meditation - from the Opera Thaïs (for Choir and Orchestra).Immerse yourself in the enchanting allure of Massenet's MÉDITATION, thoughtfully crafted for Choir and Orchestra. Elevate your musical performances with this timeless masterpiece. Secure your copy today and let the music stir your soul. Suitable for intermediate skill levels. Presented in concert format, measuring 9 x 12 inches, spanning 44 pages with authentic Urtext fonts.

Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque� (which would still fit the rhythm of the repeated „qui ex Patre�, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations�, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis� and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis� gesture at „Gloria in excelsis Deo�, „et ascendit in caelis�, „in remissionem peccatorum� and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est�, a cross-shaped texture at „crucifixus�, and some word-painting (hushed sonorities at „et invisibilium�, anticipations between orchestra and chorus at „et exspecto� etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie� is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria� begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo� has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua�, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria� and „Credo� end with extended, powerful and elaborate fugues („in gloria Dei Patris� and „et vitam venturi saeculi�, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei� end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus�). „Judicare� quotes the beginning of the well-known „Dies irae� plainchant tune, and the Consecration between the „Sanctus� and „Benedictus� sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei�, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi� and „dona nobis pacem�). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison� theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.

Full Orchestra - Level 4 - Digital Download SKU: A0.1446171 By Isaac Hayes. By Isaac Hayes. Arranged by Kevin Riley. 20th Century,Disco,Film/TV,Funk,Pop. 72 pages. Kevin Riley #1025993. Published by Kevin Riley (A0.1446171). One of the greatest factors contributing to Shaft's wild success and lasting appeal is its memorable musical score, a revolutionary funk/soul masterpiece. Hayes auditioned for the role of Shaft but was asked to compose the musical score instead. Vulgar, shallow, and crudely done, Shaft distinguished itself mainly by having the best musical score of the year. Isaac Hayes's sensual, moody background music added to the texture of the film.This version does not have a need for the  guitar track that was in the original.

Full Orchestra - Level 4 - Digital Download SKU: A0.931980 Composed by Edvard Grieg. Arranged by Steven Klaus. Romantic Period. Score and parts. 69 pages. NiceChart #4764135. Published by NiceChart (A0.931980). This Grieg masterpiece has stood the test of time and represents the standard for setting a creepy, mysterious mood. This arrangement stays true to the original and is designed to be a challenging piece for groups who want to explore this work past its catchy, well known theme. The playing range of both the violins and woodwinds are pushed.Includes supplemental parts for piano, guitar and xylophone.

Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuang�. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the �road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang� was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century� in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang� depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.

Full Orchestra - Digital Download SKU: AX.00-PC-0015983_VC1 Cello. Composed by Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015983_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015983_VC1). UPC: 038081458274.Selections from the brilliantly conceived Howard Shore soundtrack---capturing the adventure, excitement, and tender moments of the first of director Peter Jackson's prequels to the epic Lord of the Rings trilogy---are faithfully presented in this exciting suite for full orchestra. Including Old Friends/The Adventure Begins, Axe or Sword?, Song of the Lonely Mountain, The Dwarf Lords, and Dreaming of Bag End, this lovely arrangement, in five movements, is intended for use at the high school level and is not difficult at all to master, thus enabling a wide audience to experience this masterpiece of cinematic art. (8:31).

Full Orchestra - Digital Download SKU: AX.00-PC-0015983_TMP Timpani. Composed by Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015983_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015983_TMP). UPC: 038081458274.Selections from the brilliantly conceived Howard Shore soundtrack---capturing the adventure, excitement, and tender moments of the first of director Peter Jackson's prequels to the epic Lord of the Rings trilogy---are faithfully presented in this exciting suite for full orchestra. Including Old Friends/The Adventure Begins, Axe or Sword?, Song of the Lonely Mountain, The Dwarf Lords, and Dreaming of Bag End, this lovely arrangement, in five movements, is intended for use at the high school level and is not difficult at all to master, thus enabling a wide audience to experience this masterpiece of cinematic art. (8:31).