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Full Orchestra - Level 3 - Digital Download SKU: A0.751071 Composed by Traditional German Carols. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 64 pages. BJE Music #6565665. Published by BJE Music (A0.751071). Christmas Suite No. 4 – Concert BandThis is an arrangement of three Traditional German Christmas Carols for the Orchestral. [Key F to Bb] The suite is in one continuous movement – a bright start, a gentle lilting middle, and a majestic finale.Christ Was Born on Christmas Day [Bright 6/8]Come Hasten, Ye Shepherds [Gentle 3/4]From Heaven Above to Earth I Come [Maestoso 4/4]The audio MP3  was recorded with NotePerformer 3. Grade = 3.5 Duration = 4:35 mins
Christmas Suite No. 4 - Orchestra Score and Parts PDF (Three Traditional German Carols)
Orchestre

$30.00 26.09 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah V. Smiddy #4615131. Published by Josiah V. Smiddy (A0.1032233). This arrangement of The Parting Glass is written for full orchestra with tacet percussion and modeled after the style of the of the Irish supergroup, Celtic Woman.  The Parting Glass is in the same vein as Auld Lang Syne but is still sung traditionally by the Irish though not so much by the Scottish.  The original lyrics from this song describe a person bidding farewell to a good friend who is leaving and my not return.  This arrangement opens with a cadenza solo from the principal cello that is intended to set the tone of the piece in that sorrowful dismissal of a good friend.  It is intentionally written with basic instrumentation.  It does not stretch the ranges too far, but still provides some technical and musical challenges to your ensemble.  This would be a great performance piece for a high school or community orchestra.
The Parting Glass
Orchestre

$30.00 26.09 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 pages. Art Haus Music Publishing #782800. Published by Art Haus Music Publishing (A0.1183082). This piece is a celebration of my heritage and ancestry. By incorporating aspects of Palo music in a traditionally Euro-centric style of music I hope to expand the boundaries for what is possible in contemporary classical music as it reflects the eclectic collage of where I come from. I hope to specifically illuminate the underrepresented aspects of my identity in composition as it is those aspects that can create uniqueness and innovation in the long history and tradition classical music. Performing my music is a rebellious act. Centuries of composers have been misguided to dismiss the study of complex rhythm and groove as it is a subject associated with the music of Africa. Now with time and exhaustion of European principles we must look to the countries of Africa with reverence for our missing education on one of the vital ingredients of music. I hope you enjoy the kaleidoscope of colors and weaved rhythms that come together to make this piece come alive! This piece is dedicated to all the ancestors that came before me. May I honor their lives with music. Format: Transposed Score in Tabloid (11'' x 17'')Instrumentation: 1 Piccolo, 1 Flute, 1 Oboe, 1 Clarinet in Bb, 1 Bassoon, 1 Horn in F, 1 Trumpet in Bb 1, 1 Trumpet in Bb 2, 1 Trombone, 1 Tuba, 1 Güira, 1 Woodblock, Congas 1 (3 Drums), Congas 2 (2 Drums), 1 Timbales, 5 Violin I, 5 Violin II, 3 Viola, 6 Violoncello, 2 ContrabassDuration: Approx. 4 minutes
Roots for Full Orchestra
Orchestre
incorporating aspects of Palo music in a traditionally Euro-centric style of music I hope to expand the boundaries for what is possible in contemporary classical music as it reflects the eclectic collage of where I come from I hope to specifically illuminate the underrepresented aspects of my identity in composition as it is those aspects that can create uniqueness and innovation in the long history and tradition classical music
$150.00 130.43 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1130199 Composed by Anton Rubinstein. Arranged by Arkady Leytush. 19th Century. 107 pages. Arkady Leytush #730561. Published by Arkady Leytush (A0.1130199). Anton Rubinstein Concert Suite from “Bal costumeâ€, Op. 103 1. Polonais et polonaise 2. Toréador et andalouse 3. Pacha et almée 4. Pêcheur napolitain et napolitaine This concert suite was composed and orchestrated by me from 4 bright numbers “Bal costumeâ€, op. 103. Their strong contrasting imagery, theatricality and ingenuity provided an excellent opportunity for development in the orchestra and served as the impetus for this orchestral transcription. In addition to popularizing the work of A. Rubinstein as a composer, this music itself can become an adornment of many symphonic programs. The role and significance of Anton Rubinstein for the development of academic music in Russia is invaluable. His powerful and versatile talent manifested itself in everything he did. He remained in the history of music as an unsurpassed pianist and conductor, and as a great composer, and as the founder of the Russian Musical Society, and as the organizer of the First Russian Conservatory in St. Petersburg. Unfortunately, this all-encompassing contribution to Russian musical culture and his place in it have not yet been sufficiently appreciated by his descendants, and there are traditionally painful reasons for this. He still cannot be forgiven for his origin and some critical statements about his colleagues, which hang like a stone over the memory of this great maestro and man!
A. Rubinstein - Concert Suite from “Bal costume”, Op. 103 - Score Only
Orchestre

$100.00 86.96 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. WheatMyer Music #4604745. Published by WheatMyer Music (A0.976706). The title,What Child We Sing, is a play on two traditional Christmas carols, What Child Is This and Sing We Now of Christmas, which are the basis of this new work. What Child Is This is almost always paired wth the 16th Century English tune, Greensleeves, a ballad of unrequited love. Both the text and tune of Sing We Now of Christmas come from a traditional French Christmas carol, Noel Nouvelet, believed to be even older than Greensleeves. These two traditional Christmas carols blend together in several ways so as to make the compilation into one work a natural result. Both tunes are set in a minor mode with a very similar narrow melodic range that effortlessly flow together. The question of what child lies in the manger is answered in the refrain of Sing We Now of Christmas with the proclamation, Sing We Noel, the King is born, Noel. The result turns out not to be a medley but a melding of two distincts into one union, What Child We Sing?What Child We Sing best works in the Advent or Christmas seasons with its strong exposition of traditional Christmas carols and would be suitable in a sacred concert or as a prelude, offertory, or reflective music in either liturgical or unstructured service. It has sufficient artistic metric to be suitable for the concert stage as well, although it is not at all difficult, being suitable for intermediate or higher level musicians.
What Child We Sing?
Orchestre

$75.00 65.22 € Orchestre PDF SheetMusicPlus


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