By Mike Oldfield. By Mike Oldfield. Arranged by Kevin Riley. 20th Century, Film/TV. Score and parts. 31 pages. Kevin Riley #714434. Published by Kevin Riley

Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Full Orchestra - Level 3 - Digital Download SKU: A0.852743 Composed by Keith Gemmell. 20th Century,Contemporary,Instructional. Score and parts. 93 pages. Keith Gemmell #28213. Published by Keith Gemmell (A0.852743). This is a modern classical piece in a minimalist style although, unusually for this type of music, with strong melodic passages. Unlike the music of Steve Reich, Phillip Glass and John Adams, it is not technically difficult to play, although a degree of concentration is required when following the shifting patterns. Although minimalist in character the music is constantly changing. It opens quietly with just tubular bells, piano and oboe before ebbing and flowing through grandiose melodies, simple minimalist riffs and sweeping string portamentos. After a rousing full orchestra tutti the music gradually winds down until, like at the the beginning, we hear just piano and tubular bells, which end the piece. As mentioned above it is not difficult to play and suitable for professional and amateur orchestras alike. Perform this and remind your audience that we stand, live and breathe on God’s Earth.

Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspiredâ€� images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€�The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lushâ€� and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€�, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hiddenâ€� from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only.  The parts are available on rental from the publisher

Full Orchestra - Level 2 - Digital Download SKU: A0.1485669 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Christian,Christmas,Holiday,Religious,Sacred. 424 pages. MICHAEL MYRICK #1062737. Published by MICHAEL MYRICK (A0.1485669). Capture the magic of the holiday season with this exquisite Christmas cantata! From enchanting carols to majestic anthems, this carefully curated selection is perfect for bringing the joy of Christmas to life through music. Featuring beautiful arrangements for choirs of all sizes, this cantata will inspire and delight both performers and audiences alike. Involve your entire music ministry with parts for orchestra, bell and chime choir, children’s choir and soloist! Get ready to spread the warmth and wonder of the season with this beautifully narrated and arranged cantata of timeless treasures! Choral Octavo also available!Sinfonietta  (Copyright limitations)1 – Flute / Piccolo1 - Oboe  1 – Clarinet1 - Bassoon1 - Horn  2 - Trumpet  1 – Trombone and Bass Trombone4 - Percussion:  Tympani, Cymbals, Chimes, Tubular Bells, Wood Blocks12 – Handbells / Handchimes 3 - Violin I  3 - Violin II  2 - Viola  2 - Cello  2 - Double Bass (Separate: SATB Octavo, Piano / Celeste).

Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 2 - Digital Download SKU: A0.611270 Composed by Stephen DeCesare. Children,Instructional,Standards. Score and parts. 39 pages. Exultet Music #2016493. Published by Exultet Music (A0.611270).  Fun orchestral piece that is scored for Piano Solo and Orchestra (Flute, Oboe, Bb-Clarinet, Bassoon, Bb-Trumpet, French Horn, Trombone, Tuba, Timpani, Tubular Bells, Triangle, Violin, Viola, Cello, Double Bass).  Accessible for all levels of playing from school through professional.

Full Orchestra - Level 5 - Digital Download SKU: A0.1510386 Composed by Maurice Ravel. Arranged by Pierre Penisson. 20th Century. 148 pages. Éditions du Vieux Moulin #1085579. Published by Éditions du Vieux Moulin (A0.1510386). Full score of the orchestration (flute, piccolo, 2 oboes including 1 English horn, 2 clarinets in A, bass clarinet in B flat, 2 bassoons including 1 double bassoon, 2 horns, 2 trumpets in C, trombone, timpani, tam -tam, bass drum, tubular bells, cymbals, snare drum, glockenspiel, harp, celesta, 6 violins I, 5 violins II, 4 violas, 4 cellos, 2 double basses), 32 pages.

Full Orchestra - Level 5 - Digital Download SKU: A0.533696 Composed by Carson Cooman. Contemporary. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038751. Published by Musik Fabrik Music Publishing (A0.533696). This is the full score. The parts are available on rental from the publisher.  The chorus part is available for sale as a seperate item. (piano reduction)InstrumentationFlute 1/2Oboe 1/2Clarinet in Bb 1/2Bassoon 1/2Horn in F/Bb 1/2Trumpet in Bb 1/2Trombone 1/2Percussion (1 player):tubular bells, glockenspiel, suspended cymbalTimpani (3 drums)SATB ChorusViolin IViolin IIViolaCelloContrabassCommissioned in honor of the 25th anniversary of Albany ProMusica, David Griggs-Janower, Founding Director and Conductor

Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher

Full Orchestra - Level 3 - Digital Download SKU: A0.1452451 By Robbie Williams. By Guy Chambers and Robert Williams. Arranged by Matt Amy. Contemporary,Film/TV,Jazz,Pop. 60 pages. Matt Amy Music #1031783. Published by Matt Amy Music (A0.1452451). Key: D majorBPM: 55Style: BalladDuration: 3:10“ Ensemble type: Pops OrchestraFull Recording (MIDI): I Will Talk and Hollywood Will Listen (MIDI)Instrumentation- Vocal- Choir- 2 Flutes- 2 Oboes- 2 Clarinets- Bass Clarinet- 2 Bassoons- 2 Alto Saxes- 2 Tenor Saxes- Bari Sax- 4 Horns- 4 Trumpets- 4 Trombones- Tuba- Glockenspiel- Bass Drum- Cymbals- Tubular Bells- Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here

Full Orchestra - Level 4 - Digital Download SKU: A0.1210359 By Queen. By Freddie Mercury and Mike Moran. Arranged by John Langley. Broadway,Musical/Show,Opera,Pop,Rock,Standards. Score and Parts. 155 pages. Www.studio-orchestrations.com #808133. Published by www.studio-orchestrations.com (A0.1210359). An exciting orchestration for solo voices, optional choir and full orchestra of this epic  - quasi operatic - power ballad made famous by Freddie Mercury and Montserrat Caballé.  This version will bring class and drama to any musical event.  Instrumentation:2 Flutes (dbl. Piccolos)[Optional Piccolo - Fl.3]2 Oboes2 Clarinets2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani3 Percussion:[Cymbals / Mark Tree /Tubular Bells / Glockenspiel]HarpPianoGuitarBass GuitarDrum KitOptional SATB chorusSTRINGSStringsSTRINGS.

Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail.  No spoilers however.  If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack  scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score.  It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack.  Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings.  SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate).  However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.

Full Orchestra - Digital Download SKU: A0.733013 Composed by Michael Creider. Contemporary. Score and parts. 64 pages. Ayotte Custom Musical Engravings #2347091. Published by Ayotte Custom Musical Engravings (A0.733013). Equilidelirium, the title and its concept, came to me in a dream. Bringing it to life has come in the light of day and in the twilight of evening.  This composition is a short story about a foreboding journey into the deep recesses of a mind.   Instrumentation:Piccolo 2 Flutes Alto Flute 2 Oboes Cor Anglais (English Horn) 2 Clarinets in Bb Bass Clarinet Contrabass Clarinet Contralto Clarinet in Eb Bassoon Contrabassoon 4 Horns in F Piccolo Trumpet in Bb 4 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani Bass Drum Tam-tam Tubular Bells Glockenspiel Celesta (Orchestra Bells optional) Violin I, II Viola Violoncello Double Bass  

Full Orchestra - Level 4 - Digital Download SKU: A0.775968 Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publishing #2034761. Published by Musik Fabrik Music Publishing (A0.775968). Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. Instrumentation 2 Flutes 2 Oboes 2 Clarinets in Bb Bass Clarinet 2 Bassoons 2 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani Percussion (1 player) Marimba, Tubular Chimes Violin I Violin II Viola Violoncello Contrabass Score in C Bass clarinet and contrabass sound one octave lower than written. PROGRAM NOTES Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. (part on rental: infoATclassicalmusicnow.com).

Full Orchestra - Level 3 - Digital Download SKU: A0.1388067 Composed by Hans Zimmer. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Film/TV,Pop. 63 pages. Luca Boscolo e Marco De Lazzari #971663. Published by Luca Boscolo e Marco De Lazzari (A0.1388067). An orchestral arrangement of Lost But Won from Rush (2013).Info: music.elleemme@gmail.comOrchestral ensemble:- Violin 1-2- Alto- Cello 1-2- Double Bass- Clarinet in Bb 1-2- Bassoon- French Horn 1-2- Troumpet in Bb- Trombone 1-2- Bass Trombone- Bass Tuba in F- Electric Guitar- Electric bass- Timpani- Tubular Bells- Tom Tom 1-2-3- Tam Tam- Bass drum- Various percussions (susp. cymbal, cymbals pair, shaker).