By Mike Oldfield. By Mike Oldfield. Arranged by Kevin Riley. 20th Century, Film/TV. Score and parts. 31 pages. Kevin Riley #714434. Published by Kevin Riley

Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Full Orchestra - Level 3 - Digital Download SKU: A0.852743 Composed by Keith Gemmell. 20th Century,Contemporary,Instructional. Score and parts. 93 pages. Keith Gemmell #28213. Published by Keith Gemmell (A0.852743). This is a modern classical piece in a minimalist style although, unusually for this type of music, with strong melodic passages. Unlike the music of Steve Reich, Phillip Glass and John Adams, it is not technically difficult to play, although a degree of concentration is required when following the shifting patterns. Although minimalist in character the music is constantly changing. It opens quietly with just tubular bells, piano and oboe before ebbing and flowing through grandiose melodies, simple minimalist riffs and sweeping string portamentos. After a rousing full orchestra tutti the music gradually winds down until, like at the the beginning, we hear just piano and tubular bells, which end the piece. As mentioned above it is not difficult to play and suitable for professional and amateur orchestras alike. Perform this and remind your audience that we stand, live and breathe on God’s Earth.

Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspiredâ€� images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€�The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lushâ€� and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€�, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hiddenâ€� from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only.  The parts are available on rental from the publisher

Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail.  No spoilers however.  If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack  scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score.  It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack.  Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings.  SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate).  However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.

Full Orchestra - Level 5 - Digital Download SKU: A0.985830 Composed by Alan Beggerow. 20th Century,Romantic Period. Score and parts. 537 pages. Alan Beggerow #4628593. Published by Alan Beggerow (A0.985830). A symphony for large orchestra inspired by the novel 'Dracula' by Bram Stoker.In 6 parts.Instrumentation:3 flutes, 3rd double piccolo3 oboes, 3rd doubling English horn3 clarinets in B-flat, 3rd doubling Bass clarinet3 bassoons, 3rd doubling Conta bassoon8 horns in F3 trumpets in B-flat2 trombones1 bass trombone1 tubatimpanicrash cymbaltrianglebass drumxylophonevibraphonelarge gongtubular bells

Full Orchestra - Level 2 - Digital Download SKU: A0.1485669 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Christian,Christmas,Holiday,Religious,Sacred. 424 pages. MICHAEL MYRICK #1062737. Published by MICHAEL MYRICK (A0.1485669). Capture the magic of the holiday season with this exquisite Christmas cantata! From enchanting carols to majestic anthems, this carefully curated selection is perfect for bringing the joy of Christmas to life through music. Featuring beautiful arrangements for choirs of all sizes, this cantata will inspire and delight both performers and audiences alike. Involve your entire music ministry with parts for orchestra, bell and chime choir, children’s choir and soloist! Get ready to spread the warmth and wonder of the season with this beautifully narrated and arranged cantata of timeless treasures! Choral Octavo also available!Sinfonietta  (Copyright limitations)1 – Flute / Piccolo1 - Oboe  1 – Clarinet1 - Bassoon1 - Horn  2 - Trumpet  1 – Trombone and Bass Trombone4 - Percussion:  Tympani, Cymbals, Chimes, Tubular Bells, Wood Blocks12 – Handbells / Handchimes 3 - Violin I  3 - Violin II  2 - Viola  2 - Cello  2 - Double Bass (Separate: SATB Octavo, Piano / Celeste).

Full Orchestra - Level 4 - Digital Download SKU: A0.751026 Composed by Brendan Elliget MAGA 537. Concert,Contemporary,Graduation,Patriotic. Score and parts. 37 pages. BJE Music #6361991. Published by BJE Music (A0.751026). Initially a short Fanfare for Brass Group and Percussion - it has now been expanded and extended for a full orchestra featuring the Tubular Bells and includes 4 Horn Parts, 4 Trumpet Parts, and includes an optional Organ part (not on the Score). There is also an optional part for Euphonium BC or TC.​This original composition was written many years ago and revised in 2021. The organ part could be omitted.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration 1 min.

Full Orchestra - Level 4 - Digital Download SKU: A0.1430940 By Andrea Bocelli. By Alan Silvestri and Glen Ballard. Arranged by John Langley / Studio Orchestrations. Christian,Christmas,Film/TV,Holiday,Religious. 122 pages. Www.studio-orchestrations.com #1011447. Published by www.studio-orchestrations.com (A0.1430940). THIS ORCHESTRATION IS A TONE [2 Steps] LOWER THAN THE ORIGINAL SOUNDTRACKA Christmas Carol (2009) from Walt Disney Pictures with Jim Carrey in the role of Scrooge is a magnificent and much loved masterpiece, an instant holiday classic.  With a cast including Gary Oldman, Colin Firth, Bob Hoskins and Cary Elwes.  The song echoes the last words of Tiny Tim and the crowning song sung by Andrea Bocelli, but written by film music legend Alan Silvestri (Back to the future, Polar Express among many others)  builds on that phrase as its opening line to create a joyful epic anthem.This version requires a tenor or soprano soloist with the option of SATB chorus, and emulates the original soundtrack but set in a lower key since few singers necessarily have the vocal capacity of Bocelli to ping out a routine top B.  A version will be available on this site in the original higher key for the braver subscriber.We commend this song (and arrangement) to any event organisers of a large scale Christmas or church orchestral event, or a film concert any time of year.  It is a magnificent modern classic.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets2 Basoons4 Horns3 Trumpets3 Trombones1 TubaTimpani3 Percussion[Cymbals / Tubular Bells / Triangle / Glockenspiel]HarpPianoTenor or Soprano SoloistSATB Chorus [Optional]Strings Do browse the Studio Orchestrations publisher link for other similar orchestral and ensemble titles.

Full Orchestra - Level 4 - Digital Download SKU: A0.718722 Composed by Irving Berlin. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 95 pages. Daryl McKenzie #6597541. Published by Daryl McKenzie (A0.718722). Arranged in the style of Bing Crosby with the Andrews Sisters for Vocal with Pops Orchestra (or Big Band with Strings) Key of Bb with Key change to C.   Instrumentation: Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Alto Sax/Flutes, 2 Tenor Sax/Clarinets, Bari Sax, 4 F Horns, 4 Trumpets, 4 Trombones, Tuba, Timpani, Tubular Bells, Percussion, Drum Kit, Piano, Guitar, Acoustic Bass, Harp, Violin 1, Violin 2, Viola, Cello, Contra Bass.Woodwinds can work in 3 ways:Only Orchestral Woodwinds (Fl,Ob,Cl,Bsn) (play Saxophone cues)Only Big Band Saxes with doubles (2 Alto Sax/Fl, 2 Ten Sax, Cl, Bari Sax)Both Orchestral Woodwinds and Big Band Saxes (Saxes can ignore woodwind double sections)Same arrangement for Big Band also available: https://bit.ly/2XxkTuaFull Audio Demo: https://bit.ly/3jqMCV5More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH

Full Orchestra - Level 3 - Digital Download SKU: A0.753670 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by John Hoesly. Contemporary. Score and parts. 76 pages. PRS&B #6720053. Published by PRS&B (A0.753670). White Christmas- Irving Berlin 1940. For Orchestra.  The most recorded Christmas song of all time, this staple is a must to summon the nostalgia of an old-time Christmas at any concert. The recording by Bing Crosby is the bestselling single record in history.  This arrangement for Orchestra by John Hoesly is a lush harmonic weaving of the melody with flowing counter melodies. 2 Flutes, 2 Oboes, 2 Bb Clarinets, Bass Clarinet, 2 Bassoons, 4 F Horns, 3 Bb Trumpets, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion (Cymbals, Mark Tree, Triangle), Tubular Bells, Orchestral Bells, Vibraphone, Keyboard (Acoustic Piano, Celesta), Harp, Strings.  Intermediate level.

Full Orchestra - Level 4 - Digital Download SKU: A0.1164406 By The Beatles. By George Harrison. Arranged by Brad Ritchie. Pop,Rock,Singer/Songwriter. Score and Parts. 130 pages. OK Music Publishing #764736. Published by OK Music Publishing (A0.1164406). This full orchestra arrangment is true to George Martin's original score. Features vocals and rock band. Instrumentation: Flute 1-2, Oboe 1-2, Clarinet 1-2, Bassoon 1-2, Horns 1-4, Trumpets 1-3, Trombone 1-2, Bass trombone, Tuba, Timpani, Percussion 1-2 (vibraphone, tubular bells, glockenspiel), Harp, Keyboard 1-2 (moog syth. and harmonium sounds), Acoustic guitar, Electric bass guitar, drum set, Lead vocals, Background vocals (requires three singers), Strings [Violin 1-2, Viola, Cello, Double bass].

Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.

Full Orchestra - Level 3 - Digital Download SKU: A0.1403153 By Dan + Shay feat. Justin Bieber. By Dan Smyers, Jason Boyd, Jessie Jo Dillon, Jordan Reynolds, Justin Bieber, and Shay Mooney. Arranged by Zoltan Vegso. Classical,Pop. 32 pages. Vegso Zoltan #986354. Published by Vegso Zoltan (A0.1403153). This song is called 10,000 Hours by Justin Bieber reduction for symphonic orchestra.2 flute, oboe, 2 clarinet in Bb, 2 basson, 4 horn in F, 2 trumpet in C, 3 trombon, timpan, gran cassa, due cymbal, suspenso cymbal, triangle,castagnet, tamburin, glockenspiel, tubular bell, harp, violin1, violin2, viola, cello, contrabass.