By Mike Oldfield. By Mike Oldfield. Arranged by Kevin Riley. 20th Century, Film/TV. Score and parts. 31 pages. Kevin Riley #714434. Published by Kevin Riley

Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspiredâ€� images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€�The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lushâ€� and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€�, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hiddenâ€� from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only.  The parts are available on rental from the publisher

Full Orchestra - Level 3 - Digital Download SKU: A0.852743 Composed by Keith Gemmell. 20th Century,Contemporary,Instructional. Score and parts. 93 pages. Keith Gemmell #28213. Published by Keith Gemmell (A0.852743). This is a modern classical piece in a minimalist style although, unusually for this type of music, with strong melodic passages. Unlike the music of Steve Reich, Phillip Glass and John Adams, it is not technically difficult to play, although a degree of concentration is required when following the shifting patterns. Although minimalist in character the music is constantly changing. It opens quietly with just tubular bells, piano and oboe before ebbing and flowing through grandiose melodies, simple minimalist riffs and sweeping string portamentos. After a rousing full orchestra tutti the music gradually winds down until, like at the the beginning, we hear just piano and tubular bells, which end the piece. As mentioned above it is not difficult to play and suitable for professional and amateur orchestras alike. Perform this and remind your audience that we stand, live and breathe on God’s Earth.

Full Orchestra - Level 5 - Digital Download SKU: A0.1510386 Composed by Maurice Ravel. Arranged by Pierre Penisson. 20th Century. 148 pages. Éditions du Vieux Moulin #1085579. Published by Éditions du Vieux Moulin (A0.1510386). Full score of the orchestration (flute, piccolo, 2 oboes including 1 English horn, 2 clarinets in A, bass clarinet in B flat, 2 bassoons including 1 double bassoon, 2 horns, 2 trumpets in C, trombone, timpani, tam -tam, bass drum, tubular bells, cymbals, snare drum, glockenspiel, harp, celesta, 6 violins I, 5 violins II, 4 violas, 4 cellos, 2 double basses), 32 pages.

Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else� grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.

Full Orchestra - Level 2 - Digital Download SKU: A0.1142130 Composed by Frieder Schmidt. 20th Century. Score and parts. 2 pages. Frieder Schmidt #742500. Published by Frieder Schmidt (A0.1142130). From the banjo to the oboe d'amore: Ranges and Transpositions of 55 instruments on one PDF page – graphically depicted with the keyboard serving as a ruler Plus: Frequency information and empty strings are indicated.Great for: Those who compose, arrange, master the sound, or produce music Instruments included: Strings, saxophones, vocal choir, piano, fender rhodes, celesta, harpsichord, organ, harp, glockenspiel, xylophone, marimba, vibraphone, tubular bells, crotales, 5 timpanis, guitar, e-bass, banjo, mandolin, ukulele, piccolo flute, flute, alto flute, clarinet in Bb, clarinet in A, basset horn, bass clarinet in Bb, oboe, oboe d'amore, heckelphone, english horn, bassoon, contrabassoon, trumpet in Bb, trumpet in C, tenor trombone, tenor-bass trombone, horn in F, tubas (common range).

Full Orchestra - Level 2 - Digital Download SKU: A0.612550 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Stephen DeCesare. Contemporary. Score and parts. 24 pages. Exultet Music #6492977. Published by Exultet Music (A0.612550). One of the featured songs in the 1964 motion picture Mary Poppins scored for String Orchestra. Scored for Violin 1 & 2, Viola, Cello, Double Bass, Tubular Bells, Accordion, Piano, and Celeste. Accessible and appropriate for any school or concert setting.

Full Orchestra - Level 4 - Digital Download SKU: A0.1430940 By Andrea Bocelli. By Alan Silvestri and Glen Ballard. Arranged by John Langley / Studio Orchestrations. Christian,Christmas,Film/TV,Holiday,Religious. 122 pages. Www.studio-orchestrations.com #1011447. Published by www.studio-orchestrations.com (A0.1430940). THIS ORCHESTRATION IS A TONE [2 Steps] LOWER THAN THE ORIGINAL SOUNDTRACKA Christmas Carol (2009) from Walt Disney Pictures with Jim Carrey in the role of Scrooge is a magnificent and much loved masterpiece, an instant holiday classic.  With a cast including Gary Oldman, Colin Firth, Bob Hoskins and Cary Elwes.  The song echoes the last words of Tiny Tim and the crowning song sung by Andrea Bocelli, but written by film music legend Alan Silvestri (Back to the future, Polar Express among many others)  builds on that phrase as its opening line to create a joyful epic anthem.This version requires a tenor or soprano soloist with the option of SATB chorus, and emulates the original soundtrack but set in a lower key since few singers necessarily have the vocal capacity of Bocelli to ping out a routine top B.  A version will be available on this site in the original higher key for the braver subscriber.We commend this song (and arrangement) to any event organisers of a large scale Christmas or church orchestral event, or a film concert any time of year.  It is a magnificent modern classic.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets2 Basoons4 Horns3 Trumpets3 Trombones1 TubaTimpani3 Percussion[Cymbals / Tubular Bells / Triangle / Glockenspiel]HarpPianoTenor or Soprano SoloistSATB Chorus [Optional]Strings Do browse the Studio Orchestrations publisher link for other similar orchestral and ensemble titles.

Full Orchestra - Level 3 - Digital Download SKU: A0.1178351 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 71 pages. Elbsound.studio #744905. Published by Elbsound.studio (A0.1178351). Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocal (or solo instrument). The melody spans one and a half octaves (Bb3 to F5) and is probably singable by all registers and most solo instruments. Playback (without vocal): https://www.youtube.com/watch?v=h4kqIhdAQyk Can be played both by professional orchestras and school orchestras. Also available for chamber orchestra Instrumentation: 2122-3331 (3rd trumpet optional), Glockenspiel, Tubular Bells (optional), Harp (or Piano), Strings, Vocal or Solo Instrument The key moves from Bb to C major. Duration: 4m00s Includes score only (68 pages and three preview pages) The score is also available separately.

Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.

Full Orchestra - Level 4 - Digital Download SKU: A0.1164406 By The Beatles. By George Harrison. Arranged by Brad Ritchie. Pop,Rock,Singer/Songwriter. Score and Parts. 130 pages. OK Music Publishing #764736. Published by OK Music Publishing (A0.1164406). This full orchestra arrangment is true to George Martin's original score. Features vocals and rock band. Instrumentation: Flute 1-2, Oboe 1-2, Clarinet 1-2, Bassoon 1-2, Horns 1-4, Trumpets 1-3, Trombone 1-2, Bass trombone, Tuba, Timpani, Percussion 1-2 (vibraphone, tubular bells, glockenspiel), Harp, Keyboard 1-2 (moog syth. and harmonium sounds), Acoustic guitar, Electric bass guitar, drum set, Lead vocals, Background vocals (requires three singers), Strings [Violin 1-2, Viola, Cello, Double bass].

Full Orchestra - Level 5 - Digital Download SKU: A0.1093883 By ALBEDO. By James R. Koenig. Classical,Contemporary,Film/TV,Sacred. Score and parts. 61 pages. ALBEDO MUSIC #697973. Published by ALBEDO MUSIC (A0.1093883). Chess Symphony, Movement IV. Bishop. Composed by James R. Koenig for Orchestra and Choir. Conductor score and parts. Clarinet in Bb 1, Clarinet in Bb 2, Timpani, Tubular Bells, Harp, Organ, Piano, Full Choir (Soprano, Alto, Tenor, Bass), Violin I, Violin II, Viola, Cello, Contrabass. Lyrics in Latin. Libera Me Requiem text. Duration 6:45. © 2007 by James R. Koenig.

Full Orchestra - Level 5 - Digital Download SKU: A0.985830 Composed by Alan Beggerow. 20th Century,Romantic Period. Score and parts. 537 pages. Alan Beggerow #4628593. Published by Alan Beggerow (A0.985830). A symphony for large orchestra inspired by the novel 'Dracula' by Bram Stoker.In 6 parts.Instrumentation:3 flutes, 3rd double piccolo3 oboes, 3rd doubling English horn3 clarinets in B-flat, 3rd doubling Bass clarinet3 bassoons, 3rd doubling Conta bassoon8 horns in F3 trumpets in B-flat2 trombones1 bass trombone1 tubatimpanicrash cymbaltrianglebass drumxylophonevibraphonelarge gongtubular bells

Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher