By Mike Oldfield. By Mike Oldfield. Arranged by Kevin Riley. 20th Century, Film/TV. Score and parts. 31 pages. Kevin Riley #714434. Published by Kevin Riley

Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Full Orchestra - Level 2 - Digital Download SKU: A0.1485669 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Christian,Christmas,Holiday,Religious,Sacred. 424 pages. MICHAEL MYRICK #1062737. Published by MICHAEL MYRICK (A0.1485669). Capture the magic of the holiday season with this exquisite Christmas cantata! From enchanting carols to majestic anthems, this carefully curated selection is perfect for bringing the joy of Christmas to life through music. Featuring beautiful arrangements for choirs of all sizes, this cantata will inspire and delight both performers and audiences alike. Involve your entire music ministry with parts for orchestra, bell and chime choir, children’s choir and soloist! Get ready to spread the warmth and wonder of the season with this beautifully narrated and arranged cantata of timeless treasures! Choral Octavo also available!Sinfonietta  (Copyright limitations)1 – Flute / Piccolo1 - Oboe  1 – Clarinet1 - Bassoon1 - Horn  2 - Trumpet  1 – Trombone and Bass Trombone4 - Percussion:  Tympani, Cymbals, Chimes, Tubular Bells, Wood Blocks12 – Handbells / Handchimes 3 - Violin I  3 - Violin II  2 - Viola  2 - Cello  2 - Double Bass (Separate: SATB Octavo, Piano / Celeste).

Full Orchestra - Level 3 - Digital Download SKU: A0.852743 Composed by Keith Gemmell. 20th Century,Contemporary,Instructional. Score and parts. 93 pages. Keith Gemmell #28213. Published by Keith Gemmell (A0.852743). This is a modern classical piece in a minimalist style although, unusually for this type of music, with strong melodic passages. Unlike the music of Steve Reich, Phillip Glass and John Adams, it is not technically difficult to play, although a degree of concentration is required when following the shifting patterns. Although minimalist in character the music is constantly changing. It opens quietly with just tubular bells, piano and oboe before ebbing and flowing through grandiose melodies, simple minimalist riffs and sweeping string portamentos. After a rousing full orchestra tutti the music gradually winds down until, like at the the beginning, we hear just piano and tubular bells, which end the piece. As mentioned above it is not difficult to play and suitable for professional and amateur orchestras alike. Perform this and remind your audience that we stand, live and breathe on God’s Earth.

Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspiredâ€� images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€�The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lushâ€� and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€�, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hiddenâ€� from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only.  The parts are available on rental from the publisher

Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.

Full Orchestra - Level 3 - Digital Download SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Quest Records #5712563. Published by Visionary Quest Records (A0.984558). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to reflect and to contemplate about the sanctity of life. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid epic journey filled with much pathos. L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). Digital Download = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions -Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover.

Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.

Full Orchestra - Digital Download SKU: A0.733013 Composed by Michael Creider. Contemporary. Score and parts. 64 pages. Ayotte Custom Musical Engravings #2347091. Published by Ayotte Custom Musical Engravings (A0.733013). Equilidelirium, the title and its concept, came to me in a dream. Bringing it to life has come in the light of day and in the twilight of evening.  This composition is a short story about a foreboding journey into the deep recesses of a mind.   Instrumentation:Piccolo 2 Flutes Alto Flute 2 Oboes Cor Anglais (English Horn) 2 Clarinets in Bb Bass Clarinet Contrabass Clarinet Contralto Clarinet in Eb Bassoon Contrabassoon 4 Horns in F Piccolo Trumpet in Bb 4 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani Bass Drum Tam-tam Tubular Bells Glockenspiel Celesta (Orchestra Bells optional) Violin I, II Viola Violoncello Double Bass  

Full Orchestra - Level 3 - Digital Download SKU: A0.753670 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by John Hoesly. Contemporary. Score and parts. 76 pages. PRS&B #6720053. Published by PRS&B (A0.753670). White Christmas- Irving Berlin 1940. For Orchestra.  The most recorded Christmas song of all time, this staple is a must to summon the nostalgia of an old-time Christmas at any concert. The recording by Bing Crosby is the bestselling single record in history.  This arrangement for Orchestra by John Hoesly is a lush harmonic weaving of the melody with flowing counter melodies. 2 Flutes, 2 Oboes, 2 Bb Clarinets, Bass Clarinet, 2 Bassoons, 4 F Horns, 3 Bb Trumpets, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion (Cymbals, Mark Tree, Triangle), Tubular Bells, Orchestral Bells, Vibraphone, Keyboard (Acoustic Piano, Celesta), Harp, Strings.  Intermediate level.

Full Orchestra - Level 4 - Digital Download SKU: A0.751026 Composed by Brendan Elliget MAGA 537. Concert,Contemporary,Graduation,Patriotic. Score and parts. 37 pages. BJE Music #6361991. Published by BJE Music (A0.751026). Initially a short Fanfare for Brass Group and Percussion - it has now been expanded and extended for a full orchestra featuring the Tubular Bells and includes 4 Horn Parts, 4 Trumpet Parts, and includes an optional Organ part (not on the Score). There is also an optional part for Euphonium BC or TC.​This original composition was written many years ago and revised in 2021. The organ part could be omitted.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration 1 min.

Full Orchestra - Level 3 - Digital Download SKU: A0.1178350 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 10 pages. Elbsound.studio #744902. Published by Elbsound.studio (A0.1178350). Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocal (or solo instrument). The melody spans one and a half octaves (Bb3 to F5) and is probably singable by all registers and most solo instruments.Playback (without vocal): https://www.youtube.com/watch?v=h4kqIhdAQykCan be played both by professional orchestras and school orchestras. Also available for chamber orchestra separately.Instrumentation: 2122-3331 (3rd trumpet optional), Glockenspiel, Tubular Bells (optional), Harp (or Piano), Strings, Vocal or Solo Instrument The key moves from Bb to C major. Duration: 4m00s Includes score only (10 pages) The parts are also available separately.

Full Orchestra - Level 4 - Digital Download SKU: A0.1210359 By Queen. By Freddie Mercury and Mike Moran. Arranged by John Langley. Broadway,Musical/Show,Opera,Pop,Rock,Standards. Score and Parts. 155 pages. Www.studio-orchestrations.com #808133. Published by www.studio-orchestrations.com (A0.1210359). An exciting orchestration for solo voices, optional choir and full orchestra of this epic  - quasi operatic - power ballad made famous by Freddie Mercury and Montserrat Caballé.  This version will bring class and drama to any musical event.  Instrumentation:2 Flutes (dbl. Piccolos)[Optional Piccolo - Fl.3]2 Oboes2 Clarinets2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani3 Percussion:[Cymbals / Mark Tree /Tubular Bells / Glockenspiel]HarpPianoGuitarBass GuitarDrum KitOptional SATB chorusSTRINGSStringsSTRINGS.

Full Orchestra - Level 4 - Digital Download SKU: A0.718722 Composed by Irving Berlin. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 95 pages. Daryl McKenzie #6597541. Published by Daryl McKenzie (A0.718722). Arranged in the style of Bing Crosby with the Andrews Sisters for Vocal with Pops Orchestra (or Big Band with Strings) Key of Bb with Key change to C.   Instrumentation: Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Alto Sax/Flutes, 2 Tenor Sax/Clarinets, Bari Sax, 4 F Horns, 4 Trumpets, 4 Trombones, Tuba, Timpani, Tubular Bells, Percussion, Drum Kit, Piano, Guitar, Acoustic Bass, Harp, Violin 1, Violin 2, Viola, Cello, Contra Bass.Woodwinds can work in 3 ways:Only Orchestral Woodwinds (Fl,Ob,Cl,Bsn) (play Saxophone cues)Only Big Band Saxes with doubles (2 Alto Sax/Fl, 2 Ten Sax, Cl, Bari Sax)Both Orchestral Woodwinds and Big Band Saxes (Saxes can ignore woodwind double sections)Same arrangement for Big Band also available: https://bit.ly/2XxkTuaFull Audio Demo: https://bit.ly/3jqMCV5More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH

Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 2 - Digital Download SKU: A0.611270 Composed by Stephen DeCesare. Children,Instructional,Standards. Score and parts. 39 pages. Exultet Music #2016493. Published by Exultet Music (A0.611270).  Fun orchestral piece that is scored for Piano Solo and Orchestra (Flute, Oboe, Bb-Clarinet, Bassoon, Bb-Trumpet, French Horn, Trombone, Tuba, Timpani, Tubular Bells, Triangle, Violin, Viola, Cello, Double Bass).  Accessible for all levels of playing from school through professional.