Full Orchestra - Level 3 - Digital Download SKU: A0.855382 Composed by Joseph Pugh. Christian. Score and parts. 36 pages. Joseph Pugh #6679771. Published by Joseph Pugh (A0.855382). This song was written in 1984 and released on Joseph's CCM cd, I'm Not Going To Give Up The Battle and now with choir and orchestra has become the 3rd movement in Cantata No.3, Heaven. Download the mp3 and play or sing along with the orchestra.

Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.

Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon             This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB

Full Orchestra - Level 4 - Digital Download SKU: A0.999294 Composed by Joshua A. Idio. 20th Century,Contemporary,Standards. Score and parts. 121 pages. Joshua A Idio #5779515. Published by Joshua A Idio (A0.999294). Composed by Joshua A. Idio. (ASCAP Licensed) Orchestra Music. Concert Festival music. Full score and parts.Grade 4 Symphony OrchestraAncient civilizations made up stories to try to explain why the sun suddenly disappears. Whether it’s devouring demons, or anger of the gods, none can contest the majesty of this rare phenomena. And to this day, we still acknowledge solar eclipses as one of the closest occurrences to the unnatural. Composed for the August 2017 Solar Eclipse in the United States, Totality depicts the full celestial event in music; from beginning to end.

Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuang�. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the �road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang� was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century� in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang� depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.

Full Orchestra - Level 4 - Digital Download SKU: A0.731836 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 114 pages. Thomas Quigley #3397131. Published by Thomas Quigley (A0.731836).  This overture is so called because It is based largely on two Irish tunes -The Donegal Reel and Star of the County Down.A highly skillful and polished orchestration, with great tunes, color, exuberance and variety, it is an ideal choice for a concert featuring Irish music. The reel opens and closes the piece with a triumphant version of Star of the County Down in the middle. The mood is up-beat throughout and it would also be appropriate as an opening concert item. Slightly challenging in places, it is suitable however for a competent student or amateur orchestra. A highly entertaining piece! (Duration 4:00).

Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.

Full Orchestra - Level 4 - Digital Download SKU: A0.978452 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone Music #6716131. Published by Sandstone Music (A0.978452). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.

Full Orchestra - Level 4 - Digital Download SKU: A0.978456 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 253 pages. Sandstone Music #6716913. Published by Sandstone Music (A0.978456). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.

Full Orchestra - Level 4 - Digital Download SKU: A0.978454 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone Music #6716133. Published by Sandstone Music (A0.978454). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.

Full Orchestra - Level 4 - Digital Download SKU: A0.1430569 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by John Langley / Studio Orchestrations. Classical,Film/TV,Historic,Patriotic. 41 pages. Www.studio-orchestrations.com #1011096. Published by www.studio-orchestrations.com (A0.1430569). The ground breaking Netflix epic TV biopic series was indeed a huge sea change in home streaming content output, bringing together some of Britain's biggest names in theatre, film and TV to portray the history of Queen Elizabeth II's 70 years as the UK monarch.  Controversial at times, it had many critics but it was hugely popular with no less than 4 actresses taking on her portrayal.The respect, sensitivity and gravitas we would expect for a histirical drama production like this was self evident from the opening credits and the accompanying music.  The theme that Balfe, Gregson Williams and Zimmer created perfectly framed and set up each episode beautifully.  A little known fact is that it is based on a song written 400 years before it by Henry Purcell in his 'semi-opera' KING ARTHUR.  The harmonies Purcell wrote in his 'Cold song' were very progressive for the time it was written but provides a wonderful bed for the modern writing team to use as their inspiration.This orchestration follows the original TV soundtrack as closely as possible for standard concert orchestra instrumentation:2 FlutesPiccolo2 Oboes2 Clarinets1 Bass Clarinet2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion[Taiko Drum/Large Bass Drum]StringsCheckout some of the growing list of other titles now available on this website scored by Studio Orchestrations.

Full Orchestra - Level 3 - Digital Download SKU: A0.1435189 Composed by Alan Silvestri. Arranged by Adrian Horn. Film/TV. 45 pages. AJH Brass #1015287. Published by AJH Brass (A0.1435189). 'Portals' from Avengers: Endgame. This orchestral arrangement sticks closely to the original version with a few alterations and additions in orchestration and arrangement to suit the playing ability of Chetham's Philharmonic Orchestra (the orchestra of the Middle School at Chetham's School of Music).It features a more standard orchestral line up (without the additional Hollywood style brass forces that appear to be in the original) as well as extra parts for Alto sax, Tenor sax, Baritone sax and Harp. The woodwind play a larger part in this version to add more colour and cover some of the original choral part that appear in the original. Timpani has been reduced to be able to be played by just one player on just 3 timpani. The ending has been altered so that if finishes on a shock chord instead of the original's long held, dying away chord.

Full Orchestra - Level 4 - Digital Download SKU: A0.978455 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 255 pages. Sandstone Music #6716911. Published by Sandstone Music (A0.978455). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.