Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.

Full Orchestra - Level 3 - Digital Download SKU: A0.750851 Composed by Jean de Brébeuf 1642. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 39 pages. BJE Music #3908951. Published by BJE Music (A0.750851). The Huron Carol (or Twas in the Moon of Wintertime) is a Canadian Christmas hymn (Canada's oldest Christmas song), written probably in 1642 by Jean de Brébeuf, a Jesuit missionary at Sainte-Marie among the Hurons in Canada. Brébeuf wrote the lyrics in the native language of the Huron/Wendat people; the song's original Huron title is Jesous Ahatonhia (Jesus, He is born). The song's melody is based on a traditional French folk song, Une Jeune Pucelle (A Young Maid).[Wikipedia]This is an arrangement for full Orchestra Band with an optional piano part included. A descant part can be played on Flute/Piccolo and Clarinet in the 2nd Verse and the on Trumpet, Flute/Piccolo and Clarinet in the 4th Verse. There is also an optional 4th Clarinet part - Mostly covered on the Viola 2 (optional Part)…The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration - 3:50 mins.

Full Orchestra - Digital Download SKU: A0.742691 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 79 pages. AnderKamp Music #3637261. Published by AnderKamp Music (A0.742691). This is a fun, gospel arrangement. The drums have a ‘train’ sort of feel (the ‘choo choo’ not ‘soul sister’ variety). This arrangement is a medley of Are You Washed In the Blood with There Is Power In the Blood. Toe tapping for sure. These type arrangements play themselves and everyone will love this energetic opener. This arrangement is in the Key of F then changes key up to G. You don’t have to have a rhythm section to play this piece. Not at all. As long as you have a piano player, they can play the written out piano part and go to town! As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)

Full Orchestra - Level 4 - Digital Download SKU: A0.690536 Composed by Peggy Lee and Sonny Burke. Arranged by Kevin Riley. 20th Century,Children,Film/TV. Score and parts. 30 pages. Kevin Riley #299239. Published by Kevin Riley (A0.690536). Bella Notte (Italian for Beautiful Night) is a song for the 1955 animated motion picture Lady and the Tramp from Walt Disney Productions. The music is by Sonny Burke and the lyrics are by Peggy Lee. The song was performed in the film by George Givot, who also provided the voice of Tony. Peggy Lee recorded the song for herself for a 1955 Decca release with a choir and orchestra led by Victor Young. The song has also been recorded for a Disneyland album, sung by Bob Grabeau. Ronnie Hilton recorded the song, and Siw Malmkvist recorded the song in Swedish, releasing it on a record in February 1956.The song has also been recorded by Vikingarna on the 1979 album Vikingarnas julparty and Christer Sjögren himself on the 1994 Christmas album När ljusen ska tändas därhemma. Mark Salling, Kevin McHale, and Chord Overstreet recorded the song, and performed it on twenty-second episode and season two finale of Glee on May 24, 2011.

Full Orchestra - Digital Download SKU: A0.745480 Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Holiday,Patriotic,Traditional. Score and parts. 76 pages. Custom Chamber Music #353409. Published by Custom Chamber Music (A0.745480). Washington Post March is one of John Philip Sousa's most popular marches. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for orchestras of all types (full orchestra, string orchestra, chamber orchestra, school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet, with optional percussion.Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.

Full Orchestra - Level 4 - Digital Download SKU: A0.978292 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 29 pages. ResurrectionSong #6323667. Published by ResurrectionSong (A0.978292). Conductor Score.  Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.

Full Orchestra - Level 4 - Digital Download SKU: A0.978287 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 16 pages. ResurrectionSong #6323495. Published by ResurrectionSong (A0.978287). Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.

Full Orchestra - Level 4 - Digital Download SKU: A0.978293 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 94 pages. ResurrectionSong #6323675. Published by ResurrectionSong (A0.978293). INSTRUMENTAL PARTS. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.

Full Orchestra - Level 1 - Digital Download SKU: A0.722485 Composed by Leontovich, Mykola Dmytrovich. Arranged by Anne L Christopherson GRSM ARCM. 20th Century,Children,Christmas,Folk,Holiday. Score and parts. 3 pages. Music-Scores.com #6658933. Published by Music-Scores.com (A0.722485). Carol of the Bells, or the Ukrainian Bell Carol, is an old New Year Carol and was performed using hand bells. It is said to be based on the traditional Ukrainian folk chant, Shchedryk.

Full Orchestra - Level 3 - Digital Download SKU: A0.1451815 Composed by James Horner. Arranged by Kevin Riley. 20th Century,Celtic,Film/TV,Irish. 34 pages. Kevin Riley #1031126. Published by Kevin Riley (A0.1451815). Braveheart – Original Motion Picture Soundtrack is the instrumental soundtrack album to the 1995 film of the same name composed and conducted by James Horner and performed by the London Symphony Orchestra. It is Horner's second of three collaborations with Mel Gibson as director following The Man Without a Face (1993). The soundtrack, comprising 77 minutes of film score, was notably successful and was nominated for Best Original Score at the 68th Academy Awards in 1996, but lost to Luis Bacalov's composition to Il Postino.Horner's score includes a melody that appeared again in his 1997 music for Titanic. Irish band Clannadwrote a theme tune for the film, entitled 'Croí Cróga' (meaning 'braveheart'). However, the track was not used in the soundtrack, but was released by Clannad on the album 'Lore'. Several critics have noted similarities between the Main Theme and an earlier theme song, Kaoru Wada's Pai Longing in the 1991 anime series 3×3 Eyes.[2][3][4].

Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spiders�. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drink�, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.

Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005

Full Orchestra - Level 3 - Digital Download SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.

Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.