Full Orchestra - Level 5 - Digital Download SKU: A0.1502259 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Patrick Sheehan. Film/TV. 56 pages. Patrick Sheehan #1078138. Published by Patrick Sheehan (A0.1502259). Transcribed as recorded on the soundtrack to the 1939 MGM motion picture ‘The Wizard of Oz’.INSTRUMENTATION: Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, Alto Voice, Celesta, Harp, Bird Whistle, Glockenspiel, Vibraphone, Timpani, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

By Jim Steinman and Andrew Lloyd Webber. Arranged by John Leavitt. Orchestra. Broadway; Musical/Show. Full score. 8 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music

Full Orchestra - Level 5 - Digital Download SKU: A0.1009811 Composed by Phillip S. Ledesma. 20th Century,Romantic Period. Score and parts. 11 pages. Phillip Steven Ledesma #1919003. Published by Phillip Steven Ledesma (A0.1009811). Full Orchestral Score. Marches is the 2nd movement to the 1st symphony.   In contrast to the more sublime Ruhevoll (and the 4th movement Molto Adagio) Marches utilizes many aspects of the march in various settings, from large brass and woodwind circus venues to trios of soloists, while also encompassing the somber funeral procession. Marches opens the brass and low strings in a dogfight; the brass fire short staccato blasts as 'cellos and basses answer with long lyrical lines setting the pace until the cat and mouse game ends with the low strings driving their way to the trio. When the three soloists finish their introductory theme they are answered by the full orchestra taking the theme and surrounding it with all the boisterous bells and whistles of a circus march! But the reality is that marches are - at their core - war music, and the waste that war causes has to be addressed in the funeral march. These themes are all cycled through once again, with a coda that cleverly ties things up.