Full Orchestra - Level 5 - Digital Download SKU: A0.730483 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. James Nathaniel Holland #4331497. Published by James Nathaniel Holland (A0.730483). FIRST SET OF INDIVIDUAL INSTRUMENT PARTS OF THE ORCHESTRA (Woodwinds and Brass). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 2 (strings) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.

Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.

Full Orchestra - Level 4 - Digital Download SKU: A0.1505231 Composed by Giacomo Puccini. Arranged by Patricio Cueto. Classical,Opera,Romantic Period. 30 pages. Patricio Cueto #1080619. Published by Patricio Cueto (A0.1505231). The aria Chi il bel sogno di Doretta from Puccini's La Rondine in a concert version with the piano solo introduction and a finale. the wind section has being reduced to 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and 2 horns. The parts contains separate parts for Piano, Harp and Celesta as in the original, and includes a combined part of this 3 instruments that can be played with piano or harp.

Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.

Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Published by The Composer's Own Press (A0.944033). Composer’s Note: Enchanted Landscapes was commissioned by the Colorado Springs Philharmonic in recognition of the Association’s 90th  Anniversary. Inspired by the theme of America the Beautiful, I decided to portray the actual beauty of the land, rather than to use Katharine Lee Bates and Samuel Ward's famous song as a musical reference. Thus, Enchanted Landscapes was composed as a single-movement Symphonic Poem,  which transforms various visual elements of our magical views into an audible experience. The main melody is vast; Spanning over 30 measures, it conveys the feeling of spaciousness. Then, the same long melody repeats in a different, higher key. The middle part of the composition presents a fanfare-like theme, which builds up through both dynamics and polyphonic means. This section, dominated mainly by the brass and wind instruments, brings in a sense of drama, mystery, and purple mountain majesties. Finally, the use of Melodica sound in the otherwise traditional orchestration, adds a feeling of nostalgia and longing to the pure and proud landscape that watches upon us constantly, and connects us with the earth, with nature, and with ourselves. SCORING INFORMATION: fl. (2),  ob. (2), Eng. hn., cl. in b-flat (2), bass cl. (in b-flat), Trp. (2), Fr. hn. (2), Tbn (2), Tuba, Perc (2) Melodica (or Accord.), Harp, strings.Total Duration: 11 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

Full Orchestra - Level 3 - Digital Download SKU: A0.1198448 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 59 pages. Marek Czekala #797590. Published by Marek Czekala (A0.1198448). If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof. It was written by Sheldon Harnick and Jerry Bock. The song is performed by Tevye, the main character in the musical, and reflects his dreams of glory. The title is inspired by a 1902 monologue by Sholem Aleichem in Yiddish, Ven ikh bin Rothschild (Yiddish: װען �יך בין ר�ָטשילד; lit. “If I were a Rothschild�), a reference to the wealth of the Rothschild family, although the content is quite different. The lyric is based in part on passages from Sholem Aleichem’s 1899 short story The Bubble Bursts. Both stories appeared in English in the 1949 collection of stories Tevye's Daughters.WikipediaThis arrangement proves that even with a single cast of wind instruments, a piece can sound great.

Full Orchestra - Level 4 - Digital Download SKU: A0.894639 Composed by Gabriel Faure. Arranged by Farah Wu. Contemporary,Romantic Period,Standards,World. Score and parts. 47 pages. Farah Wu #5019709. Published by Farah Wu (A0.894639). The Pavane in F-sharp minor (1887) by Faure is a well-known orchestral work with great emphasis on solo melodies by wind instruments. This arrangement is written for an advanced string octet/ensemble with a simple piano accompaniment part to thicken the texture often lacking in arrangements for strings alone.

Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.

Full Orchestra - Digital Download SKU: A0.961995 Composed by 馬水é¾� Ma Shui Long. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48521. Published by SpringAutumnmusic (A0.961995). 《玩燈》1977年《玩燈─元宵節記趣》，管弦樂元宵夜，å�šå…ƒå®µï¼Œæ��燈籠，這是作者兒時年年所盼望而最高興的時刻。這清新的回憶，就是本曲寫作的曲æ„�與動機。開始是一段åº�，那是迎神的鑼鼓å�¹å¥�è�²ï¼Œç”±é� è€Œè¿‘。輕快活潑的主題由此中介入展開。家家戶戶孩å­�們，喜氣洋洋，æ��著燈籠看熱鬧。廟å�£å»£å ´ï¼Œæ¯�年逢此佳節，更是點燈çµ�彩，花燈樣å¼�ç�³ç‘¯æ»¿ç›®ï¼Œç¾Žä¸�å‹�收，更有趣的是元宵節謎語晚會，舞é¾�ã€�舞ç�…，人山人海，一片熱鬧é�žå¸¸çš„景象。曲中也加入片段慢æ�¿æ¨‚å�¥ï¼Œé‚£æ˜¯å…ƒå®µç¯€ï¼Œå®¶å®¶æˆ¶æˆ¶åœ˜åœ“和氣至親的寫照。 全曲在輕快活潑的主題中進行，步入高潮。※本曲1977年應國家文化è—�術基金會委託創作之作å“�。å�Œå¹´æ–¼å�°åŒ—國父紀念館舉行世界首演，由廖年賦指æ�®å�°åŒ—世紀交響樂團擔任演出。1977< Lantern Festival>, for orchestra  Hand lanterns and sweet yuanxiao rice dumplings are two traditional items children eagerly anticipate during the annual Lantern Festival; and the composer of this piece was inspired by recollections of this joyous time from his childhood. The composition starts with a brisk and lively prelude for drums, gongs and wind instruments to welcome the deity associated with the Lantern Festival. Delighted children everywhere carry lanterns and gather in the square in front of the local temple to celebrate this exciting event. Traditional activities include dancing dragons and lions, amusing riddles and numerous brightly-lit and beautifully decorated lanterns which complete the scene. The composer has also included adagio passages to portray the amiable mood of family reunion during this special holiday. The entire composition builds to a final crescendo in a lively pace. Lantern Festival was commissioned by the National Culture and Arts Foundation in 1977, and premiered the same year by the Taipei Century Symphony Orchestra, conducted by Nien-Fu David Liao Nianfu at Taiwan's National Dr. Sun Yat-sen Memorial Hall.

Full Orchestra - Level 2 - Digital Download SKU: A0.1119832 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 54 pages. William Pagan-Perez #721176. Published by William Pagan-Perez (A0.1119832). We Want To Play A Plena! It is a single-movement piece for the Symphony Youth Orchestra by Composer William Pagán-Pérez. The piece is in the key of D Major. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a 2 or 2.5 grade level for the wind and brass instruments. The key of D Major can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the challenges by practicing scales and arpeggios. The Plena is a music genre or a rhythm from the south of Puerto Rico (a territory of the United State in the Caribbean). Percussion students can learn the basic patterns by reading the music notation or by ear (it is very repetitive). Composer Pagán-Pérez used the Plena variation by percussionist Tony Sánchez, Sr. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb 1, Trumpet in Bb 2, Trombone, Tuba, Cowbell (Small), Maracas, Conga Drums, Tenor Drums or Toms, Percussion (Bass Drum, Sus. Cymbal), Violin I, Violin II, Viola, Violoncello, Double Bass.

Full Orchestra - Level 2 - Digital Download SKU: A0.1119845 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 38 pages. William Pagan-Perez #721189. Published by William Pagan-Perez (A0.1119845). Taino March is a single-movement piece for the Youth Orchestra by Composer William Pagán-Pérez. The work is in the key of D Major. This piece was inspired totally by The Imperial March (Darth Vader Theme) by the legendary composer John Williams and analysis from this video https://youtu.be/m3xPOs9CtJ4. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a grade level 1 or 2 for the wind and brass instruments (rhythms, melodies, or range). The key of D Major can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the obstacles by practicing scales and arpeggios. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb, Trombone, Tuba, Cymbals, Glockenspiel, Xylophone, Snare Drum, Tenor Drum or Low Tom, Bass Drum, Violin I, Violin II, Viola, Cello, Double Bass.

Full Orchestra - Level 4 - Digital Download SKU: A0.1119848 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 112 pages. William Pagan-Perez #721193. Published by William Pagan-Perez (A0.1119848). Tainos Visions is a single-movement piece for the Youth Orchestra by Composer William Pagán-Pérez. The piece is in the key of G Major. This piece was inspired by some cinematographic music and composers but also integrates some cultural background of the composer. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a grade level 4 for the wind and brass instruments (rhythms, melodies, or range). The key of G Major can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the challenges by practicing scales and arpeggios. Instrumentation: Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Horn in F 1, Horn in F 2, Horn in F 3, Horn in F 4, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Trombone 1, Trombone 2, Trombone 3, Tuba, Timpani, Xylophone, Tenor Drums or Toms, Surdo, Percussion 1 (Tam-Tam, Triangle), Percussion 2 (Snare Drum and Sticks, Bass Drum), Violin I, Violin II, Viola, Violoncello, Double Bass.

Full Orchestra - Level 2 - Digital Download SKU: A0.1119840 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 37 pages. William Pagan-Perez #721186. Published by William Pagan-Perez (A0.1119840). Dreaming With Yauco (Soñando Con Yauco) is a single-movement piece for the Youth Orchestra by Composer William Pagán-Pérez. The piece is in the key of D Major. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a 1 or 2 grade level for the wind and brass instruments (rhythms and melodies). The key of D Major can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the challenges by practicing scales and arpeggios. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb 1, Trumpet in Bb 2, Trombone, Tuba, Cymbals (Sus. Cymbal), Glockenspiel, Xylophone, Snare Drum, Bass Drum, Violin I, Violin II, Viola, Violoncello, Double Bass.

Full Orchestra - Level 2 - Digital Download SKU: A0.1119838 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 51 pages. William Pagan-Perez #721183. Published by William Pagan-Perez (A0.1119838). Bachata in B Minor is a single-movement piece for the Youth Orchestra by Composer William Pagán-Pérez. This piece is in the key of B Minor. This piece was inspired by some cinematographic composers and popular Bachata (Latino rhythm) from the Caribbean. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a grade level 1 or 2 for the wind and brass instruments (rhythms, melodies, or range). The key of B Minor can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the challenges by practicing scales and arpeggios. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb 1, Trumpet in Bb 2, Trombone, Tuba, Glockenspiel, Xylophone, Bongo Drums, Accessories (Brass Guira), Percussion (Sus. Cymbal, Bass Drum, Snare Drum), Violin I, Violin II, Viola, Cello, Double Bass.

Full Orchestra - Level 4 - Digital Download SKU: A0.1142113 Composed by Jean Sibelius. Arranged by John M. Laverty. Classical. Score and parts. 39 pages. Zephyrwindmusic.com #742490. Published by zephyrwindmusic.com (A0.1142113). Finnish composer Jean Sibelius composed Valse Triste in 1903 as part of a set of works serving as incidental music for the play Kuolema. It remains one of Sibelius’ most popular works and has been adapted for many types of ensembles and works for numerous instruments. This edition is based entirely on the original 1904 edition for orchestra, edited to meet 21st century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.