EUROPE
158091 articles
USA
3871 articles
DIGITAL
3194 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3194 partitions trouvées


Full Orchestra - Level 3 - Digital Download

SKU: A0.750928

Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 40 pages. BJE Music #5011689. Published by BJE Music (A0.750928).

A Dragon's Lament is an original composition for Orchestra and is one of a 3 movement suite called A Dragon's Suite for Orchestra. This movement is the middle slow minor-key theme reflecting the loss of a Dragon's life or imminent death…

Grade = 3.5 Duration = 4:30 mins (This movement only)

The MP3 was recorded with NotePerformer.

To play the suite in the original order:

1. A Dragon's Realm - The Lost World/ 2. A Dragon's Lament/ 3. A Dragon's Heart/ (Full performance time approx. 12:15 mins)

See Related Scores

A Dragon's Lament - Orchestra Score and Parts PDF
Orchestre

$25.00 23.71 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: A0.768572

Composed by Amphibia Cultural Legacy. 20th Century,Broadway,Classical,Film/TV,Multicultural,Musical/Show,World. Score and parts. 4 pages. Amphibia Cultural Legacy #370650. Published by Amphibia Cultural Legacy (A0.768572).

It's Been a Long Journey is an instrumental cover that takes you on a nostalgic trip down memory lane. The track, remastered and remixed by the Amphibia Cultural Legacy, features music from Hello Kitty's Paradise, a popular animated series from the 1990s. The cover perfectly captures the essence of the show and its iconic tunes.

The Amphibia Cultural Legacy is renowned for its ability to breathe new life into classic tracks while staying true to its original sound. With It's Been a Long Journey, they have done just that. The cover offers listeners a fresh take on familiar melodies that will transport them back in time with every note played.

Hello Kitty's Paradise fans will be amazed at how well this interpretation captures the show's spirit.

This cover is based on the music about Hello Kitty and Mimmy White happily enjoying enough adventure. At the same time, they float away in their Hot-Air Balloon from some episodes of Hello Kitty's Paradise.

It's Been a Long Journey
Orchestre

$40.00 37.94 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1489876

Composed by Benny Oschmann. Arranged by Benny Oschmann. Christmas,Classical,Film/TV,Holiday,Video Game. 88 pages. Benny Oschmann #1066721. Published by Benny Oschmann (A0.1489876).

Experience the Thrill of the Season with Santa's Epic Ride

Unleash the magic of Christmas with Benny Oschmann's Santa's Epic Ride, an electrifying orchestral composition that reimagines the classic English carol God Rest Ye Merry, Gentlemen. This dynamic piece takes listeners on an exhilarating journey as Santa Claus embarks on a wild and dramatic adventure through the night sky in his legendary sleigh.
Perfect for holiday concerts and festive events, Santa's Epic Ride brings a fresh, invigorating twist to a classic tune, making it an unforgettable highlight of any program. Bring the excitement of Santa's journey to life and let your audience feel the rush of his epic ride!

Santa's Epic Ride (based on “God Rest Ye Merry, Gentlemen“)
Orchestre

$80.00 75.89 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download

SKU: A0.940117

Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 99 pages. Christian James Jesse #5751477. Published by Christian James Jesse (A0.940117).

After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.
-
A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman.
-
https://christianjesse.com/a-soldiers-memory

A Soldier's Memory - Instrumental Parts
Orchestre

$20.00 18.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download

SKU: A0.940116

Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 32 pages. Christian James Jesse #5751467. Published by Christian James Jesse (A0.940116).

After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.
-
A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman.
-
https://christianjesse.com/a-soldiers-memory


A Soldier's Memory - Conductor Score - Score Only
Orchestre

$20.00 18.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.546779

By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779).

That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.

That's The Way (i Like It)
Orchestre
K C
$50.00 47.43 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1030897

Composed by Martha Mooke. Contemporary. Score and parts. 23 pages. Vener Music Publishing #56059. Published by Vener Music Publishing (A0.1030897).

For Voices, Winds, Brass, Percussion, Guitar, Keyboards and Strings Program notes: While searching for a sign for the title of my new piece... I received a text message - an SMS (Short Message Service) text message! The hidden sign I was waiting for! (S)hort (M)essage (S)ervice: (H)idden (S)igns contains old (Morse) and new (SMS) code at times blatantly, other times more obscure. The score calls for improvising pianists who have at the piano from inside and out! XOXO Enjoy! <3 Parts available for purchase upon request from composer: music@marthamooke.com.

(S)hort (M)essage (S)ervice: (H)idden (S)igns
Orchestre

$25.00 23.71 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1018940

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940).

Programme Notes:

 This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.

 The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  

 The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.

 Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.



Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre

$20.00 18.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.730317

Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317).

The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4)
 
The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part.
 
Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings
 
Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately.
 
This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland 
  
SONNET 29
When, in disgrace with fortune and men's eyes,
I all alone beweep my outcast state
And trouble deaf heaven with my bootless cries
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possess'd,
Desiring this man's art and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven's gate;
For thy sweet love remember'd such wealth brings
That then I scorn to change my state with kings.  
 
YouTube video presentation (with Tenor):
https://www.youtube.com/watch?v=ry0b9cLOYc4

James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
Orchestre

$14.95 14.18 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.1018872

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872).

Programme Notes:

 Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.

 This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.

About the Composer:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
Orchestre

$20.00 18.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1344002

Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002).

1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the Future

The reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.“Fleetingness†is initially the author’s sketches, sketches, blanks, so to speak, a test of the pen, when musical images are created using minimal means and the search for one’s own language, a certain mood is conveyed, small picturesque etudes are drawn, paintings are also searched for and the possibility of conveying an almost theatrical action exclusively musical techniques. A little later, when a fair number of these short pieces had accumulated, Prokofiev added a few more, bringing the total number to 20. It was then that this suite was compiled, as an example of one of the first attempts to find a new style in music, which would later be called minimalism. Undoubtedly, the impetus for the creation of this 22nd opus was the piano preludes of Debussy, who had a huge influence on the subsequent development of academic music in the 20th century. My task in the orchestral transcription of this suite was, first of all, to make each sketch of this cycle visible using the means of a symphony orchestra. For this purpose, I initially provided each number of this suite with a specific name, in order to somehow indicate the path and arouse the imagination of the listeners. (As is known, only one piece of this cycle had a specific author's title - #7, Harp) Having started work on the orchestration, I had in advance the goal of addressing this arrangement to young musicians and young listeners.

S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only Orchestre

$100.00 94.86 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.1018921

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre

$20.00 18.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1285486

Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 pages. BryanKiddMusic.com #876592. Published by BryanKiddMusic.com (A0.1285486).

A beautifully orchestrated and dreamy arrangement. Although Frank Loesser wrote this as an anytime-of-the-year question, most often it’s heard during the Christmas Season. A veritable who’s who have covered it since first being introduced in 1947 by Margaret Whiting. A partial list includes Ella Fitzgerald, Ramsey Lewis, Joe Williams, Nancy Wilson, Johnny Mathis, Idina Menzel, Seth MacFarlane, Barbra Streisand, Andy Williams, Lee Ann Womack, Lena Horne and The Carpenters.

Please visit BryanKiddMusic.com

     With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.

What Are You Doing New Year's Eve? Orchestre

$65.00 61.66 € Orchestre PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale