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Full Orchestra - Level 4 - Digital Download SKU: A0.1164520 By Juan Gabriel. By Juan Gabriel. Arranged by Alfredo Carrasco Sánchez. 20th Century,Holiday,Latin,Multicultural,Traditional,World. Score and parts. 50 pages. Alfredo Carrasco Sánchez #764852. Published by Alfredo Carrasco Sánchez (A0.1164520). Uno de los temas más conocidos del cantautor mexicano Juan Gabriel, tambien fue interpretado por la cantante española Rocio Durcal.Este arreglo para orquesta es muy melódico e impacta mucho en la audiencia, especialmente se interpreta para el dia de las madres.Felíz dia Mamá!EnglishOne of the best-known songs by the Mexican singer-songwriter Juan Gabriel, was also performed by the Spanish singer Rocio Durcal.This arrangement for orchestra is very melodic and has a great impact on the audience, especially when interpreted for Mother's Day.Happy day Mom!
Amor Eterno (el Mas Triste Recuerdo)
Orchestre
Juan Gabriel
$59.99 57.1 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
Orchestre

$24.95 23.75 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.480111 Composed by Gaetano Malaponti. Children,Classical,Contemporary,Film/TV. 251 pages. Gaetano Malaponti #100051. Published by Gaetano Malaponti (A0.480111). Henry Baker and the Flame of Immortality (A Soundtrack Album) (Orchestral Study Score - Concert Pitch) Composed by Gaetano Malaponti 250 pages of Orchestral Music PDF document only (Hi-Res 360dpi) YouTube link https://youtu.be/YGxynXKXAAk 01) The Room of Numbers (1.06) 02) Family Tree (1.25) 03) Train Ride (1.09) 04) School Anthem (1.37) 05) The Latest Model (1.52) 06) Baker's Waltz (0.54) 07) Henry's Amazing World (1.29) 08) Henry in the Snow (1.09) 09) The Jig (0.52) 10) Edward's Waltz (0.57) 11) Jenny (1.17) 12) Magic Potion (1.03) 13) Two and Two makes Five (1.46) 14) Amoroso (1.16) 15) A New Friend (1.31) 16) The Graveyard (1.00) 17) The Elixir of Life (2.10) 18) Goodbye (1.55) 19) Henry and Elizabeth (1.03) 20) Henry Baker - Suite (7.20) Running Time - 33 minutes.
Henry Baker and the Flame of Immortality (A Soundtrack Album)
Orchestre

$4.99 4.75 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score and parts. 15 pages. Gabriel Vinicius #704925. Published by Gabriel Vinicius (A0.1101547). Johann Sebastian Bach wrote his Harpsichord Concerto no. 2 in E, BWV 1053 in 1738, and it was published in 1854 in Leipzig by C.F. Peters. This concerto is thought to be based on a concerto for a wind instrument, probably oboe or oboe d'amore, and from stylistic considerations, it may have dated from Bach's time in Leipzig. It exists, like BWV 1052, in a later transcription in his cantatas Gott soll allein mein Herze haben, BWV 169, and Ich geh und Suche mit Verlangen, BWV 49, from which further inferences can be made about the original concerto. Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limiting much more to the tutti sections. The lower string parts were much reduced in scope, allowing the harpsichord bass to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture. A standard rendition of the piece lasts 19 minutes. The work calls for two violins, a viola, and a continuo section, besides the solo harpsichord.
Bach Harpsichord Concerto no. 2 in E major, BWV 1053
Orchestre
Johann Sebastian Bach
$5.00 4.76 € Orchestre PDF SheetMusicPlus






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