Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 18 pages. Ondine Press #828697. Published by Ondine Press (A0.1233065). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – strThis is a full score to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The set of parts is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.

Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 59 pages. Ondine Press #828698. Published by Ondine Press (A0.1233066). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – strThis is a set of parts to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The full score is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.

Full Orchestra - Level 4 - Digital Download SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 pages. BryanKiddMusic.com #876592. Published by BryanKiddMusic.com (A0.1285486). A beautifully orchestrated and dreamy arrangement. Although Frank Loesser wrote this as an anytime-of-the-year question, most often it’s heard during the Christmas Season. A veritable who’s who have covered it since first being introduced in 1947 by Margaret Whiting. A partial list includes Ella Fitzgerald, Ramsey Lewis, Joe Williams, Nancy Wilson, Johnny Mathis, Idina Menzel, Seth MacFarlane, Barbra Streisand, Andy Williams, Lee Ann Womack, Lena Horne and The Carpenters. Full Orchestra with Vocal Soloist (G3 to A-flat 4) Brass high note: Trumpet F 5; French Horn, F-sharp 5; Trombone E 4 Saxophones are optional NOTE: a letter-size (8.5x11) score is included with the set; a more easily read Tabloid-size (11x17) score is available separately (RECOMMENDED). For the Tabloid-size score, click here. Please visit BryanKiddMusic.com      With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.

Full Orchestra - Level 4 - Digital Download SKU: A0.731851 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 142 pages. Thomas Quigley #3399257. Published by Thomas Quigley (A0.731851). Based on the jig Saint Patrick's Day and a hymn tune Dóchas Linn Naomh Pádraig, this colorfully orchestrated piece is an ideal concert item at any time, but particularly on (or close to) St. Patrick's Day. The dance tune is very well known and provides an exciting opening before the hymn. Here, the orchestra builds to a climax with a full-textured rendition, after which a new version of the jig is heard, but now transformed into a reel. This is a most appealing and well-crafted overture, always very suitably harmonized. It is a glowing orchestral tribute to Ireland's patron Saint.(Duration 5:00).

Full Orchestra - Level 5 - Digital Download SKU: A0.1475994 Composed by Sir Arthur Seymour Sullivan. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. 91 pages. Trevor Denyer #1053560. Published by Trevor Denyer (A0.1475994). Sullivan is so often overlooked as a composer of pretty tunes, whereas his skill was in producing music that fitted perfectly with the libretto of (mainly) W.S. Gilbert. When taken on its own, his music shows much of the artistry of Guiseppi Verdi; whose scores he edited, but with his own personal style!This overture is rarely played, but has a fabulous selection of themes and orchestral colour so typical of Sullivan - it deserves to be performed more often. The score has been edited to co-ordinate articulations and dynamics which have been missed in the hand-written parts.Print the parts double-sided, including title pages where present, and the page turns will work.Enjoy!

Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.

Full Orchestra - Level 3 - Digital Download SKU: A0.1102019 By Simon And Garfunkel. By Paul Simon. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 58 pages. Kevin Riley #705412. Published by Kevin Riley (A0.1102019). Bridge over Troubled Water is a song by the American folk duo Simon & Garfunkel, released in January 1970 as the second single from their fifth studio album, Bridge over Troubled Water (1970). It was composed by Paul Simon and produced by Simon & Garfunkel and Roy Halee. Bridge over Troubled Water features lead vocals by Art Garfunkel and a piano accompaniment influenced by gospel music, with a Wall of Sound-style production. It was the last song recorded for the album, but the first completed.[5] The instrumentation, provided by the Wrecking Crew, was recorded in California, while Simon and Garfunkel's vocals were recorded in New York. Simon felt Garfunkel should sing solo, an invitation Garfunkel initially declined.Session musician Larry Knechtel performs piano, with Joe Osborn playing bass guitar and Hal Blaine on drums. The song won five awards at the 13th Annual Grammy Awards in 1971, including Grammy Award for Record of the Year and Song of the Year. It is Simon & Garfunkel's most successful single, and it is often considered their signature song; it topped the US Billboard Hot 100 chart for six weeks, and also reached number one in the United Kingdom, Canada, France and New Zealand. It reached the top five in eight other countries, eventually selling over six million copies worldwide. It became one of the most performed songs of the 20th century, covered by over 50 artists, including Elvis Presley, Aretha Franklin and Johnny Cash. It is ranked number 66 on Rolling Stone's 500 Greatest Songs of All Time.

Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.

Full Orchestra - Level 5 - Digital Download SKU: A0.1181690 By Lee Johnson. By Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. 66 pages. Lee Johnson Music #781470. Published by Lee Johnson Music (A0.1181690). DEAD OVERTURE & FINALE - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. This spirited work can be used as a fun overture/finale for movements from Dead Symphony no. 6 or for other orchestral works. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel  

Full Orchestra - Level 2 - Digital Download SKU: A0.755144 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 117 pages. Sy Brandon #3406725. Published by Sy Brandon (A0.755144). This overture was written for the York Junior Symphony and premiered at the Eastern Regional MENC Conference. It is divided into three sections, each based upon different poetry with a common theme, the unity of people on earth. The work uses folk songs from different ethnic origins in combination with each other to create a composition reflective of the title. A slow introduction leads into a spirited allegro after the narrator speaks the ending of Emma Lazarus’ poem The New Colossus, which appears on the pedestal of the statue of Liberty. This is followed by a slow section where the composer’s poem, I’m From America, is spoken over the music. The final section is also a spirited allegro where the composer’s poem, We Are One, is spoken among a set of variations on a Quapaw Indian Song. The score prints on legal size paper and the parts on letter.

Full Orchestra - Digital Download SKU: A0.768572 Composed by Amphibia Cultural Legacy. 20th Century,Broadway,Classical,Film/TV,Multicultural,Musical/Show,World. Score and parts. 4 pages. Amphibia Cultural Legacy #370650. Published by Amphibia Cultural Legacy (A0.768572). It's Been a Long Journey is an instrumental cover that takes you on a nostalgic trip down memory lane. The track, remastered and remixed by the Amphibia Cultural Legacy, features music from Hello Kitty's Paradise, a popular animated series from the 1990s. The cover perfectly captures the essence of the show and its iconic tunes.The Amphibia Cultural Legacy is renowned for its ability to breathe new life into classic tracks while staying true to its original sound. With It's Been a Long Journey, they have done just that. The cover offers listeners a fresh take on familiar melodies that will transport them back in time with every note played.Hello Kitty's Paradise fans will be amazed at how well this interpretation captures the show's spirit.This cover is based on the music about Hello Kitty and Mimmy White happily enjoying enough adventure. At the same time, they float away in their Hot-Air Balloon from some episodes of Hello Kitty's Paradise.

Full Orchestra - Level 4 - Digital Download SKU: A0.1477673 Composed by Emilie Mayer (1812-1882). Arranged by edited by John M. Laverty. 19th Century,Romantic Period. 141 pages. Zephyrwindmusic.com #1055051. Published by zephyrwindmusic.com (A0.1477673). Score and parts for orchestra, edited by John M. Laverty. German-born composer Emilie Mayer (1812-1882) wrote and published music during a time period that was challenging for a female composer. Doing so under the long shadows of Bach, Mozart, and Beethoven complicated the situation, yet Mayer prospered and was quite successful during her lifetime. Sadly, despite this early success, her works have not received the number of performances they deserve. Faust Overture, premiered shortly before Mayer’s death, is by far her most successful orchestral work. In it, one can clearly hear the in?uence of Beethoven. This edition is based entirely on Mayer’s 1880 publication. It is highly edited including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in A2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTubaTimpaniStrings.

Full Orchestra - Level 4 - Digital Download SKU: A0.1435948 Composed by Cliff Eidelman. Arranged by Chris Siddall. Film/TV. 24 pages. Chris Siddall Music Publishing #1016115. Published by Chris Siddall Music Publishing (A0.1435948). 1991 saw the final big screen outing of the original Star Trek crew. Following the critical and commercial disappointment of Star Trek V: The Final Frontier, director Nicholas Meyer, who also directed Star Trek II: The Wrath of Khan, returned to the franchise and set out to tell a more complex and tonally dark story than any previous installment.Thanks in part to the previous movie’s box office performance, the limited budget available for music led Meyer to consider using Gustav Holst’s The Planets suite to score the movie, but the extraordinary cost of licensing that work and adapting it to fit the picture ruled it out as a viable option. After listening to several demo tapes, young and upcoming composer Cliff Eidelman was selected to write the new score, and the resulting soundtrack remains a uniquely dark and melodramatic powehouse.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

Full Orchestra - Level 5 - Digital Download SKU: A0.1493113 Composed by P Tchaikovsky. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. 232 pages. Trevor Denyer #1069785. Published by Trevor Denyer (A0.1493113). A most interesting and colourful overture from an interesting and colourful composer! I have never heard this work performed - rather unjustly as it is full of Tchaikovsky's typical style and verve. It has suitable challenges for all players which should prove worth while.Please print the parts double-sided including title pages where added and the page turns will work where possible.