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Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world.  Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion.  A fanfare welcomes him, then we hear his confident march and another roar.  However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying:   A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle,  piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings.  Duration:  2minutes.
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
Orchestre

$11.00 9.46 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.903753 Composed by Alan Edgar. 20th Century,Children. Score and parts. 37 pages. Alan Edgar Ted Moon #3053937. Published by Alan Edgar Ted Moon (A0.903753). The first of three movements depicting animal sayings or proverbs.  This movement requires Piccolo, Flute, 2 Oboes, 2 Clarinets, 2 Bassoons,  2 Horns,  2 Trumpets, Percussion (1 or 2 players), Harp (optional), Strings. The first section depicts Cat, slinking along, mieowing and purring  A few mice appear so Cat  flips her tail,   crouches and charges,  whereupon the mice disappear.  Cat nonchalantly licks herself (viola solo)and then walks away, diminuendo.  In the second section, now that Cat is away, the mice come out to play…
THREE ANIMAL SAYINGS 1--WHEN CAT'S AWAY, MICE WILL PLAY--orchestra
Orchestre

$10.00 8.6 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1278587 By Jake Owen. By R. Alex Anderson. Arranged by Michael Higgins. Christmas,Film/TV,Holiday,Multicultural,Standards,World. Score and Parts. 43 pages. Pygmalion Music #870267. Published by Pygmalion Music (A0.1278587). FULL SCORE AND PARTS. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, 2 Trumpets in Bb, 2 Trombones, Tuba, Percussion (1 player) Sleigh Bells and Glockenspiel, Drum Set (optional) and Strings. The Full Score is typeset on A3 and each part on A4. Hawaii’s way of saying “Merry Christmas”, the classic Christmas hit as sung by Bing Crosby arranged for SA (Two-Part), SABar (Three-Part) and SATB with orchestra. Also available as individual titles with piano accompaniment.
Mele Kalikimaka
Orchestre
Jake Owen
$79.99 68.81 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichĂ©s of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichĂ©s are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichĂ©s were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichĂ©s become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are clichĂ©, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
EP!C!!!
Orchestre

$40.00 34.41 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.525156 By The Moody Blues. By Gary Osborne, Jeff Wayne, and Paul Vigrass. Arranged by Kevin Riley. 20th Century,Film/TV,Rock. Score and parts. 43 pages. Kevin Riley #135691. Published by Kevin Riley (A0.525156). Forever Autumn is a song written by Jeff Wayne, Gary Osborne and Paul Vigrass. The original melody was written by Wayne in 1969 as a jingle for a Lego commercial. Vigrass and Osborne, the performers of the original jingle, added lyrics to the song and recorded it for inclusion on their 1972 album Queues. Their interpretation was also released as a single and gained moderate commercial success in Japan, selling more than 100,000 copies and becoming a top-20 hit on the country's record chart. The best-known version is the recording by Justin Hayward from the album Jeff Wayne's Musical Version of The War of the Worlds. Wayne wanted to include a love song on the album that sounded like Forever Autumn, and he decided that the best course of action was to simply use the original song. Wayne chose Hayward, of The Moody Blues, to sing it saying that he wanted that voice from 'Nights in White Satin'.It was recorded at London's Advision Studios in 1976. The song reached #5 on the UK Singles Chart in August 1978. A new version was released in late 2012, sung by Gary Barlow for the new album Jeff Wayne's Musical Version of The War of the Worlds – The New Generation.
Forever Autumn
Orchestre
The Moody Blues
$50.00 43.01 € Orchestre PDF SheetMusicPlus






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