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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1412253 By New Christy Minstrels. By Richard M. Sherman and Robert B. Sherman. Arranged by Jen Smith Lanthier. 20th Century,Broadway,Children,Film/TV,Musical/Show,Singer/Songwriter. Score. 5 pages. Ocean Tails Music #994465. Published by Ocean Tails Music (A0.1412253). Chim Chim Cher-ee by Julie Andrews and Dick Van Dyke is from the 1964 Walt Disney musical film Mary Poppins. This arrangement of Robert B. Sherman and Richard M. Sherman’s beloved song is written for Late Elementary (Level 4) Piano Duet. Written in C Minor, this arrangement has a gentle, mysterious quality which will remind you of dusky evenings and magical chimneys. Each duet part has a turn playing the melody; the Secondo part features mostly broken and rolled chords, while the Primo part features broken chords and a slowly descending chromatic line. This duet is perfect for late elementary piano students working on ensemble skills who enjoy Mary Poppins, Disney, the Sherman Brothers’ music, and enchanting classic melodies.
Chim Chim Cher-Ee
1 Piano, 4 mains
New Christy Minstrels
$4.99 4.36 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.962524 Composed by G.F. Skipworth. 20th Century,Contemporary,Jazz. Score and parts. 32 pages. George Skipworth #3042009. Published by George Skipworth (A0.962524). Composed for either 4-Hand or 2 Piano, the Caccia & Fugue are whimsical and intricately worked out. They make a good set for 4 hand or 2 piano recitals, or as encores. It was composed for advanced pianists. In the Caccia, an early vocal form depicting the hunt, thematic material 'chases' itself at various intervals and meters. In the fugue, a jazz bass subject collides with a traditional baroque subject, and the two spend the piece working it out.
Caccia & Fugue in C (for 4 Hand or 2 Piano)
1 Piano, 4 mains

$4.50 3.94 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
Yuki-Onna (piano 4-hands)
1 Piano, 4 mains

$5.99 5.24 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.596571 By Juan María Solare and Selma Hande Gade. By Juan María Solare. 20th Century,Blues,Contemporary,Standards. Score and parts. 11 pages. Juan Maria Solare #4782389. Published by Juan Maria Solare (A0.596571). Juan María Solare - Plena Plena (piano 4 hands) - by Juan María Solare - on Spotify Plena is a slow and expressive ballade for piano four hands. Duration: 5:15The piece is dedicated to Maria Grazia Mazzone (who also suggested Plena as title - in clear allusion to the Latin expression Ave Maria gratia plena).The first version (as a simple melody, even conceived as second theme of another future piece) was sketched in Bremen, Germany, on 20 August 2013. Much more material written on 1 July 2016. Corrections and precisions in different occasions. In theory it is also possible to perform Plena as a ballad for piano two hands. In planning, I have in mind a version for cello and piano. Premiere by Juan María Solare and Selma Hande Gade, 28 October 2018, Messiaskirken, Charlottenlund, Denmark. The piece was recorded by both pianists on 18th April 2019 at Pür Studio, Istanbul, and will be released on 10th January 2020 (label Janus Music & Sound, Germany). ISWC: T-803.289.240-4 * GEMA-Nr.: 13.981.995 Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (neoclassical/contemporary music & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Thirty CDs of different performers include at least one piece of him. Find his music on Spotify: https://play.spotify.com/artist/0sr00YxbHKRAruzYrJ6PEg Juan María Solare's music on Spotify Official Website: www.JuanMariaSolare.com
Plena [piano 4 hands]
1 Piano, 4 mains
Juan María Solare and Selma Hande Gade
$4.40 3.85 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.532099 Composed by F. Sor (1778-1839). Arranged by Klas Krantz. Classical,Romantic Period. Score. 9 pages. Amadeus Music #2998717. Published by Amadeus Music (A0.532099). For 1 piano 4-Hands, score and parts. Originally a study for solo guitar. Fernando Sor (1778–1839) was a Spanish classical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon (Cinderella) received over one hundred performances. Sor's contemporaries considered him to be the best guitarist in the world.
Étude (study) in B Minor Op. 35 No. 22 for 1 piano 4 hands
1 Piano, 4 mains

$5.95 5.2 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596548 Composed by Juan María Solare. 20th Century,Concert,Contemporary. Score and parts. 8 pages. Juan Maria Solare #4405060. Published by Juan Maria Solare (A0.596548). Conjeturas sistemáticas (Systematic conjectures)  for piano four hands A piece composed in Bremen (North Germany) between 8th and 10th March 2013, about 4 minutes long, and dedicated to Mario García Acevedo in memoriam (who died on March 6, 2013 in Buenos Aires). The title alludes to a phrase that Mario García Acevedo said en passant during a lecture in SADAIC remembering the twentieth anniversary of the death of Rodolfo Caracciolo: True science is a set of systematic and ordered suspicions. I altered this thought slightly, because systematic suspicions seemed to me a more suitable title for a detective novel. Musically speaking, this piece uses modulating pandiatonism, a technique that I used in several other pieces as well.  Mario García Acevedo was one of those few people who can be said to have been wise in the most complete and overwhelming sense of the word. He was one of my teachers at the (ex) National Conservatory of Music, I no longer remember teacher of what, because he was the kind of person who was an integral teacher, not of this or that. I had the pleasure of performing the European premiere of his work Amanecer in Bremen in 2008. Marito delivered a speech during the burial of Juan Carlos Zorzi, ending with the words Maestro: Until the Resurrection! Let his words be also valid for him. Juan María Solare
Conjeturas sistemáticas [piano 4 hands]
1 Piano, 4 mains

$2.50 2.19 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596572 Composed by Juan María Solare. 20th Century,Contemporary,Instructional,Spiritual. Score and parts. 8 pages. Juan Maria Solare #4794205. Published by Juan Maria Solare (A0.596572). Mote of dust suspended in a sunbeam was composed in Bremen (Germany) on 30th January 2017, shortly after knowing about the death of Uwe Kolkmeyer, musician and caricaturist to whom it is dedicated in memoriam.   The title refers to a thought by Carl Sagan: planet earth is a mote of dust suspended in a sunbeam. An old idea that, of course, was not expressed by him for the first and only time. In Sufism exists an allegory (attributed to Muhyiddin Ibn Arabi) according to which the essences of the possible beings do exist in the darkness before being manifested by the divine light, as the motes of dust suspended in the air in a darken room don't become visible until they are lit by a light ray.   A certain optimistic atmosphere in this work may surprise, the opposite of what is usually associated with death. In my works the tonality of A major often expresses consolation.   Selma Hande Gade (a Turkish pianist that lives in Denmark), with whom we had discussed possible titles for this work, recorded a home video in March 2017: https://www.youtube.com/watch?v=ZtzhHqB_Nb4   After listening to this recording, Luis Alberto Vittor wrote a report on this work for the blog Analecta Literaria (https://actaliteraria.blogspot.com), it will be published soon.   The composer made a commercial recording for the label Janus Music & Sound (JMS-999), which is available on iTunes, Spotify (and similar platforms). Release day: 26th July 2017 (birthday of both the dedicatee, Uwe Kolkmeyer and of Ibn Arabi).
Mote of Dust Suspended in a Sunbeam [piano 4 hands]
1 Piano, 4 mains

$3.60 3.15 € 1 Piano, 4 mains PDF SheetMusicPlus


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