1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download

SKU: A0.1391632

Composed by Rudesindo Soutelo. 21st Century,Children,Classical,Contemporary. Score. 14 pages. Publisher by Rudesindo Soutelo #975144. Published by Publisher by Rudesindo Soutelo (A0.1391632).

Rudesindo Soutelo
Filhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Piano Duet [ca. 5' 21]
ISMN: 979-0-707704-21-9

The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.

The original version, for Orff instruments, was written for the Instrumental Group of the Vila Praia de Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution.

The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.

-oOo-

Os cantos de intervenção que preencheram o espírito revolucionário são percebidos, pelas gerações que nasceram depóis, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princípio duma nova revolução.

A versão original, para instrumentos Orff, foi escrita para o Grupo Instrumental da Escola Básica e Secundária de Vila Praia de Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos.

O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do título.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download

SKU: A0.901573

By David Bowie. By David Bowie. Arranged by Pev Foxton, Rob Green. Pop,Rock. Score. 15 pages. Robert Green #4364548. Published by Robert Green (A0.901573).

An arrangement for piano duet (4 hands, 1 piano) of the much loved David Bowie classic, Life on Mars.  The arrangement is in the traditional piano duet form of seperate pages for Primo and Secondo parts.  The tune is written in the lower stave of the Primo part, and is mainly played with the left hand, with the right hand providing embelishments between phrases.  The chorus is split between the Primo hands and includes cascades of notes imitating the string glissando of the original Bowie recording - quite tricky to work out, but great fun to play.  The Secondo part provides a flowing bass line, predominantly written in quavers (eighth notes). The Secondo part also has the guitar solo at the end of the choruses.  The words are included in both parts.

1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download

SKU: A0.1127872

Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872).

Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Things�, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.� And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.� Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!� As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.