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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.887321 Composed by Traditional English Carol. Arranged by Kristina Arellano. Christmas,Contemporary,Jazz. Score. 17 pages. Kristina Arellano #4808111. Published by Kristina Arellano (A0.887321). Your budding late-intermediate students will fall in love with this show-stopper! This arrangement has something for everyone: epic, sound-track style sounds, a jazz waltz, and contemporary classic orchestral flare. This exciting duet explores the entire range of the keyboard. The secondo part will show off your energetic student who loves exciting rhythmic accompaniments. The primo part will show off your student who excels in staccato articulation. Both parts feature lyrical melodies, a jazz waltz accompaniment, and running octaves. The duet begins in D minor and modulates to Eb minor. The piece ends with a big grand finale. The music includes a score and two individual parts so you can choose how to display the music on the piano rack once students are ready to rehearse together.
God Rest Ye Merry, Gentlemen Piano Duet (1 piano, 4 hands)
1 Piano, 4 mains

$6.99 6.09 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485605 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 67 pages. Artaria Editions #1062670. Published by Artaria Editions (A0.1485605). The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. One major lacuna exists in the score: the primo part is missing from bar 42 to 129 in the Finale, in narrative terms, from the rage which culminates in Ajax stabbing himself with Achilles' sword to the miraculous appearance of the purple flowers. The editor has completed this section, basing it in part on earlier material and also on the clues provided in the secondo part. Otherwise, the edition presents few problems: the style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
Sonata Ajax et Ulysse
1 Piano, 4 mains

$53.00 46.2 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1494204 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 23 pages. Ulrich Lehensteiner #1070815. Published by Ulrich Lehensteiner (A0.1494204). Remember What Is Lost, being the finale of the Remember-Waltzes, recapitulates all the previous waltzes' themes, slowly restoring them one by one and interweaving them with an original theme before coming to a grandiose, concert-like conclusion. Musically demonstrating how precious memories are (after maybe even having been forgotten for some time) still remembered after many years, the cycle ends on a positive and hopeful note.The Remember-Waltzes are a collection of seven waltz-like pieces for piano four hands, depicting the memories of various relatable scenes of a person's everyday-life, like the fervour of a determined loved one, the sereneness of a warm summer-day or the emotional rush of an ecstatic experience. Memories some would like to experience, some might actually have experienced.A musical reminder of times fondly remembered, but also of the feeling of how even those precious moments might grow pale over time, and how we still remember them fondly, but differently after the many years that might have passed since then.Contains score + parts.
Remember What Is Lost (from the "Remember-Waltzes")
1 Piano, 4 mains

$8.99 7.84 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.799609 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Standards. Score and parts. 4 pages. Nicole Elyse DiPaolo #4604477. Published by Nicole Elyse DiPaolo (A0.799609). Proto-Notation Beginner Arrangement of the main theme from the Piano Trio in G major, KV 564, last movement. Written by Wolfgang Amadeus Mozart in 1788; arranged by Nicole Elyse DiPaolo in 2019. This piece is also known as Sonatina in various anthologies (notably the Suzuki piano books, where it appears at the end of Book 3, already quite condensed from the original piano trio finale).
Theme from Piano Trio in G K564, III - Proto-Notation Beginner Arrangement w/ Teacher Duet (2P4H or
1 Piano, 4 mains

$3.99 3.48 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. Artaria Editions #1062669. Published by Artaria Editions (A0.1485603). Unlike the narratives concerning the death of Hercules, and his transformation into a god, and the dispute between Ajax and Ulysses over the weapons of Achilles, the story of Jason's capture of the Golden Fleece provided Dittersdorf with few opportunities for genuine pictorial writing. His explanation for the piano second theme in the first movement seems a little glib – it is, after all, a favourite device of his in non-programmatic works as well but Medea's beautiful soliloquy in the second movement, assigned here to the primo part and in all probability to a wind solo in the original, is as effective as anything in the extant orchestral scores of the Ovid symphonies. His choice of a Ciaconna for the Finale is not only highly appropriate given the heroic theme of the work, but also neatly solves the problem of how to end the symphony unconventionally in the absence of a transformation scene of the kind found in the other symphonies. Yet again, one marvels at Dittersdorf 's powerful creative imagination. The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. The occasional copying errors provide insufficient evidence to determine whether the parts were copied from a piano score or prepared directly from the composer's full orchestral score. Little editorial work has been necessary to prepare this edition. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Allan Badley.
Sonate Jason, qui emporte la Toison d'or
1 Piano, 4 mains

$53.00 46.2 € 1 Piano, 4 mains PDF SheetMusicPlus






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