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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.893929 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Joan Bujacich. Contemporary. Score. 10 pages. Joan Bujacich #6794295. Published by Joan Bujacich (A0.893929). The upbeat, fun tune from the Disney MovieEncanto is a Duet arrangement for Junior / Early Intermediate levels. If students love this song, they will love playing this duet version, it is so much fun! It shares melodic themes between the Primo and Secondo partners.  Though it uses the dotted eighth note-sixteenth note figure in the notation, the coordination between the hands is always on the beat making it easier to learn.  It includes the verse, chorus and middle rap-like sections. The middle section melody rhythm is not performed with the strict dotted -eight note rhythm as notated but more like a swinging eight notes. Joan Bujacich also offers an Elementary and Junior level solo version of this popular song. This piece works well on the piano and makes a good rewarding sound without too much work for the student. Ms. Bujacich also has several arrangements of the other hit from this movie. We Don't Talk About Bruno. Ms. Bujacich's decades of experience as a performer, composer and teacher is evident in her musically friendly arrangements.
Surface Pressure
1 Piano, 4 mains
Jessica Darrow
$4.99 4.21 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1097366 Composed by Toby Fox. Arranged by Kathy Hirche. Video Game. Score and parts. 9 pages. Kathy Hirche #5028981. Published by Kathy Hirche (A0.1097366). This music from the popular game Undertale has been specially arranged to be suitable for Early Intermediate Level performers and for use as instructional repertoire. The written range is kept mostly within the staff and the appropriate performance range of pitches on the keyboard is achieved by octave displacement, i.e. the Primo part is performed an octave higher than written and the Secondo an octave lower. As the performance range extends beyond that of a 61-note keyboard, an acoustic piano or 88-note keyboard is required if both players are to perform on the same instrument. Another performance option is to use two 61-note keyboards and use the transpose function to displace the parts by an octave (up for Primo, down for Secondo). Both the score and separate parts are provided.  ISMN 979-0-7201-803-6-6  kathysprintmusic.com   Dueto de Piano/Teclado El rango escrito se mantiene principalmente con el personal de enseñanza y el rango apropiado de tonos en el teclado se consigue por desplazamiento de octavos, o sea que la parte Prima se ejecuta en una octava mas alta que lo escrito; el Secondo se ejecuta en una octava mas baja. Ya que el rango de ejecución se extiende mas allá de un teclado de 61- notas, se requiere un piano acústico de 88 notas so ambos músicos van a tocar en un mismo instrumento. Otra opción de ejecución es usar dos teclados de 61 notas y usar la función de transposición para desplazar cada parte por una octava (hacia arriba para Primo y hacia abajo para Secondo). todas las partes separadas y la partitura se incluyen.  é’¢ç´/ 键盘二é‡å¥  ä¹¦é¢èŒƒå›´ä¸»è¦ä¿ç•™åœ¨äº”线谱中。键盘上的音高范围是通过å€é¢‘程ä½ç§»å®žçŽ°çš„ã€‚
Determination (from Undertale)
1 Piano, 4 mains

$5.99 5.05 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.820004 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Kathy Hirche. Contemporary. Score and parts. 10 pages. Kathy Hirche #4350785. Published by Kathy Hirche (A0.820004). The music of this popular song has been specially arranged to be suitable for Early Intermediate Level performers and for use as instructional repertoire. The written range is kept mostly within the staff and the appropriate performance range of pitches on the keyboard is achieved by octave displacement, i.e. the Primo part is performed an octave higher than written and the Secondo an octave lower. As the performance range extends beyond that of a 61-note keyboard, an acoustic piano or 88-note keyboard is required if both players are to perform on the same instrument. Another performance option is to use two 61-note keyboards and use the transpose function to displace the parts by an octave (up for Primo, down for Secondo). Both the score and separate parts are provided.  ISMN 979-0-7201-800-6-9  kathysprintmusic.com     Dueto de Piano/Teclado  La música en esta canción popular ha sido. Arreglada especialmente para ejecutantes de Nivel Intermedio Temprano, asi como para formar parte del repertorio de enseñanza. El rango escrito se mantiene principalmente con el personal de enseñanza y el rango apropiado de tonos en el teclado se consigue por desplazamiento de octavos, o sea que la parte Prima se ejecuta en una octava mas alta que lo escrito; el Secondo se ejecuta en una octava mas baja. Ya que el rango de ejecución se extiende mas allá de un teclado de 61- notas, se requiere un piano acústico de 88 notas si ambos músicos van a tocar en un mismo instrumento. Otra opción de ejecución es usar dos teclados de 61 notas y usar la función de transposición para desplazar cada parte por una octava (hacia arriba para Primo y hacia abajo para Secondo). todas las partes separadas y la partitura se incluyen.
Faded
1 Piano, 4 mains
Alan Walker
$5.99 5.05 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1077842 By Francis Osentowski Digital KB recording. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Jazz,Latin. Score. 2 pages. Francis Osentowski #681825. Published by Francis Osentowski (A0.1077842). Simple Salsa was composed for my grandchildren Franklin and Faye and is meant to be fun for new pianists They began piano lessons nine months ago and have made great technical progress and love to perform. The lower part, Piano II, is easier and repeats a basic bass line and simple three note chords. Piano 1 is slightly more difficult but more melodic. The slower section on page two is more melodic and relaxed. The performer can double some of the melody pitches one octave above for more drama and volume. The optional egg shaker part (or any similar shakers) is just a basic Latin rhythm part and is not notated with normal rhythm notation. but just a text suggestion. The music can be played Piano Four Hands or with two pianos. Feel free to add or subtract to the notation and rhythms depending on the level of the young pianists. If other y kids own Latin percussion instruments...they are welcome to join in! Hope you enjoy performing this lively music.
SIMPLE SALSA -Piano Duet Advanced Beginner
1 Piano, 4 mains
Francis Osentowski Digital KB recording
$4.99 4.21 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.899174 Composed by Luxuan Elly Wen. New Age. Score and parts. 11 pages. Luxuan Elly Wen #4621811. Published by Luxuan Elly Wen (A0.899174). The Fragrance of Purple Rosy is inspired by the Sonnett 123 composed by Liszt. I practiced the sonnet 123 a few years ago and the beauty of the music fascinated me, which brings up the colors in the ways of delicate, intimate, and the subtle change of shades. The music always reflects in colors in my brain. The Sonnet 123 rounds up in purple rosy. I decided to write a duet sharing the same color for praising sonnet 123. The music is expressed in my own way. Also, I wanted to start the music in a way of most straight-forward, therefore the first subject entered as a 4-note broken chord. The short introduction is written in triplets for the purpose of giving a salute to Liszt, which shares the same rhythmic pattern of the introduction of Sonnet 123.Advice credit: Jean Kountz and Jane ArmstrongPerformers in the sample video: Le-qi Tang and Nicole Tang from Flora Wu's Piano Studio
The Fragrance of Purple Rosy, New Age piano duet for 1 piano 4 hands in intermediate level
1 Piano, 4 mains

$4.99 4.21 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.835645 Composed by George F. Handel, Felix Mendelssohn. Arranged by Renee Hyche McKee. Christian,Christmas,Concert,World. Score and parts. 11 pages. Renee H. McKee #6189565. Published by Renee H. McKee (A0.835645). A crowd pleaser! In this rhythmic toe-tapper both Joy to the World! and Hark! the Herald Angels Sing are given time in the spotlight and are also mashed into action together. Secondo’s opening first four notes of Joy to the World! are answered by the first phrase of Primo’s lively, syncopated Hark! the Herald Angels Sing. A compelling rhythmic drive (lucky Secondo player) pushes the piece into high gear while Joy to the World shines, then the syncopation dissolves into a Primo-frosted Hark! the Herald Angels Sing while Secondo brings its melody forward in a new key. Before you know it, the two songs swing back together and close out the piece with a spirited syncopated flair. Fingerings are added to help facilitate reading but are merely suggestions. Pedaling is to be used at the performers’ discretion. This piece is great for any Christmas event in churches, civic gatherings, or recitals. It is an exciting way to open or close a Holiday program!
Joy to the World! Hark! the Herald Angels Sing (A mashup for Piano Duet)
1 Piano, 4 mains

$5.50 4.64 € 1 Piano, 4 mains PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.893900 By Earth Wind and Fire. By Allee Willis and Jonathan Lind. Arranged by MistressPianist. R & B. Score and parts. 19 pages. Leah Anteneh #5988135. Published by Leah Anteneh (A0.893900). Boogie Wonderland by Earth, Wind, and Fire is an upbeat, energetic and fun song. In fact, it has so many different harmonies and counter-melodies that I felt we needed four hands to fully capture the complexity of this song!This piano duet is meant for the performers to share one piano (but can be performed on two, since some notes are overlapping or you play at the same time). If one player is more advanced or experienced than the other, I recommend them to play the treble parts since they require a little more skill. Although, they are relatively equal considering the bass parts carry the groovy bass line. This piece is perfect for recreational use. Recommended for students if they are at the intermediate-advanced level. Duration: 3 minutes and 35 secondsContact info:Email - request.mistress.pianist@gmail.com Social Media - Instagram/Twitter/Youtube: @MistressPianist ! My Patreon (where you can access my music sheets for free after subscribing!) - MistressPianist
Boogie Wonderland
1 Piano, 4 mains
Earth Wind and Fire
$7.50 6.32 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.763310 Composed by James Lord Pierpont. Arranged by Nigel Williams. Christmas,Folk,Instructional. Score. 11 pages. Nigel Williams #4615807. Published by Nigel Williams (A0.763310). An arrangement for four hands at the piano of this traditional American Christmas tune. The melody is predominantly in the primo piano which means the secondo part is more accompaniment. The use of grace notes on the weak beats in the secondo r.h. part gives the arrangement a slightly humorous touch, and the tempo can be anything from moderato to allegro, depending on the competence of the performers. ideal in any junior and middle high school classroom, the performance duration is a little under two minutes and the full score has two separate parts attached. See also my piano duet I Need Thee Every Hour on SMP.
Jingle Bells, for Piano Duet
1 Piano, 4 mains

$3.99 3.36 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485605 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 67 pages. Artaria Editions #1062670. Published by Artaria Editions (A0.1485605). The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. One major lacuna exists in the score: the primo part is missing from bar 42 to 129 in the Finale, in narrative terms, from the rage which culminates in Ajax stabbing himself with Achilles' sword to the miraculous appearance of the purple flowers. The editor has completed this section, basing it in part on earlier material and also on the clues provided in the secondo part. Otherwise, the edition presents few problems: the style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
Sonata Ajax et Ulysse
1 Piano, 4 mains

$53.00 44.68 € 1 Piano, 4 mains PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. Artaria Editions #1062669. Published by Artaria Editions (A0.1485603). Unlike the narratives concerning the death of Hercules, and his transformation into a god, and the dispute between Ajax and Ulysses over the weapons of Achilles, the story of Jason's capture of the Golden Fleece provided Dittersdorf with few opportunities for genuine pictorial writing. His explanation for the piano second theme in the first movement seems a little glib – it is, after all, a favourite device of his in non-programmatic works as well but Medea's beautiful soliloquy in the second movement, assigned here to the primo part and in all probability to a wind solo in the original, is as effective as anything in the extant orchestral scores of the Ovid symphonies. His choice of a Ciaconna for the Finale is not only highly appropriate given the heroic theme of the work, but also neatly solves the problem of how to end the symphony unconventionally in the absence of a transformation scene of the kind found in the other symphonies. Yet again, one marvels at Dittersdorf 's powerful creative imagination. The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. The occasional copying errors provide insufficient evidence to determine whether the parts were copied from a piano score or prepared directly from the composer's full orchestral score. Little editorial work has been necessary to prepare this edition. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Allan Badley.
Sonate Jason, qui emporte la Toison d'or
1 Piano, 4 mains

$53.00 44.68 € 1 Piano, 4 mains PDF SheetMusicPlus






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