1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.759700 Composed by Zhang Nu. Arranged by AJ Tan. Children,Contemporary,Contest,Festival,Folk,Multicultural,World. Score. 4 pages. AJTanPiano #6687353. Published by AJTanPiano (A0.759700). Tian Mi Mi is a Chinese song by Teresa Teng, adapted from an Indonesian folk song, Dayung Sampan. Tian Mi Mi is a playful song, more or less like a pickup line, singing hey you, it must have been you that I met in my dream, who have that sweet sweet smile.This arrangement takes on the playful spirit and has a nice call and responds feature between Primo and Secondo; it also features the flute’s fill-in that imitates the sound of laughter. Suitable for Grade 1-3's learning.

Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.961559 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score and parts. 5 pages. OllysPianoSheets #4800614. Published by OllysPianoSheets (A0.961559). I got the Burnt Toast Blues - oh yeah!...Burnt Toast Blues is a catchy swing number for beginner (primo) players at about the Grade 1 (ABRSM) standard.The primo player starts off the whole piece with a 3 quaver 'pickup' into the melody, which is written in treble and bass clefs - but played two octaves higher.The written quaver quarter-notes are swung in the jazz style and there are some syncopated rhythms to keep you on your toes. Try saying badoo-bedoooooo-bee-doo and you'll get the idea!Burnt Toast Blues comes with a playalong swing backing track to accompany the primo player. This track has bass, drums and guitar 'rhythm' section plus the secondo part and is also available on Sheet Music Plus.Watch out for the dynamics (mp on the repeat) and also the staccato and accented notes, which will help the swing rhythm to 'swing'. I've also written some 'Burnt Toast Blues' lyrics for a bit of fun!Hope you enjoy playing 'Burnt Toast Blues' - I'd love to hear how you get on with it! Explore more fun piano sheet music by Olly Wedgwood at https://OllysPianoSheets.com 

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1494816 Composed by French carol. Arranged by Anne Britt. Celtic,Christian,Christmas,Irish. Score. 18 pages. Anne Britt #1071382. Published by Anne Britt (A0.1494816). The French carol “Il est né, le divin Enfant” celebrates the long-awaited birth of the Savior, foretold by ancient prophets. This intermediate piano duet arrangement starts out sweetly with the melody being played lightly, then starts adding in rolled open-fifth chords and ornamentation to give it a Celtic flair. The energy picks up as it transitions to an lively 6/8 meter, making you want to get up and dance in joyful celebration! The primo part is a bit more advanced than the secondo part. 5 pages each for the secondo and primo parts, or 8 pages for the combined score. The PDF contains both layouts so you can play from the one you prefer. Performance time: approximately 3:00.Also available for late intermediate piano solo.Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/.

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012.  The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.

1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.754552 By Bobby Darin. By Kurt Weill. Arranged by Nick Raspa. Jazz,Standards. Score. 13 pages. NJR Music #6304635. Published by NJR Music (A0.754552). Arranged for the advanced intermediate to advanced pianist, this arrangement of Mack The Knife is in the key of C Major. The arrangement begins with the melody in the primo part with the secundo playing punched chords over a walking bass style left hand.  The secundo continues in the same manner during the second chorus under the primo part now playing a written out improvisation.  Upon completion of the improvisational section, the secundo briefly takes up the melody with the primo playing some written out improvisational fills until finally picking up the melody from the secundo one last time to bring the arrangement to its conclusion.  Includes the full score and individual parts.

1 Piano,4 Hands,Double Bass,Drum Set,Fiddle,Guitar Accompaniment - Level 1 - Digital Download SKU: A0.1104584 Composed by John Newton. Arranged by Gary Arrington. Christian,Country,Praise & Worship,Religious,Traditional. Accompaniment. Duration 112. Gary Hobart Arrington #707808. Published by Gary Hobart Arrington (A0.1104584). 3-bar lead-in plus pick-up measure. Key of G.