1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1359521 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by Meredith Whelan. Country,Pop,Singer/Songwriter. Score. 7 pages. Meredith Whelan #943993. Published by Meredith Whelan (A0.1359521). This Easy Piano Duet arrangement of Champagne Problems fits comfortably in the hands and captures all the highlights of the original song. The Piano 1 part and the Piano 2 part take turns playing the melody so both parts are equally fun and engaging.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1346066 By Tom Rule. By Tom Rule. Arranged by Tom Rule. 21st Century,Instructional,Jazz. Score. 20 pages. MaconMacMusicGuy #930067. Published by MaconMacMusicGuy (A0.1346066). From Tom Rule's 2023 album The Week Begins, No Problem that evokes one of those amazing days when absolutely everything goes well and things are easy.This One Handed Trio arrangement can be played by two or three players, at either one or two keyboards/pianos. if there are two players in the ensemble, then one would play 1 staff, and the other would play the remaining two. The piece is set so that it is very flexible - the performer playing the single staff could be assigned ANY of the three, and the other performer plays the remaining 2.ALSO included in the PDF is a chart [with just the melody and chords] so you can practice creating music off of a standard chord chart - or even bring in the entire band to play the piece.

1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1085779 Composed by Nancy Bachmann. Classical,Contemporary,Instructional. Score. 32 pages. Nancy Bachmann #689948. Published by Nancy Bachmann (A0.1085779). This volume contains five engaging four-hand Concert Duets, each with a different musical character to expand the players' interpretive experience and please audiences. In addition, every piece focuses on a specific technique or skill that the intermediate pianist needs to master. I composed these pieces to address some of the problems common to intermediate-level piano players. There are special advantages to playing duets at this stage of advancement, beyond encouraging technical and musical progress. Working on duets with another player will inject fresh enthusiasm into music study at a time when some intermediate students may experience a plateau in progress. We are, undeniably, social creatures, and making music together has a special joy. However, unlike choral singers and band or orchestral players, the pianist is often left out of the ensemble experience until relatively advanced. Intermediate pianists will truly benefit from the energizing effects of studying a piece of music with one another. Indeed, striving toward the shared goal of an expressive duet performance requires each player to develop the entire spectrum of skills: aural, technical, personal and interpretive that combine to make a complete musician. || These Concert Duets for Intermediate Pianists are fascinating and attractive pieces, and they will be a valuable contribution to the duet repertory. The highly instructive directions to the players will prepare them to enter the world of duet playing and explore its treasures. —William Corbett-Jones, Concert Pianist, International Award-Winning Recording Artist, SFSU Professor Emeritus || These are great duets; imaginative and expressive. What a wonderful way tor my intermediate students to learn essential skills! —Joan Cifarelli, Jazz/Classical Pianist, Pedagogue.

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.900091 Composed by Frederick Delius. Arranged by Tony Patriarche. 20th Century,Concert. Score and parts. 7 pages. Musicus Arbutus #3028727. Published by Musicus Arbutus (A0.900091). Arrangement for piano duet of this beautiful orchestral tone poem by Frederick Delius, #1 of Two Pieces for Small Orchestra. The arrangement is faithful to the original, except in a few places where I have applied a more pianistic style. The extreme chromaticism may present sight-reading problems for some pianists, but it is not demanding technically for either performer, so I have rated it Intermediate.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485605 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 67 pages. Artaria Editions #1062670. Published by Artaria Editions (A0.1485605). The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. One major lacuna exists in the score: the primo part is missing from bar 42 to 129 in the Finale, in narrative terms, from the rage which culminates in Ajax stabbing himself with Achilles' sword to the miraculous appearance of the purple flowers. The editor has completed this section, basing it in part on earlier material and also on the clues provided in the secondo part. Otherwise, the edition presents few problems: the style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1493156 Composed by Whitney Hawker. Children,Halloween. Score. 9 pages. Whitney Hawker #1069825. Published by Whitney Hawker (A0.1493156). A spooky Halloween ensemble piece for your next group class! With 4 parts written at the Elementary level, students will have no problem learning their 1 page parts then put it all together for a spooky performance! May be performed at one piano (hands will be very close at times but notes do not overlap) or at 2 or more keyboards. Written in the key of D minor, this piece reinforces minor 5 finger patterns with a few additional accidentals at times. With plenty of individual and group crescendo moments, make sure to finish with a frightening bang!

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. Artaria Editions #1062669. Published by Artaria Editions (A0.1485603). Unlike the narratives concerning the death of Hercules, and his transformation into a god, and the dispute between Ajax and Ulysses over the weapons of Achilles, the story of Jason's capture of the Golden Fleece provided Dittersdorf with few opportunities for genuine pictorial writing. His explanation for the piano second theme in the first movement seems a little glib – it is, after all, a favourite device of his in non-programmatic works as well but Medea's beautiful soliloquy in the second movement, assigned here to the primo part and in all probability to a wind solo in the original, is as effective as anything in the extant orchestral scores of the Ovid symphonies. His choice of a Ciaconna for the Finale is not only highly appropriate given the heroic theme of the work, but also neatly solves the problem of how to end the symphony unconventionally in the absence of a transformation scene of the kind found in the other symphonies. Yet again, one marvels at Dittersdorf 's powerful creative imagination. The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. The occasional copying errors provide insufficient evidence to determine whether the parts were copied from a piano score or prepared directly from the composer's full orchestral score. Little editorial work has been necessary to prepare this edition. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Allan Badley.