1 piano, 4 hands - Early Intermediate - Digital Download SKU: F0.E1077 Composed by Kevin Costley. Sheet Music. The FJH Piano Ensemble Series. Solo Sheet. 7 pages. The FJH Music Company - Digital #E1077. Published by The FJH Music Company - Digital (F0.E1077). UPC: 674398227686.Mountain Wildflowers is a charming folk/country duet written in the key of G major and in 3/4. This piece, written for four hands, one piano, gives each the primo and secondo part a turn playing the melody, offering a variety of phrasing and articulations. About FJH Piano Ensemble SeriesCreative material especially written to explore aspects of artistic ensemble performance.

Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.874894 Composed by Peter Ilyich Tchaikovsky. Arranged by Dr Jerry Nelson. Children,Christmas,Concert,Romantic Period,Standards. Score and parts. 11 pages. Jerry Nelson #3636517. Published by Jerry Nelson (A0.874894). This arrangement may be performed as a Standalone or with the Full Orchestra Accompaniment Track (#SO.414765).    Piano 1 is at Level 5.   Piano 2 is at Level 4.A tasty embellishment of the Tchaikovsky Nutcracker piece.  (Time 2:53) .

Piano, 4-hands - Digital Download SKU: LV.19386 Composed by Moritz Dietrich. Railroads, Mountains, Flowers. Lester S. Levy Collection. 11 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19386). Le Train de Vitesse. Galop de Chemin de Fer Pour Piano. Compose par Moritz Dietrich, op. 56. Published [n.d.] by Jean Andre in Offenbach. Composition of sectional with piano four-hands instrumentation. Subject headings for this piece include Railroads, Mountains, Flowers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1139449 Composed by Pyotr Tchaikovsky. Arranged by Scott Meek. 19th Century,Christmas. Score. 8 pages. Scott Meek #739739. Published by Scott Meek (A0.1139449). Early-Intermediate level piano duet arrangement of Tchaikovsky’s Waltz of the Flowers from The Nutcracker Suite, perfect for students preparing for Christmas recitals! Condensed to 3-4 minutes long, while still containing all of the memorable themes from the original piece. This 4-hand arrangement doesn’t have any stretches beyond a 7th or any hand crossings.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1130627 By Duo Petrof. By Anatoly Zatin. 20th Century,Classical,Contemporary,Contest,Festival. Score. 11 pages. Anatoly Zatin #730895. Published by Anatoly Zatin (A0.1130627). A piece for piano duet based on a popular Chinese song.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485605 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 67 pages. Artaria Editions #1062670. Published by Artaria Editions (A0.1485605). The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. One major lacuna exists in the score: the primo part is missing from bar 42 to 129 in the Finale, in narrative terms, from the rage which culminates in Ajax stabbing himself with Achilles' sword to the miraculous appearance of the purple flowers. The editor has completed this section, basing it in part on earlier material and also on the clues provided in the secondo part. Otherwise, the edition presents few problems: the style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.