1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1497408 By Jennifer Eklund. By Jennifer Eklund. Halloween. Score. 3 pages. Jennifer Eklund #1073821. Published by Jennifer Eklund (A0.1497408). Things That Go Pop in the Night, is a spooktacular showcase solo for beginners that is a fun spin on “Pop! Goes the Weasel.” This piece, which is ideal for first-year students, is part of the First Halloween Solos songbook by Jennifer Eklund and includes an optional teacher duet part.

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1413980 Composed by Jennifer Eklund. Instructional,Jazz. Score. 3 pages. Jennifer Eklund #995747. Published by Jennifer Eklund (A0.1413980). That’s a Wrap is an easy jazzy solo for late-beginners that is part of Jennifer Eklund’s Pronto Pizazz: Volume 2 songbook. This short study focuses on swing-style eighth notes, articulations, syncopation, and includes a jazzy teacher accompaniment.

Digital Download SKU: HX.421947 By Dean Martin and Harry Warren. Love,Standards. Piano Duet. 4 pages. Duration 1800. Published by Hal Leonard - Digital (HX.421947).

Digital Download SKU: HX.439964 By Amy Adams. Children,Disney,Pop. Piano Duet. 6 pages. Published by Hal Leonard - Digital (HX.439964).

Piano (4 hands) - intermediate - Digital Download SKU: S9.Q12126 From: Love Song Waltzes. Composed by Johannes Brahms. This edition: Sheet music. Classical. Downloadable. Op. 52/6. 6 pages. Schott Music - Digital #Q12126. Published by Schott Music - Digital (S9.Q12126). Digital publication of the piece found in the following print music collection: 23 Pieces for Piano Duet.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1263318 By Charlie Puth. By Charlie Puth, Daniel Smyers, and Jordan Reynolds. Arranged by Jim Lansing. Country,Instructional,Pop,Singer/Songwriter. Score. 6 pages. Jim Lansing #856279. Published by Jim Lansing (A0.1263318). Intermediate level 4 Hands, 1 Piano duet arrangement the 2023 Charlie Puth/Dan+Shay release.  Simple beginning builds to a big finish, including the soaring counter melody at the end of the second chorus.

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1237987 Composed by Lewis D. Edwards. Arranged by Anne Britt. Christian,Instructional,Religious,Sacred. Score. 5 pages. Anne Britt #833453. Published by Anne Britt (A0.1237987). A simple but enjoyable piano duet arrangement for the elementary student to play with a teacher, parent, intermediate student, or accompaniment track. One piano, four hands. 1 page for the student part and 2 pages for the teacher part, or 2 pages for the combined score. The PDF download contains both layouts so you can play from the one you prefer. To request a free accompaniment track of the teacher part, contact the publisher at https://annebrittmusic.com. Performance time: approximately 1:20. Late elementary version also available.

Digital Download SKU: HX.461028 Composed by Stephen Schwartz. Arranged by Carol Klose. Broadway,Musical/Show. Piano Duet. 6 pages. Published by Hal Leonard - Digital (HX.461028).

From: The Magic Flute, KV 620. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Christian Gottlob Neefe. Downloadable. Schott Music - Digital #Q560993. Published by Schott Music - Digital

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1237990 Composed by Lewis D. Edwards. Arranged by Anne Britt. Christian,Instructional,Religious,Sacred. Score. 5 pages. Anne Britt #833456. Published by Anne Britt (A0.1237990). A simple but enjoyable piano duet arrangement for the late elementary student to play with a teacher, parent, intermediate student, or accompaniment track. One piano, four hands. 1 page for the student part and 2 pages for the teacher part, or 2 pages for the combined score. The PDF download contains both layouts so you can play from the one you prefer. To request a free accompaniment track of the teacher part, contact the publisher at https://annebrittmusic.com. Performance time: approximately 1:20. Elementary version also available.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1370123 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by Harvus Sylvain. Pop. Score. 6 pages. Sylvain harvus #954591. Published by sylvain harvus (A0.1370123).

Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.596575 Composed by Juan María Solare. 20th Century,Jazz,World. Score and parts. 12 pages. Juan Maria Solare #4794271. Published by Juan Maria Solare (A0.596575). About the title: - First of all, entradora is an adjective that can be applied to a femenine noun. (In Spanish you have different declinations for masculine and femenine adjectives). The masculine version is entrador.   - Second, entradora can be understood in this context as a substantivized adjective, i.e. a word that is actually an adjective, but is used as if it were a noun, like if I say Now I will play 'Entradora'. (for a more scientific explanation check yor favorite English grammar book).   - Third, entradora is a wink to Argentine composer Julián Plaza, who used adjectives as one-word title of several of his milongas and tangos, for instance Nocturna, Danzarín, Melancólico, Melancólica, Sensiblero, Nostálgico, Disonante, Dominguera, Expresivo, Futura, Instrumental, Juguetón, Paseandera, Payadora, Solemne, Temperamental - and possibly others that I am not aware of.   - And fourth, the meaning of the word entradora in the coloquial Spanish of Argentina is this one: if applied to a person, is someone that easily makes friends, that wins the trust of the people very easily, who is very charming. I applied to an object (or to a melody) it means that it is easy to grasp, that you remember it immediately (as an earworm), that is accessible and uncomplicated.   - Oh, there is a fifth point: are you native (or good) English speaker? After all this explanation do you come to an understandable translation of this word, Entradora? If yes, let me know!The milonga Entradora was composed in Bremen, Germany, from 10 to 13 November 2018. Duration: around 2'15. Premiere by Juan María Solare on 8 January 2019 at the theatre of the university of Bremen (recital Neue -und alte- Innigkeit, New -and old- intimism). Second version: for 8 instruments. Premiere: Orquesta No Típica, 22 January 2019, theatre of the university of Bremen. Third version: for piano four hands. Bremen, 16 January 2019. Premiere: Selma Hande Gade and Juan María Solare, Bellapais Spring Music Festival, Kyrenia, Cyprus, 16 April 2019.  Video by the composer in his private Studiohttps://www.youtube.com/watch?v=4f89TCd3di8  Entradora is dedicated to Gudrun Zelle.  

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012.  The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.

1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Things�, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.� And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.� Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!� As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.