Piano, 4-hands - Digital Download SKU: LV.6710 Arranged by G.F. Harris. Lester S. Levy Collection. 15 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6710). The Hunter's Chorus. From Weber's Celebrated Opera Der Freischutz. Arranged with Variations for Two Performers on the Piano Forte by G.F. Harris. Published [n.d.] by G.E. Blake at his Piano Forte and Music Store, No. 13 South 5th Street in Philadelphia. Composition of theme and variation with piano four hands instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.967322 Composed by Franz Liszt. Arranged by Scott Meek. Contemporary,Romantic Period. Score and parts. 15 pages. Scott Meek #6065423. Published by Scott Meek (A0.967322). An arrangement of Franz Liszt's beloved Liebestraum no. 3 (A Dream of Love) for piano duet, in a modern style. There is a short introduction featuring a fragment of the main theme, before the main theme enters. The rest of the arrangement preserves most of the original's melodic and rhythmic content, with some altered jazz-influenced harmonies and added countermelodies and textures. Please visit our social media!https://linktr.ee/themeeksduo

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.946140 Composed by Peter Ilic Tchaikovsky. Arranged by Sara Caliandro. Patriotic,Romantic Period,World. Score and parts. 23 pages. Caliandro Sara #6342391. Published by Caliandro Sara (A0.946140). Slavonic March (opus 31) is a symphonic compotition by Peter Ilic Tchaikovsky. It was written in September 1876 for a charity campaign to honorate slavonic soldiers wounded in the war. Composed with a slavonic spirit and also in a pugnacious and nationalist way, he introduced militar themes. The principal theme is taken from a slavonic folk song used in the introduction which is developped and concluded with festive tones, melting with the theme of the Zar's anthem.This transcription is written for piano 4 hands.

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.941263 Composed by Emile Waldteufel. Arranged by Autumn Debassige. 20th Century,Christmas,Concert,Romantic Period. Score and parts. 5 pages. Autumn Debassige #4285777. Published by Autumn Debassige (A0.941263). The introduction and favourite main theme of Skaters' Waltz (originally Les patineurs) by Emile Waldteufel arranged for piano duet.  This version stays very similar to Waldteufel's solo composition as found on imslp.org, but has some added comedic moments.   Did you know that Waldteufel wrote two other themes plus a coda?  You should have a look at those too! Suitable for intermediate or intermediate/advanced pianists.Any questions or suggestions, feel free to contact me through my website at www.autumndebassige.ca.

Piano, 4-hands - Digital Download SKU: LV.1590 Arranged by T. Latour. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1590). The Much Admired Air, Sul Margine D'un Rio. Arranged as a Duett With Variations for Two Performers on one Piano Forte by T. Latour. Published [n.d.] by Dubois & Stodart at their Piano Forte & Music Store, No. 126 Broadway in New York. Composition of theme and variation with piano four-hands instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.972639 Composed by James Siddons. 20th Century,Folk,Holiday,Patriotic,Ragtime. Score and parts. 49 pages. James Siddons Music and Writings #3093043. Published by James Siddons Music and Writings (A0.972639). This composition, by composer, pianist, and musicologist James Siddons, is neither an  arrangement nor a medley. Rather, it is a kind of historical re-construction; one that  imagines how a typical piano rag of before 1905 would have sounded when performed  by a skillful vernacular pianist as a virtuosic improvisation.  A Million Buffalo Roam presents Tom Turpin's Buffalo Rag, Home On the Range, and the Star-Spangled Banner as an extended virtuosic display. It is a representation of a little-documented performance practice. After improvisatory passages on the three themes of The Buffalo Rag are heard individually, they are combined with the tunes of Home On the Range and the Star-Spangled Banner, including one passage in which Home On the Range and the Star-Spangled Banner are played simultaneously, combined with the accompaniment patterns of Buffalo Rag. This work may be performed as a piano duet, piano duo, or piano ensemble. It is also published as a Conductor's Score, with Primo and Secondo combined in one four-staff system.

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012.  The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.