SKU: A0.1402348

Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.

The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

SKU: A0.1403268

J. S. Bach's Eight Little Preludes & Fugues, BWV 553-560, are organ pieces composed between 1720 and 1723. They are written in the Baroque style and show Bach's mastery of the form. The pieces consist of a prelude followed by a fugue and are short and compact. The preludes are mainly in a two-part contrapuntal style, with occasional triplets and dotted rhythms adding variety and interest. The fugues are more complex and show Bach's ability to write complex counterpoint and intricate contrapuntal textures. These pieces are great for teaching and performing and provide an excellent introduction to Bach's music.

SKU: A0.830763

Among Bach’s vocal music, none is performed as much as his motets. All are antiphonal. Singet dem Herrn ein neues Lied is the first of these and displays among his most glorious compositions.

The arrangement is for (2SSx,2ASx,TSx,BiSx/2SSx,2ASx,TSx,BiSx).

In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.