Flute Solo - Level 3 - Digital Download SKU: A0.904630 Composed by Various. Arranged by Diana McNulty (ASCAP). Folk,Jazz,Multicultural,Traditional,World. Individual part. 61 pages. Diana McNulty #3008833. Published by Diana McNulty (A0.904630). About this Collection: The music of Québec has been historically rich in cultural diversity, with Celtic and French influences. Québécois composers of the early 1900's were no less inspired by their closest neighbor, the United States. Ragtime emerged at the turn of the 20th century in the U. S. as a popular style of African American dance music, and was an important predecessor to Jazz. During that time, large numbers of African Americans were immigrating north to Canada in search of a better life. With them, they brought music that would be embraced by Canadian composers such as Jean-Baptiste Lafrenière and his contemporaries. For flutists who enjoy expanding their repertoire into a variety of musical styles, this collection of ragtime pieces provides an opportunity to explore a genre that is largely underrepresented this instrument. Ragtime is a quirkly, lively, and entertaining style of music which lends itself well to the character of the flute's voice. Includes 11 pieces, with parts for flute and piano.   Taxi Rag Allonzo, Allons-y! Raggity-Rag Rag Tags Rag Donia Intermission Rag John Chow Au Pole Nord Moulin-Rouge Some Rag Plan, Ra, Ta, Plan   www.dianamcnulty.com

Flute - intermédiaire - Digital Download SKU: ZY.DO-1553 Composed by Kevin Swierkosz-Lenart. Score. 4 pages. Les Editions Doberman-Yppan (digital) #DO 1553. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1553). Composing for solo flute is a challenge. The only way to come out victorious is to turn limitations into possibilities, to leave to the listener's imagination what the sound cannot return, to play on the strengths-and there are many-of the instrument to which the score is destined.The flute, so archaic and close to human vocality, lends itself perfectly to music that alludes to theatrical aspects. So I decided to take up the request of the talented Italian flutist Michela Podera, and compose a short piece for her, all centered on recitative-flavored etchings, sometimes whispered and sometimes declaimed in a stentorian manner. The immediate source of inspiration was a painting by the Neapolitan painter Vincenzo Laricchia, to whom I owe the poetic mood and title of this work of mine: Masquerade.Composer pour flûte solo est un défi. La seule manière de sortir victorieux est de transformer les limitations en possibilités, de laisser à l'imagination de l'auditeur ce que le son ne peut restituer, de jouer sur les forces - et il y en a beaucoup - de l'instrument auquel la partition est destinée.La flûte, si archaïque et proche de la vocalité humaine, se prête parfaitement à une musique qui évoque des aspects théâtraux. C'est pourquoi j'ai décidé d'accepter la demande de la talentueuse flûtiste italienne Michela Podera et de composer pour elle une courte pièce centrée sur des gravures au goût récitatif, parfois chuchotées, parfois déclamées de manière tonitruante. La source immédiate d'inspiration était une peinture du peintre napolitain Vincenzo Laricchia, à qui je dois l'ambiance poétique et le titre de cette œuvre: Masquerade.