Flute Solo - Level 2 - Digital Download

SKU: A0.1141976

Composed by English ballad and James R. Murray. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742353. Published by Download Church Music (A0.1141976).

Two different flute descants for the Christmas hymns Away in a Manger and What Child Is This, with an interlude that connects the hymns, modulating from the key of F major for Away in a Manger to the key of E minor for What Child Is This. Away in a Manger descant is for the AWAY IN A MANGER tune by James R. Murray and is based on the other hymn tune CRADLE SONG by William J. Kirkpatrick. What Child Is This descant is for the traditional GREENSLEEVES tune. Use hymnal or other source for accompaniment; descants for the hymns fit Lutheran Service Book (LSB) and Lutheran Book of Worship (LBW) settings, as well as the Lutheran Worship (LW) setting of What Child Is This. Descants may also fit other hymnal settings. Example: For Christmas Eve or Service of Lessons and Carols, sing the first stanza of each hymn after the reading Luke 2:6-7, with flute solo interlude, such as: - Luke 2:6-7 reading - Hymn: Away in a Manger, stanza 1 (or stanzas 1 and 3, using descant stanza 3) - Flute solo interlude - Hymn: What Child Is This, stanza 1 Or use descants separately and omit interlude.

Flute Solo - Digital Download

SKU: A0.1010678

Composed by Zachary C Daniels. Contemporary. Individual part. 5 pages. Divisi Labs #6565213. Published by Divisi Labs (A0.1010678).

Notes Free Flute! is an exploration in extended flute techniques.The piece focuses on the idea of metamorphosis. After a brief introduction, the first iteration of our three note motif is introduced to begin the first melodic phrase.This three note gesture is what drives the piece forward and, throughout its changes, explores all the possible registers, modes, and techniques used in this piece. Listen, as this simple, three-note gesture takes on unique voices and characters of its own as the piece unfolds. About Free Flute! This piece focuses on extended Flute Techniques found in Robert Dick's, The Other Flute, available on special order from his website: http://www.robertdick.net/products/The_Other_Flute-4-3.html This piece is to be interpreted freely, unless otherwise marked.

Flute Solo - Level 5 - Digital Download

SKU: A0.1201703

Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Individual part. 6 pages. Brandon Nelson #800318. Published by Brandon Nelson (A0.1201703).

[originally commissioned for contralto flute, this can be performed on any member of the flute family]

In celebration of what are perhaps among the greatest gifts to the human palate, I composed this set of characteristic etudes based on several distinguished wines of France. Wine is beyond simply a beverage—it is a form of art in itself, elevated by centuries of refinement, and those of France in particular have been recognized by many as some of the finest specimens crafted.

“Set One� is devoted to red wines. 

Merlot, with scents of black cherry and plum, is a soft, well-rounded wine that makes an excellent introduction for those new to red wines (and an old favorite for the initiated).

The essence of Pinot Noir is delicate and fresh. These grapes are difficult to grow, rarely blended, yet yield no roughness.

The grande dame of French reds, Cabernet Sauvignon is full-bodied, firm, and gripping.

The second set illustrates white wines.

One of the most popular wines in the word, Chardonnay is velvety and voluptuous, with bold citrus notes.

Sauvignon Blanc reveals a wide palate of subtle flavors, granting the sensitive imbiber delicate hints of bell pepper, sour green fruits, apples, pears, and even tropical fruits. 

We finish with Semillon. Noted for its great strength of berry flavoring, it is often blended to delimit its strong character.

Flute Solo - Digital Download

SKU: A0.923696

Composed by robert fruehwald. 20th Century. Individual part. 7 pages. Robert Fruehwald #2154599. Published by Robert Fruehwald (A0.923696).

Hymntunes I contains deconstructed versions of three familiar Christmas hymns. The movements were deconstructed in the same way that much post-modern architecture or visual art is deconstructed. A deconstructivist building will have most of the elements of a traditional building. Some elements will be exaggerated (a window might be many times too large or too small) and some elements will be displaced (a doorway might be several feet from the wall, the roof might appear to float above the building). These preludes use similar techniques. Most of the elements of the original hymntunes are present but some are exaggerated, repeated many times, or used differently from the original. These chorale preludes use several unfamiliar techniques: slides between notes, arm vibrato, a doppler portamento, harmonics, and tremolos.