Flute Solo - Level 4 - Digital Download SKU: A0.837512 Composed by Brett L. Wery. Instructional. Individual part. 96 pages. Sonata Grendel Publishing #6710119. Published by Sonata Grendel Publishing (A0.837512). A Tonal Lexicon for Flute is a complete method for scale and arpeggio training on flute. It contains the basic vocabulary of tonal music and includes: ·      Chromatic Scales·      Diminished Scale·      Dominant Seventh Chords·      Dorian Scales·      Full-Range Major Scales·      Full-Range Melodic Minor Scales·      Fully-Diminished Seventh Chords·      Half-Diminished Seventh Chords·      Harmonic Minor Scales·      Major Scales·      Major Seventh Chords·      Major Triads·      Melodic Minor Scale in Thirds·      Melodic Minor Scales·      Minor Seventh Chords·      Minor Triads·      Mixolydian Scales·      Natural Minor Scales·      Scales in Thirds·      Scales in Trills·      Whole Tone Scales Scales and arpeggios are ordered so that they progress logically, one to the other. This order contextualizes the melodic and harmonic structures so that the performer begins to develop a natural sense of how the scales and arpeggios function within a tonal framework. The scales and arpeggios are divided into three large units that include both major and minor keys, easy and difficult keys. The close relationship of each key is emphasized to build automaticity in fingering patterns. Enharmonic keys are represented in both spellings and non-diatonic scales such as whole tone and chromatic scales are spelled as they would be found in each of the fifteen key signatures. The use of octave designation symbols is avoided so that the player is able to acclimate themselves to the many ledger lines sometimes found in flute music. This is an essential book for any serious flute player who wishes to build reading acuity and fluency in any tonal setting.

Flute Solo - Digital Download SKU: A0.1456025 Composed by Jailton de Oliveira. 21st Century,Classical,Contemporary. Individual part. 3 pages. Jailton de Oliveira #1035184. Published by Jailton de Oliveira (A0.1456025). FLOATING LANDSCAPES, for Solo FlutePremiere: 13 July 2020 at Kraków Manggha Japanese Museum, Kraków, Poland. Natalia Jarz?bek, Flute.                   The piece was composed as an étude to practice the technique of circular breathing. It has a single movement divided into five long phrases. The title is a metaphor for the form of the piece and also for the way the sounds are normally produced on the flute, where landscapes are represented by the musical phrases that contain sounds that “float” in the air in a flow that is produced and controlled by the performer. However “floating” also has connotations with something that circulates, e.g. an idea, providing an analogy to circular breathing. There are no bar lines in the piece. The rhythmic combinations have a freer, asymmetrical flow as they follow the internal structure of each phrase. The piece explores various nuances of dynamics (from ppp to f) in a slow rubato tempo, with a predominance of softer sounds. The piece aims at increasing the performer’s awareness of applying circular breathing over large intervals, and at developing the phrase building logic and its application.

Flute Solo,Soprano Flute - Level 5 - Digital Download SKU: A0.1207248 Composed by Aaron Lee. 20th Century,Chamber,Contemporary,Contest,Festival. Individual part. 11 pages. J. Aaron Lee #805431. Published by J. Aaron Lee (A0.1207248). This fun piece for solo flute is divided into 6 movements, totalling approximately 6 minutes in duration. With quotes and allusions that reference magic and the arcane in popular culture, the work has some humourous moments though it is a fairly challenging work and is intended for advanced students or professionals. For more music from Aaron Lee, you can visit www.MusicOfLee.com.

Flute Solo - Level 1 - Digital Download SKU: A0.1128817 Composed by William J. Kirkpatrick. Arranged by JPS Edições Musicais. Christmas,Classical,Traditional. Individual part. 3 pages. Jps Arrangements #729346. Published by Jps Arrangements (A0.1128817). Away in a Manger for Flute and Piano Music has brought us a beautiful and sincere interpretation. We hope you like this beautiful Christmas arrangement. as much as we enjoyed organizing it. 🎼 parts I Flute II Piano An easy arrangement where the main solo is divided between the flute and the piano. the arrangement is not with the figures Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols. #flute #piano.

Flute - easy to difficult - Digital Download SKU: S9.Q49726 Warm ups and Basic Exercises. This edition: Sheet music. Techniques - training phase - exercise workload - warm-ups. Fit in 15 Minuten. Warm-ups und Basisübungen für Flöte. Downloadable. Schott Music - Digital #Q49726. Published by Schott Music - Digital (S9.Q49726). Fit in 15 Minutes for Flute offers basic exercises for a variety of different technical demands. The tempo and range of the exercises can be tailored to individual requirements. In this way students and amateurs can create their own personal fitness programme in a similar way to professional flautists. This book is divided into three main sections: Tone Exercises, Articulation Exercises and Finger Exercises. For your warm-up programme, choose one or two exercises from each section. All exercises present models that can and should be varied. Pick up your flute and get started with this concise and motivating warm-up plan!

Flute Solo - Level 4 - Digital Download SKU: A0.1024219 Composed by Blake Mathieson. Contemporary,World. Individual part. 2 pages. Blake Mathieson #2884425. Published by Blake Mathieson (A0.1024219). 2 pages. Size A4.Kyrgyz Rhythms is a folk song that uses a variety of rhythms and pitches, and can provide a challenge for nearly every instrument. This part is for flute, preferably in a concert band, and for this song, the flute plays an incredibly important role. The flute, along with the piccolo part pitched an octave above, play the melody for most of the song, and if they aren't, they are playing an important role in supporting the melody, so make sure that the flute sings out, do not let it be reserved. Also, be aware of the quite high notes scattered throughout the piece, you will need to know how to play a high C in order to play. The part contains a wide variety of musical elements, pitch, rhythm, tempo, key etc. The piece is divided into different sections by two or three bar rests, that can prepare the performer for the next section. A flute player should make sure that they keep the wide dynamic range required for the song, but at the same time, to try and not block out the other instruments, especially the piccolos.If played in a non-concert band setting, you may simply ignore the three bar rests. They aren't very useful unless playing in a concert band.

By Leonard E. Lopatin. By Leonard E. Lopatin. Classical, Instructional. Individual part. 185 pages. Leonard E. Lopatin #743125. Published by Leonard E. Lopatin