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Flute Solo,Soprano Flute - Level 5 - Digital Download

SKU: A0.1378992

By Helene Schulthess. By Eugene Ysaye. Arranged by Helene Schulthess. 20th Century,Chamber,Christian,Classical,Religious. Individual part. 4 pages. Helene Schulthess #963712. Published by Helene Schulthess (A0.1378992).

Eugène Ysaÿe is one of the most important violinists of all time. Due to health problems, however, he had to end his career as a violin virtuoso prematurely. He subsequently made a name for himself as a composer and conductor. In 1923 he composed six solo sonatas, including Obsession, which have a high status in violin literature.

The name of this second sonata could come from Ysaÿe's obsessive preoccupation with Johann Sebastian Bach. The sonata begins with the unmistakable sequence of tones of the Prelude from the Partita in E major, BWV 1006. Abruptly, almost as a shock, this theme is replaced by the ancient Dies Irae sequence from the Mass for the Dead.

I adapted the first movement of Obsession, which has no double stops, for the flute. The arrangement was first played publicly on October 19, 2014 in the Giacometti Hall, Zurich, and was subsequently published on YouTube.

Obsession for flute solo
Flûte traversière
Helene Schulthess
$15.00 14.17 € Flûte traversière PDF SheetMusicPlus

Flute Solo - Level 4 - Digital Download

SKU: A0.886112

Composed by Jason McChristian. Concert,Contemporary. Individual part. 6 pages. Jason Gary McChristian #238171. Published by Jason Gary McChristian (A0.886112).

Dashed a tone of light rose for solo flute ​ The title of this work is taken from a quote by the American painter John Sargent, in which he described the moment in painting Madame X that changed his view from one of dissatisfaction into one of utter joy and renewed inspiration. In dashed a tone of light rose, I sought to create the mixture of rawness and refinement found in Madame X, a once-controversial painting. The tension in this music represents not only the tarnished reputation of the artist, but also that of Madame Gautreau, the subject of the painting, whose status as a Parisian socialite was irrevocably destroyed. Throughout the work, both artist and subject are characterized by changes in tessitura. Though the artist's reputation was altered, ultimately it continued to remain intact through his lifetime, and it is he who gained our notoriety while the woman's misery has been largely forgotten.

"dashed a tone of light rose" for solo flute
Flûte traversière

$7.99 7.55 € Flûte traversière PDF SheetMusicPlus






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