Flute Solo - Level 1 - Digital Download SKU: A0.1161643 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762013. Published by A.D.G. Productions (A0.1161643). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com

Flute Solo - Level 1 - Digital Download SKU: A0.1186148 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious,Spiritual. Individual part. 1 pages. M das Melodias #785803. Published by M das Melodias (A0.1186148). Amazing Grace é uma música cristã que se tornou um hino popular em todo o mundo, e é frequentemente tocada em funerais, serviços religiosos e eventos solenes. A música foi escrita pelo poeta e clérigo anglicano John Newton no século XVIII, originalmente como um hino para o serviço dominical da Igreja da Inglaterra.Sheet Music for Flute.A letra da música fala sobre a graça redentora de Deus e a salvação que Ele oferece a todos, independentemente de suas falhas e pecados. A letra também reflete a própria história de vida de Newton, que anteriormente era um comerciante de escravos, mas depois se converteu ao cristianismo e se tornou um defensor da abolição da escravidão.A melodia da música é baseada em uma antiga melodia escocesa, e é simples e comovente, permitindo que as letras se destaquem. A música é geralmente cantada em um ritmo lento e emocional, com arranjos instrumentais minimalistas que destacam ainda mais a beleza das letras.Amazing Grace é considerada uma das músicas mais conhecidas e amadas da tradição cristã, e já foi gravada por inúmeros artistas em todo o mundo, em uma variedade de estilos musicais diferentes. A música também é um exemplo do poder da música em conectar as pessoas, independentemente de sua fé ou crenças, e em oferecer conforto e esperança em tempos difíceis.

Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1260487 Composed by Jonathan Rainous. 21st Century,Chamber,Classical,Religious,Sacred. Individual part. 1 pages. Rainous Publishing #853651. Published by Rainous Publishing (A0.1260487). A short piece for solo flute which resembles a free fantasia on fragments from previous motives in the set. Varied tempos and time signatures evoke suitably varied moods, in something of a diary entry. Suitable for liturgical use, an encore, a standalone recital piece, or as part of a set. 1'50.

Flute Solo - Level 3 - Digital Download SKU: A0.874999 Composed by Peter I Tchaikovsky. Arranged by Dr Jerry Nelson. Children,Christmas,Instructional,Romantic Period. Individual part. 5 pages. Jerry Nelson #3680629. Published by Jerry Nelson (A0.874999). VERY IMPORTANT:  You will notice that the arrangement is marked for challenge levels 3 thru 5.  However, since we provide Accompaniment Tracks for Russian Dance at four different tempos, the challenge level depends on the tempo you use.  A Level 6 player would read the Upper staff using the Very Fast track.  A Level 1 player would read the Lower Staff using the Slow Track. You may wish to order all four very specially-priced tracks so you can stair-step up the ladder. Use these Accompaniment Track order numbers:  SLOW #SO.410843  /  MEDIUM #SO.410845  /  FAST #SO.410847  /  VERY FAST #SO.410851.  (The Time ranges from 1:04 to 1:26 depending on the tempo you select). Suggestion: Tell your students and friends about this incredible arrangement and Accompaniment Tracks. Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega-Medley Arrangement & Track

Flute Solo - Level 4 - Digital Download SKU: A0.996721 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743563. Published by Matthew D Jones (A0.996721). Talking to Myself, an Unaccompanied Discussion for One (Flute) is a solo piece written for the technical and expressive qualities of woodwind instruments.  The performer is encouraged to experiment with tempos and expressions to find their own interpretation, and to connect their own internal discussion to the music.  The piece is approximately 2 minutes and 30 seconds in length, and is also arranged for Bass Flute, Clarinet, or Bassoon.The PDF file is 4 pages with a title page, 1 notes page, and 2 pages for solo Flute.The full audio recording is available at: https://soundcloud.com/matthewdjones/talking-to-myself-flute Thanks for listening, and I hope you enjoy performing the piece!

Flute Solo - Level 5 - Digital Download SKU: A0.1007583 Composed by Daniel A. Walzer. Contemporary,Jazz,Latin,World. Individual part. 5 pages. Daniel A. Walzer #3450821. Published by Daniel A. Walzer (A0.1007583). Written for Tammy Evans Yonce in 2017, Partido Alto e Bembe for Solo Flute is a composition that explores two ostinatos or repeating rhythmic patterns, drawn from Brazilian Samba and Afro-Cuban music. The Brazilian percussionist Airto Moreira popularized the Partido Alto rhythm (on a composition appropriately titled Partido Alto) on his 1979 album Touching You, Touching Me, with vocalist Flora Purim. Partido Alto has a combination of accented and unaccented rhythms lasting two measures, which can be performed at varying tempos and include playful improvisation. Similarly, the Bembe feel has roots in Afro-Cuban music and is often performed alongside other polyrhythms simultaneously.As a jazz percussionist, I experienced these rhythms up close on two trips to Brazil in 2005 and 2008. I was struck by the dynamism, openness, and spirit of these rhythms-much like the Brazilian culture. In addition to the playful ostinatos, this piece features some jazz harmonic structures, varying time signatures, and lots of room for the performer to have fun and bring out the expressive qualities of the flute.

Flute Solo - Digital Download SKU: A0.1336501 Composed by Leonard E. Lopatin. 21st Century,Chamber,Classical,Instructional. Individual part. 9 pages. Leonard E. Lopatin #922268. Published by Leonard E. Lopatin (A0.1336501). Composed in 2021 and revised in December 2023, these tiny etudes (TinyTudes, Op.1) are designed to be challenging and instructive, as well as fun and amusing. They are not designed with building virtuosic technique in mind specifically, and there is no need to take the fastest possible tempos. If you want to “show off� with these pieces, try showing off your ability to bring out the contrasting styles. Show off your ability to be expressive without sacrificing accuracy, and vice versa.Nos. 1 and 3 don’t have loads of detailed expressive nuances indicated. Some composers leave that to the performer more than others, and these give you the opportunity to practice shaping each phrase. In the other two, I’ve been more specific about the ups and downs, the pushes and pulls. In these, be as faithful as you can to each direction while finding the way to “make it yours�.These TinyTudes are great for students and professionals alike.