By Richard Wellington Wan Young. For Trumpet. Blues, Instructional, Jazz. Advanced Intermediate. Individual Part. Published by Futureside Productions- Ascap

Composed by Richard W. Young. For Trumpet. Contemporary Christian, Gospel, Spiritual, Jazz, Pop. Advanced Intermediate. Lead Sheet, , , Solo Part. Published by Futureside Productions- Ascap

Trumpet Solo - Level 5 - Digital Download

SKU: A0.1018934

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

B-Flat Trumpet Solo - Level 1 - Digital Download

SKU: A0.1257894

By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. Individual part. 2 pages. Alex Rodrigues #851129. Published by Alex Rodrigues (A0.1257894).

Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.

B-Flat Trumpet Solo - Level 1 - Digital Download

SKU: A0.1325645

By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Century,Classical,Pop. Individual part. 1 pages. M das Melodias #913843. Published by M das Melodias (A0.1325645).

Sheet music for Trumpet in Bb.
Over the Rainbow is a 1939 song written by Harold Arlen and Yip Harburg for the MGM musical film The Wizard of Oz. The song was sung by actress Judy Garland in the role of Dorothy Gale.
The song is a ballad that talks about a place of hope and optimism. Dorothy sings about a place where the sky is blue and the clouds are white. She also sings about a place where people are kind and love is true.

The song is considered one of the most beautiful and meaningful songs ever written. It was awarded the Oscar for Best Original Song in 1940. It was also named one of the best songs of the 20th century by Time magazine.

Over the Rainbow has been covered by many artists over the years, including Frank Sinatra, Barbra Streisand and Elton John. It has also been used in many films and television shows, including Sunrise (1967), Forrest Gump (1994), and Glee (2009).

The song is a message of hope and optimism that resonates with people of all ages. She is a reminder that even in the most difficult times, there is always hope for a better future.

Trumpet Solo - Level 1 - Digital Download

SKU: A0.957645

By Dua Lipa. By Clarence Bernard Coffee, Clarence Coffee, Clarence Coffee Jr., Dua Lipa, Koz, Madonna, Melissa A Elliott, Sarah Hudson, and Stephen Kozmeniuk. Arranged by Henrique F Mangoni. Pop. Individual part. 3 pages. Henrique Franke Mangoni #6889143. Published by Henrique Franke Mangoni (A0.957645).

Levitating by Dua Lipa. Arranged for solo trumpet. Perfect for beginners!



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dua lipa, levitating, future nostalgia, trumpet arrangement, trumpet arrangement of pop songs, beginner trumpet, pop song score.

B-Flat Trumpet Solo - Level 3 - Digital Download

SKU: A0.546454

By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Leo Silva. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Traditional,World. Individual part. 2 pages. MP Sheet Music #156474. Published by MP Sheet Music (A0.546454).

Theme from New York, New York (or New York, New York) is the theme song for the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It remains one of the best-known songs about New York City. In 2004, it finished 31st in the AFI's 100 Years...100 Songs poll of top American film songs. In 1979, Theme from New York, New York was recorded by Frank Sinatra for his album Trilogy: Past Present Future (1980), and has become closely associated with it as one of his signature songs. Don Costa received a Grammy nomination for energetic orchestration. Sinatra occasionally performed the song live with Minnelli as a duet. Sinatra recorded for the second time for his 1993 album Duets, with Tony Bennett. Sinatra's recording peaked at #32 in June 1980, becoming his final Top 40 hit. It was also an Adult Contemporary hit, reaching #10 in the US[2] and #2 in Canada. [3] The song made a small showing in the UK (#59); however, it reappeared several years later and reached No. 4 in 1986. The song was nominated for a Grammy Award for Best Pop Vocal Performance, Male and Sinatra made two more studio recordings of the song in 1981 (for their NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.

Trumpet Solo - Level 5 - Digital Download

SKU: A0.1018933

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.