Trumpet - Level 3 - Digital Download SKU: A0.1292865 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber. 17 pages. Andrew Lamb #883441. Published by Andrew Lamb (A0.1292865). Introducing Salut au Printemps - A Brass Trio Arrangement of Adolphe Danhauser's Hail to SpringTransport your audience to the enchanting world of springtime with this arrangement of Adolphe Danhauser's timeless composition, Salut au Printemps. Originally penned as a Secular Chorus in 1874 by the illustrious French composer, this arrangement for Brass Trio breathes new life into this classical gem.Crafted meticulously for three trumpets, Salut au Printemps captures the essence of the season with its delicate melodies and harmonies. For added versatility, an alternative third trumpet part for French Horn is included, allowing you to tailor the performance to your ensemble's unique instrumentation.Level of Difficulty: MediumThis arrangement strikes the perfect balance between accessibility and musical depth, making it an excellent choice for musicians looking to explore the rich world of classical music or to enhance their repertoire.Potential Uses: Concerts: Elevate your concert program with the refreshing and evocative sounds of spring. Recitals: Showcase the prowess of your brass trio in an intimate and engaging recital setting. Educational Purposes: Use this arrangement to teach students about classical composition and ensemble playing, fostering a deeper appreciation for musical history. Let Salut au Printemps be the centerpiece of your next performance or educational endeavor. Adolphe Danhauser's tribute to spring, brought to life through this arrangement, will undoubtedly captivate audiences and musicians alike, ushering in the season of renewal with grace and artistry.

Piano,Trumpet - Level 4 - Digital Download SKU: A0.722194 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Opera,Wedding. Score and part. 8 pages. Music-Scores.com #6013213. Published by Music-Scores.com (A0.722194). The Brindisi from the opera, La Traviata: Libiamone' lieti calici, or let's drink from the joyful cups. This is a fun and famous drinking song, great for a concert.Arranged for trumpet and piano.Duration: about 3 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com

B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1141454 Composed by DP and Jose Rosero Herrero. Arranged by Julián Guacaneme. Children,Christmas,Traditional. Individual part. 1 pages. Julian Guacaneme #741782. Published by Julian Guacaneme (A0.1141454). Traditional Spanish Christmas song, notes of the main melody for trumpet or any Bb instrument. Canción tradicional española de Navidad, notas de la melodía principal para trompeta o cualquier instrumento en Si bemol.

Trumpet Solo - Level 3 - Digital Download SKU: A0.951546 Composed by Traditional. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 5 pages. Travis Hayman #6099613. Published by Travis Hayman (A0.951546). The United States Marine Corps (USMC), also referred to as the United States Marines, is the maritime land force service branch of the United States Armed Forces responsible for conducting expeditionary and amphibious operations with the United States Navy as well as the Army and Air Force.The Marine Corps has been part of the U.S. Department of the Navy since 30 June 1834 and is coequal in status to the United States Navy, its sister service. The USMC operates installations on land and aboard sea-going amphibious warfare ships around the world. Additionally, several of the Marines' tactical aviation squadrons, primarily Marine Fighter Attack squadrons, are also embedded in Navy carrier air wings and operate from the aircraft carriers.

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.