EUROPE
1469 articles
USA
8 articles
DIGITAL
8 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
8 partitions trouvées


Brass Ensemble - Level 4 - Digital Download

SKU: A0.808712

Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).

    Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.
    This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.
    Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
Ensemble de cuivres

$7.95 7.55 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.791054

Composed by Alessandro Marcello (1684-1750). Arranged by Kevin P Holdgate. Baroque,Concert. Score and parts. 13 pages. Kevin P Holdgate #5001219. Published by Kevin P Holdgate (A0.791054).

Versatile Brass Solo Collection

I arranged the famous Marcello Oboe Concerto for the wonderful Tenor Horn soloist Helen Varley (Now Principle Horn of the Grimethorpe Colliery Band) when we played together with the James Shepherd Versatile Brass.

I have adapted so that it can also be played by Horn in F 

This is a difficult solo but one that I hope is seen as a challenge for budding players, hoping to play more difficult repertoire.

This is also available as an arrangement for full brass band.

Marcello - Concerto for Oboe (for Horn in F or Eb) - Ensemble Version
Ensemble de cuivres

$24.99 23.74 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.790937

Composed by Lionel Bart. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 13 pages. Kevin P Holdgate #4320249. Published by Kevin P Holdgate (A0.790937).

The Versatile Brass Sextet Collection

Suitable for players of all levels (Includes treble clef parts for trombone and Eb bass plus Eb Horn)

Suitable as a light concert item, singalong or as part of a Beer Keller Set

Oom-Pah-Pah is a lively and somewhat risqué show tune with music and lyrics by Lionel Bart and appearing in the musical Oliver!, when it is sung by Nancy and the crowd at the Three Cripples tavern. The word oom-pah-pah is seemingly used euphemistically to refer to both intoxication and fornication; however, as the song points out, the word's meaning is only as dirty as the listener interprets it. Although not an original music hall song, it recalls that genre well and, in terms of both its tempo and suggestiveness, shares characteristics with such late 19th century songs as Ta-ra-ra Boom-de-ay.

In the stage musical, the song opens Act II and does not contribute to the storyline. For the 1968 film version, it was moved to near the end and given a dramatic purpose. Sikes has refused to let Nancy take Oliver out of the pub and, unknown to him, to Mr Brownlow and rescue. He orders Bullseye to guard Oliver while he immerses himself in discussion with Fagin. So Nancy starts the song and gradually works the pub crowd into a raucous singalong, hoping their noise will drown out Bullseye's barking long enough for her to get Oliver away.



Oom-pah-pah
Ensemble de cuivres

$12.99 12.34 € Ensemble de cuivres PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale