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Brass Ensemble - Level 2 - Digital Download

SKU: A0.820034

Composed by Antonio Vivaldi. Arranged by Kathy Hirche. Baroque,Standards. Score and parts. 78 pages. Kathy Hirche #5043847. Published by Kathy Hirche (A0.820034).

The Four Seasons is generally considered to be Vivaldi’s most famous work. It is a set of four concerti for Violin, each of the four representing one of the four seasons. A performance of the entire original set would take at least 40 minutes. This version is a collection of the main themes presented as a short suite and takes approximately 5 minutes to perform. Alternatively, each of the movements may be performed as a separate piece. The aim of this arrangement was to give Early Intermediate Level Woodwind and/or Brass players an opportunity to perform what is undoubtedly one of the most well-known pieces of Baroque string repertoire. The instrumentation is flexible, allowing for many different combinations of instruments, including Clarinet Trio/ Ensemble, Saxophone Trio/Ensemble, Brass Trio/Ensemble and even Concert Band. The Solo at the start of the 4th Movement (Winter) is an opportunity to feature a Part 1 player who is more advanced. The inclusion of this short section is entirely optional. Part 4 is optional and can be used to include a Tuba and/or less competent players of Clarinet, Bass Clarinet, Tenor Saxophone and F Horn. The inclusion of a Tuba is preferable in the case of a large brass ensemble. The inclusion of a Bass Clarinet (Part 3 or 4) is preferable in a large clarinet ensemble. The score is shown in concert pitch. Octave displacement occurs in some parts. Parts 2, 3 and 4 are kept below the break for the Clarinet and/or Bass Clarinet players.  Parts in this set: Part 1 (Flute, Oboe, Clarinet, Alto Saxophone, Trumpet); Part 2 (Clarinet, Alto Saxophone, Tenor Saxophone, Trumpet, F Horn); Part 3 (Clarinet / Bass Clarinet, Tenor Saxophone, Baritone Saxophone, Trombone/Euphonium/Bassoon); Optional Part 4 (Tuba, Clarinet / Bass Clarinet, Tenor Saxophone, F Horn); Optional Glockenspiel, Optional Cymbal & Triangle & Tambourine (2 players); Optional Snare Drum & Bass Drum (2 players).

The Four Seasons - 3- or 4-part Woodwind &/or Brass Ensemble with Optional Percussion - Flexible Ins Ensemble de cuivres

$17.99 17.09 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.899867

Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867).

Genre: March

Length: 2:48

Instrumentation: Alto Saxophone and Euphonium

King Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.

The Composer:

John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.

The Arranger:

Email: alburden9012@eagle.fgcu.edu

Alexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.

King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium) Ensemble de cuivres

$7.99 7.59 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.899870

Composed by Samuel Francis Smith, Katharine Bates & Samuel Ward. Arranged by Alexander L Burden. Folk,Patriotic. Score and parts. 9 pages. Alexander Burden #5359107. Published by Alexander Burden (A0.899870).

Genre: Folk Songs, Patriotic

Length: 3:35

Instrumentation: Alto Saxophone and Euphonium

This fun and accessible mashup includes three well known American folk songs: Yankee Doodle, America (My Country Tis of Thee), & America, the Beautiful. Great for any occasion, it's guaranteed to be a hit at your next performance! 

The Arranger:

Alexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.

American Melodies Duet Ensemble de cuivres

$7.99 7.59 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.726435

Composed by Various. Arranged by Kenneth Baird. Christian,Christmas,Standards. Score and parts. 24 pages. Kenneth Baird Music #6092095. Published by Kenneth Baird Music (A0.726435).

Many have loved the duet arrangements found in the original collection of 12 Christmas Duets for Bass Clef Instruments arranged by Kenneth Baird. Volume 2 is now available! As in the original collection, this is a delightful collection of intermediate to advanced-intermediate level duets based on traditional Christmas carols. They are challenging at times (not for beginners) without being overwhelming; at times joyful, at times uplifting, at times serene. There's even a very jazzy version of Go Tell It on the Mountain! In addition to being a joy for friends to play together, they are a great resource for teachers to play at lessons with their students, they are are suitable for informal Christmas performances, and many are appropriate for church services. Note: the duets in this collection have NOT been arranged to be fully compatible with Mr. Baird's duet collections for other instruments. Instead, these have been arranged specifically for bass clef wind instruments (trombones, euphoniums, and/or bassoons). This collection does include the duets found in previously released Five More Christmas Duets for Bass Clef Instruments by Mr. Baird. Included in Christmas Duets, Volume 2, are: Carol of the Bells, Ding Dong! Merrily on High, the First Noel, Go Tell It on the Mountain, It Came Upon a Midnight Clear, Jingle Bells, Joy to the World (a more traditional version than found in the original duet collection), We Three Kings, Angels We Have Heard on High, God Rest Ye Merry Gentlemen, and In Dulci Jubilo (Good Christian Men Rejoice). If you are looking for simple harmonizations of Christmas Carols, this collection is not for you. If you are looking for something more, you've come to the right place.

Christmas Duets - Volume 2 - for Bass Clef Wind Instruments (Trombones, Euphoniums, and/or Bassoons) Ensemble de cuivres

$12.99 12.34 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.767280

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3218709. Published by Lyons Music Services (A0.767280).

As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs.

Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor).

The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna and there is a second named group Sestina.

This song, No 12, translates as Betty, who cried, was imprisoned by Chloris the shepherd while he hunted a deer. Needless to say, it was for romantic reasons!

As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse Ensemble de cuivres

$5.99 5.69 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.808685

Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score and parts. 83 pages. Sweetwater Brass Press #3631645. Published by Sweetwater Brass Press (A0.808685).

    What is a Rumpus? Most definitions include words such as noisy disturbance, commotion and uproar. Sort of like the sounds from a group of neighborhood children in the days before play dates, private lessons and organized kids’ sports. These sounds were part and parcel of the games they played, games that originated years, even centuries, before and involved high energy levels and top-of-their-voices counting, chanting or singing (with an occasional Nyah-nyah nyah-nyah nyah nyah thrown in for good measure!). Rowdy and raucous, indeed!
    This composition is one that will entertain both adults (who, after all, are just grown-up children!) and youngsters. Like children at play, it races right along. In one 6-minute work, it incorporates tunes of eleven children’s game and campfire songs: Michael Finnegan; Ring a Ring o’ Roses; Twinkle, Twinkle, Little Star; London Bridge; Hickory Dickory Dock; Three Blind Mice; John Jacob Jingleheimer Schmidt; My Pony Boy; Old MacDonald Had A Farm; The Farmer in the Dell and Bingo. And, again, like children at play, there is fun, humor and a surprise at every turn.
    A Rowdy, Raucous Rumpus is a hoot to play. At a cut-time tempo of 132 and with 14(!) changes of key, it keeps all five musicians on their toes. And busy: on the Tuba part, there are V.S. (turn the page quickly) indications on the bottom of 6 of the 8 pages, 5 for Trombone and Horn in F, 3 for Trumpet 2, and 2 for Trumpet 1. In Bingo, the last tune, the group intermittently stops playing and claps or foot-taps loudly (which is a good spot for audience participation!). On the audio clip, this is indicated with a click (actually, a tambourine sound).

    There are a few high notes scattered throughout. Trumpet plays B above its staff once and A a number of times. Trumpet 2 has one A above its staff. Trombone has one F above its staff. Tuba has one G in the top space of its staff.
A Rowdy, Raucous Rumpus Ensemble de cuivres

$9.95 9.45 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 1 - Digital Download

SKU: A0.931331

Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331).

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.

During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.

Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.

The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Lucy Meets Mr. Tumnus Ensemble de cuivres

$13.00 12.35 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download

SKU: A0.931327

Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327).

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.

During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.

Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.

The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Evacuating London Ensemble de cuivres

$13.00 12.35 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download

SKU: A0.931290

Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290).

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.

During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.

Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.

The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

To Aslan's Camp Ensemble de cuivres

$13.00 12.35 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Digital Download

SKU: A0.768517

Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517).

Victor Ewald

27 November 1860 - 16 April 1935

Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev,

CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.

All of these men had day jobs in non-musical fields.
Ewald’s contributions as a composer reflected an abiding love for brass

instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba.

I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).

Ewald: Quintet No. 3 for Brass Instruments Ensemble de cuivres

$28.00 26.6 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Digital Download

SKU: A0.768515

Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515).

Victor Ewald

27 November 1860 - 16 April 1935

Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev,

CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.

All of these men had day jobs in non-musical fields.
Ewald’s contributions as a composer reflected an abiding love for brass

instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba.

I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).

Ewald: Quintet No. 2 for Brass Instruments Ensemble de cuivres

$28.00 26.6 € Ensemble de cuivres PDF SheetMusicPlus






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