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Brass Ensemble - Level 5 - Digital Download

SKU: A0.792815

Composed by Claude Debussy. Arranged by Charles Decker. 20th Century. Score and parts. 21 pages. Gordon Cherry #6645173. Published by Gordon Cherry (A0.792815).

The Fanfare from Le Martyre de Saint Sébastien for Brass Choir and Timpani is a sophisticated and brilliant work by French master Claude Debussy from his incidental music for the 1911 mystery play written for the famous actress Ida Rubenstein by the Italian author Gabriele D'Annunio, The Martyrdom of Saint Sebastian. The Fanfare is taken from Part III of the work and is titled Le Concile des faux dieux (the Council of the false gods).

Charles Decker has done a fantastic job of editing the work for performance.

It is appropriate for advanced performers. The instrumentation is for 4 Trumpets in B-flat, 4 Horns in F, 3 Trombones, Tuba and Timpani.

Fanfare from Le Martyre de Saint Sébastien for Brass Choir and Timpani
Ensemble de cuivres

$25.00 23.47 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.791041

Composed by Hughie Charles and Ross Parker. Arranged by Kevin P Holdgate. Opera. Score and parts. 20 pages. Kevin P Holdgate #4966981. Published by Kevin P Holdgate (A0.791041).

Versatile Brass Old Time Collection

This is another arrangement from the concert I was asked to put together a few years ago to commemorate WW1 . I was asked to arrange a selection of music that was heard during the conflict, and to supplement that with songs from between the wars and from WW2... I arranged quite a few...

Suitable for those summer small group jobs that are becoming ever more popular in the UK, particularly for lower section and non-competing bands


We'll Meet Again is a 1939 British song made famous by singer Vera Lynn with music and lyrics composed and written by English songwriters Ross Parker and Hughie Charles. The song is one of the most famous of the Second World War era, and resonated with soldiers going off to fight as well as their families and sweethearts.

The song gave its name to the 1943 musical film We'll Meet Again in which Dame Vera Lynn played the lead role. Lynn's recording is featured in the final scene of Stanley Kubrick's 1964 film Dr. Strangelove, and was also used in the closing scenes of the 1986 BBC television serial The Singing Detective. British director John Schlesinger used the song in his 1979 World War II film, Yanks, which is about British citizens and American soldiers during the military buildup in the UK as the Allies prepared for the D-Day Invasion.

The obligato euphonium part can be omitted if required. The vocal line is also on the 1st Cornet line so this could be played as a standalone item.

We'll Meet Again
Ensemble de cuivres

$19.99 18.77 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.817619

Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619).

     James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer.  He is said to have created the words and music for more than 600 compositions.  Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer.  Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.”  His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years.

     Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect.  Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived.  Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms.  One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport.

     This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction.   The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba.  Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint.  Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880.  Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country:  softly and tenderly.  The arrangement ends with a brief recapitulation of the introduction.

     There are no really difficult or tricky rhythms in this arrangement.  Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff.  Otherwise, there are no exceptionally high or low notes.  The piece opens in the key of F major then, about halfway through, changes to G major.  Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66.

     Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would also like to receive your suggestions, comments, corrections and criticisms.  Contact him directly at lessmith61@bellsouth.net.  For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

In the Evening by the Moonlight
Ensemble de cuivres

$7.95 7.46 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download

SKU: A0.489928

Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century,Broadway,Musical/Show. Score and parts. 24 pages. James Moule #106032. Published by James Moule (A0.489928).

This is the second quintet for brass, based on four songs from the Broadway Musical, Annie: You're Never Fully Dressed Without a Smile, We'd Like to Thank you, Herbert Hoover, Something Was Missing and Annie. Parts are comfortably pitched for intermediate players. While designed for the traditional English brass band quintet (two cornets, tenor horn, baritone and Eb tuba), Parts 4 & 5 are also given at concert pitch and a Part 3 french horn part is provided. The set is excellent for both concerts and junior contests. The set comes with a full conductor's score. Total playing time is about 4'50.

Annie Overture
Ensemble de cuivres

$12.99 12.2 € Ensemble de cuivres PDF SheetMusicPlus






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