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Brass Ensemble - Digital Download

SKU: A0.768517

Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517).

Victor Ewald

27 November 1860 - 16 April 1935

Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev,

CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.

All of these men had day jobs in non-musical fields.
Ewald’s contributions as a composer reflected an abiding love for brass

instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba.

I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).

Ewald: Quintet No. 3 for Brass Instruments
Ensemble de cuivres

$28.00 25.09 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.934853

By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Ben Mulholland. Jazz. Score and parts. 39 pages. Benjamin D Mulholland #6141113. Published by Benjamin D Mulholland (A0.934853).

Fly Me To The Moon

'In Other Words'

for Brass Trio, Quartet, or more

Includes Trumpet parts in both Bb and C.

all parts given for standard and nonstandard combinations.

for examples: 1Trumpet in Bb, 2 Horn in F, 3 Trombone or Tuba, or

1 Trumpet in C, 2 Trumpet in C, 3 Horn in F; etc

Melody trades between parts. For Quartet or more configuration: the first part can trade off to save face, and the third part can be doubled an octave lower(when not playing the melody).

Flugelhorn part 3 is recommended over 3rd trumpet part, if playing with a Trumpet ensemble,

includes complete parts for Bb Trumpet, C Trumpet, Horn, Trombone, Tuba, and Flugelhorn.

Also available in Bb

Euphonium and Score available elsewhere.

Duration is 2'40-3'

Fly Me To The Moon (in Other Words)
Ensemble de cuivres
Tony Bennett
$14.99 13.43 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Digital Download

SKU: A0.768515

Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515).

Victor Ewald

27 November 1860 - 16 April 1935

Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev,

CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.

All of these men had day jobs in non-musical fields.
Ewald’s contributions as a composer reflected an abiding love for brass

instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba.

I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).

Ewald: Quintet No. 2 for Brass Instruments
Ensemble de cuivres

$28.00 25.09 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.1080252

Composed by Traditional. Arranged by Kent S. Burchill. Folk,Holiday,Patriotic,Standards,Traditional. Score and parts. 48 pages. WINDCREST #684455. Published by WINDCREST (A0.1080252).

The term Americana references that which pertains to or of the Americas. While many of our folk songs may not have originated here, they clearly pertain to our American Heritage. The songs in AMERICAN TRIPTYCH are examples of Americana. TWIN SISTERS is presented in three versions – waltz; schottische; and a reel. THE YELLOW ROSE OF TEXAS is featured as a two-step. Finally, AMERICA is presented in its traditional version as a patriotic hymn song, with a hint of its British heritage! This selection has been written for four Trumpets (one doubles on Bb picc.), two Fr. Horns, two tenor trombones, one BC Euphonium, and Tuba. Difficulty level is 4.5 to 5. Euphonium and Tuba range is to high Ab.. Key centers include F, G, Bb, Eb.

AMERICAN TRIPTYCH for Brass Choir
Ensemble de cuivres

$20.00 17.92 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.934855

By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Ben Mulholland Music. Jazz. Score and parts. 39 pages. Benjamin D Mulholland #6141115. Published by Benjamin D Mulholland (A0.934855).

Fly Me To The Moon

'In Other Words'

for Brass Trio, Quartet, or more

Includes Trumpet parts in both Bb and C.

all parts given for standard and nonstandard combinations.

for examples: 1Trumpet in Bb, 2 Horn in F, 3 Trombone or Tuba, or

1 Trumpet in C, 2 Trumpet in C, 3 Horn in F; etc

Melody trades between parts. 

For Quartet or more configuration: the first part can trade off to save face, and the third part can be doubled an octave lower(when not playing the melody).

Flugelhorn part 3 is recommended over 3rd trumpet part, if playing with a Trumpet ensemble, 

includes complete parts for Bb Trumpet, C Trumpet, Horn, Trombone, Tuba, and Flugelhorn.

Also available in C

Euphonium and Score available elsewhere.

duration is 2'40-3'

Fly Me To The Moon (in Other Words)
Ensemble de cuivres
Tony Bennett
$14.99 13.43 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Digital Download

SKU: A0.722696

Composed by Ethelbert Woodbridge Nevin. Arranged by Jari A. Villanueva. 20th Century,Folk,Patriotic,Traditional. Score and parts. 12 pages. JV MUSIC #1998239. Published by JV MUSIC (A0.722696).

Narcissus Opus 13. No. 4 by Ethelbert Woodbridge Nevin (November 25, 1862 – February 17, 1901) Arranged by Jari Villanueva Originally composed for the piano in 1891 by American composer Ethelbert Nevin, it is the fourth of the five pieces in the suite Water Scenes. A nice showcase for Trombone (or Baritone Horn). This selection requires some work but it will reward. A wonderful example of late 19th century music in America. This arrangement is a grade 4 and comes with optional substitute parts.

Narcissus Opus 13. No. 4
Ensemble de cuivres

$12.00 10.75 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download

SKU: A0.739514

Composed by Various. Arranged by David Catherwood. Christmas. Score and parts. 40 pages. Opus 3 Music #6117135. Published by Opus 3 Music (A0.739514).

These versions of Three Popular Christmas Carols are straightforward arrangement for Flexible trios and are suitable for any combination of Brass, Woodwind, Strings.

The keys chosen are perfect to accompany singing and whilst the arrangements are suitable for school ensembles they will also work well with experienced players.

The arrangements also allows for a great deal of flexibility in presentation for example a piano part is included for rehearsal/performance or if used as a solo

A full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:

Part 1 Melody in C (Oboe, Flute, Violin 1)

Part 1 Melody in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)

Part 1 Melody in Bass clef Euphonium, Baritone, Cello etc)

Part 2 Harmony in C (Violin 2)

Part 2 Harmony in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)

Part 2 Harmony in Eb (Alto Saxophone, Eb Horn)

Part 2 Harmony in F (Cor Anglais, Horn in F)

Part 2 Harmony in alto clef (Viola)

Part 3 Bass in C (Cello, Double Bass, Bassoon , Bass Trombone)

Part 3 Bass in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)

Part 3 Bass in Bb (Bb Bass Tuba, Trombone (treble clef)

Piano/Keyboard

3 Carols for 3 players, Good King Wenceslas, Away in a manger, Joy to the World, in Flex trio arr.
Ensemble de cuivres

$9.50 8.51 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.1093770

Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).

     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.â€

     This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.

     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.

     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.

     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)

     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

 

Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Ensemble de cuivres

$7.95 7.12 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Digital Download

SKU: A0.808697

Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).

    Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.
    In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.
    This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Come, Ye Thankful People, Come (St. George’s, Windsor)
Ensemble de cuivres

$6.95 6.23 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.808703

Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).

     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.
     Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.
     This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.
     Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Because
Ensemble de cuivres

$6.99 6.26 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.767421

Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421).

Titans:

 This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon.

 Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea

to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind.

The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force.

Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.

This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.


I am looking into making a version of this piece for Brass Quintet.


Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4


Brass Quartet - Titans
Ensemble de cuivres

$20.00 17.92 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.817619

Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619).

     James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer.  He is said to have created the words and music for more than 600 compositions.  Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer.  Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.”  His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years.

     Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect.  Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived.  Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms.  One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport.

     This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction.   The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba.  Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint.  Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880.  Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country:  softly and tenderly.  The arrangement ends with a brief recapitulation of the introduction.

     There are no really difficult or tricky rhythms in this arrangement.  Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff.  Otherwise, there are no exceptionally high or low notes.  The piece opens in the key of F major then, about halfway through, changes to G major.  Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66.

     Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would also like to receive your suggestions, comments, corrections and criticisms.  Contact him directly at lessmith61@bellsouth.net.  For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

In the Evening by the Moonlight
Ensemble de cuivres

$7.95 7.12 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.808712

Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).

    Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.
    This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.
    Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
Ensemble de cuivres

$7.95 7.12 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Digital Download

SKU: A0.790955

Composed by Camille Saint-Saens. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 74 pages. Kevin P Holdgate #4338385. Published by Kevin P Holdgate (A0.790955).

The Versatile Brass Classical Collection

This is the Full Brass Band Arrangement

I did this arrangement originally for Versatile Brass, which we played on a number of concerts.

This is not an arrangement for the 'faint of heart'. It is difficult, because the piece is difficult... but what a magnificent piece of music it is. 

According to legend, Death appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle (here represented by the trumpets). His skeletons dance for him until the rooster crows at dawn, when they must return to their graves until the next year.

The original piece opens with a playing a single note, D, played twelve times on the Harp, in my arrangement this is played by Tuba and Tubular Bell (the twelve strokes of midnight). The trumpet enters playing the tritone, which was known as the diabolus in musica (the Devil in music). Out of interest in the original, the solo violin plays this, during the Medieval and Baroque eras, consisting of an A and an Eâ™­-in an example of scordatura tuning, the violinist's E string was actually been tuned down to an Eâ™­ to create the dissonant tritone., no need for such alterations here.


Danse Macabre (Brass Band Version)
Ensemble de cuivres

$39.99 35.84 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.792288

Composed by Grieg, Edward. Arranged by Haynor, James. 20th Century,Romantic Period,World. Score and parts. 121 pages. Gordon Cherry #4803903. Published by Gordon Cherry (A0.792288).






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