Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1222069

Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 15 pages. Regis Bookshar #818353. Published by Regis Bookshar (A0.1222069).

La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate - Digital Download.

Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728 and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Booksgar to be played by Trumpet Quintets or Brass Quinets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.
Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public peformances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.
This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir, with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Joy. There is also a version which includes a Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (15 pages).
Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Brass Ensemble - Level 5 - Digital Download

SKU: A0.990301

Composed by Timothy Lee Miller. Contemporary,Jazz. Score and parts. 29 pages. TLM Music Publishing #595981. Published by TLM Music Publishing (A0.990301).

A fun tribute to the old west days of cowboys and dusty plains, or a drunken cowboy falling off a drunken horse. Nonetheless, yippie-ki-yay, pilgrim!! Trumpet parts are in B-flat with optional parts in C.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767215

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

 All 20 madrigals are here:

1. Ah! Dolente Partita – Oh, Sweet Parting!

2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you.

3. Cor Mio Non Mori? E Mori – My heart did not die? And it died

4. Sfogava con le stelle – He dallied with the stars

5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining

6. Anima mia perdona – My soul forgives

7. Che se tu se ' il cor mio – That if you are as good as my heart

8. Luci Serene e Chiare – Lights, serene and clear

9. La piaga c'ho nel core – The plague is in the heart

10. Voi pur da me partite – You do not mind me, though

11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes

12. Ohime se Tanto Amate – Alas! If you like it too much

13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing

14. Quel Augellin Che Canta – That little bird that sings

15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes

16. Si Ch'io Vorrei Morire – How I want to die

17. Anima Dolorosa – Suffering soul that lives so much pain and torment

18. Anima Del Cor Mio – My soul’s heart

19. Longe da Te Cor Mio – Stay away from me

20. Piagne e Sospira – He drinks and sighs

Parts are supplied to suit flexible brass or wind (or both) quintets as follows:

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767226

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087407. Published by Lyons Music Services (A0.767226).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

10. Voi pur da me partite – You do not mind me, though

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767235

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3087427. Published by Lyons Music Services (A0.767235).

Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

20. Piagne e Sospira – He drinks and sighs

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767219

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3087109. Published by Lyons Music Services (A0.767219).

Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

3. Cor Mio Non Mori? E Mori – My heart did not die? And it died

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767222

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087395. Published by Lyons Music Services (A0.767222).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

6. Anima mia perdona – My soul forgivesFlexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767234

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3087423. Published by Lyons Music Services (A0.767234).

Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

18. Anima Del Cor Mio – My soul’s heart

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767224

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 18 pages. Lyons Music Services #3087401. Published by Lyons Music Services (A0.767224).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

8. Luci Serene e Chiare – Lights, serene and clear

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767227

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087409. Published by Lyons Music Services (A0.767227).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767237

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3087425. Published by Lyons Music Services (A0.767237).

Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

19. Longe da Te Cor Mio – Stay away from me

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767231

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3087415. Published by Lyons Music Services (A0.767231).

Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

14. Quel Augellin Che Canta – That little bird that sings

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 3 - Digital Download

SKU: A0.808663

Composed by Richard Rodgers. Arranged by F. Leslie Smith. Pop,Rock. Score and parts. 21 pages. Sweetwater Brass Press #2853385. Published by Sweetwater Brass Press (A0.808663).

My Funny Valentine is a show tune from the 1937 Richard Rodgers and Lorenz Hart musical Babes in Arms. In the play, a character named Billie Smith sings the song to Valentine Val LaMar. Two years later, the film version of the play was released, but the plot had been revised to the extent that it kept only a couple of songs from the stage version; My Funny Valentine was not one of them. Nonetheless, the song became both a pop and a jazz standard and has been recorded many times. This version has a distinctly baroque feel.

Completed in 2016, this arrangement runs about 3 minutes, 29 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767230

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087417. Published by Lyons Music Services (A0.767230).

Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767233

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3087421. Published by Lyons Music Services (A0.767233).

Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

17. Anima Dolorosa – Suffering soul that lives so much pain and torment

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.