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Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694).     British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century.    While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes.    Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments.     This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
St. Peter (In Christ There Is No East or West)
Ensemble de cuivres

$12.95 11.12 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.775299 By Chicago. By Robert Lamm. Arranged by Alex Wilson. Pop,Rock. Score and parts. 28 pages. Alexander Wilson #5299121. Published by Alexander Wilson (A0.775299). Written by Robert Lamm and recorded in 1969, 25 or 6 to 4 is one of the band Chicago's most well known hits.  There was speculation about the meaning of the title, including one hypothesis that led the song to be banned in Singapore for over 20 years for alleged allusions to drugs, but according to the composer the song is about writing music in the early morning, and the title is nothing more salacious than 3:35am (25 to 4) or 3:34am (26 to 4).In any case, this song remains a classic of the rock genre 40 years after its publication, and is arranged here for 10 Bb trumpets.  Most of the higher and more difficult licks are concentrated in the top 4 parts, and the 1st part requires particular skill (leading me to mark this arrangement's difficulty as advanced intermediate), but each trumpeter involved will have have at least one moment of guitar-solo glory.  Perfect for a large trumpet ensemble with diverse skill levels.
25 Or 6 To 4
Ensemble de cuivres
Chicago
$12.99 11.15 € Ensemble de cuivres PDF SheetMusicPlus






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